MILAN — Italian eyewear powerhouse Marcolin Group and luxury fashion company Ermenegildo Zegna Group have signed ten-year licensing agreements for the worldwide manufacture and distribution of sunglasses and eyeglasses for the Ermenegildo Zegna and Agnona brands.
The deal marks the debut of Agnona in the luxury eyewear arena, and a new path for Zegna, which had previously produced its eyewear with De Rigo Vision SpA. Zegna creative director Stefano Pilati and Marcolin’s design teams are now working together to develop the lines.
Noting the license with De Rigo Vision had been fruitful, Zegna Group chief executive officer Gildo Zegna said he had long followed Marcolin’s work, and studied its successful development of the Tom Ford eyewear line. With the arrival of designer Pilati at Zegna, Marcolin approached the fashion company about a possible collaboration, and the timing was right to make a change, Zegna said.
Marcolin’s brand portfolio also includes Balenciaga, Montblanc, Roberto Cavalli and Tod’s among many. In Dec. 2013, the company acquired the U.S. company Viva Optique, notably boosting its distribution in that market.
“For Agnona especially, we think this [licensing deal] is a significant development, because we feel that for a women’s brand, eyeglasses and sunglasses are a very important segment,” Zegna said, adding: “The fact that Agnona has also launched and is developing its accessories line — shoes and bags – is important and will help to open the brand to a broad client base, initially more in wholesale, but also in retail.”
Zegna men’s wear sales are two-thirds retail and a third wholesale, whereas Agnona’s ratio is the reverse, Gildo Zegna said. “Glasses are for a woman what watches are to men — they’re significant objects that convey your point of view and how you want to be, and we will play extensively with this aspect and with Marcolin’s innovative production capabilities in fashion,” he noted.
“We are trying to build a portfolio that’s balanced between men’s and women’s lines, with brands that have strong international potential,” said Marcolin ceo Giovanni Zoppas, adding that Zegna and Marcolin have strong Italian identities that mesh well and share a focus on craftsmanship. “We have quality workmanship and quality materials, however we will not only be relying on these elements for manufacturing, but also for marketing around the product launch, with all that entails even in terms of packaging,” he added.
Zegna and Zoppas both emphasized the value consumers place on the “Made in Italy” label, especially in emerging markets in the Far East, noting that eyewear from Italy gives consumers a quality guarantee that extends throughout the entire supply and production chain.
“In Korea, customers insist that eyewear be only Made in Italy,” Zoppas said. “It’s important to underline that beyond the label Made in Italy, there’s all the work that lies behind it.”
This fall, Agnona’s first 20 glasses models will take the stage, while the first Zegna frames are expected in January 2015. Over the course of next year, Marcolin plans to introduce about 150 different glasses models for Zegna, of which 35 percent will be tailored to suit Asian fit — a reflection of Zegna’s strong existing presence in the Asian market.
Ten percent of eyewear, sunglasses only, will be sold in Zegna boutiques, while the remainder will be available through Marcolin’s distribution network for its high-end fashion segment. Agnona eyewear will retail for about 220 euros, or approximately $300 at current exchange rates; Zegna Couture eyewear — made exclusively with acetate — will sell for between 300 and 500 euros, or $407 to $679; and Ermenegildo Zegna eyewear for between 160 and 250 euros, or $217 to $339.
Zegna currently has about 550 monobrand stores and Gildo Zegna said that number was steadily growing. Zoppas declined to cite a specific number of doors that would carry Zegna and Agnona eyewear, but said Marcolin is increasingly focusing on regional distribution partnerships, for instance in the Middle East, Russia and China. “We will be focusing on the cream of the crop in this case,” he said.
Top markets for Agnona are Europe and the U.S., while for Zegna, China, Korea and Japan will be key areas for development. Zoppas emphasized that having sunglasses in Zegna stores will help trigger additional interest among retailers while building greater brand awareness among consumers.
@margotrobbie steps out onto the red carpet wearing @miumiu. The actress is nominated for “Outstanding Performance by a Female Actor in a Leading Role” in “I, Tonya” at the #SagAwards. (📷: Stewart Cook) #wwdfashion
For @massimogiorgetti of @msgm, the Nineties are his favorite decade. “They had a huge impact on my personal growth. What I like of the Nineties is that they are not so precise in terms of style as other decades…there was actually a bit of everything,” he said. As seen on MSGM’s Spring 2018 show: tie-dye and a bit of grunge, two styles that are synonymous with the decade #wwdfashion #wwddecades (📷: @kukukuba)
Breaking News: @hedislimane joins @celine as its new artistic, creative and image director. One of fashion’s preeminent image-makers and trendsetters, Slimane is to join the LVMH brand on Feb. 1 and unveil his first fashion proposition for men and women next September during Paris Fashion Week. It marks a major homecoming for Slimane, who cemented his reputation – and influenced men’s tailoring for more than a decade – as the designer of Dior Homme between 2000 and 2007. He went on to reinvent and ignite the house of Yves Saint Laurent, which he rechristened Saint Laurent, between 2012 and 2016 – all the while maintaining a close relationship with the Arnault family, which controls LVMH and Dior. Read the full exclusive story on WWD.com. Link in bio. #wwdnews #wwdfashion
“Personally I believe the Eighties have been the richest and more vivacious period for international fashion,” Giorgio Armani said when asked what his favorite decade of fashion is. It was a moment of disruption and experimentation and only thinking back to the first years of that decade is always an emotion for me, for what they have meant to me and my work.” The influence is clear in @giorgioarmani spring 2018 collection, pictured here, which was full of bright colors and unexpected prints. Read more about which decades designers loved most on WWD.com #wwdfashion #wwddecades (📷: @aitorrosasphoto)
For Lady Gaga’s only Italian show on her “Joanne World Tour,” the singer wore a range of @versace_official outfits. The standout piece: this custom-made bodysuit inspired by the brand’s spring 2018 collection. #wwdfashion (RG: @ladygaga)
@_camillaruth_ is expanding on the wellness-craze concept with @westbourne – a new NYC restaurant that’s both a healthy-minded café as well as a business that gives back to the community. Marcus works with the Robin Hood foundation to give back to The Door, a non-profit providing youth development services, and also hires employees through The Door. Read our full interview with Marcus on giving back through food on WWD.com. #wwdeye (📷: @lexieblacklock)