HONG KONG — Luxury handbag maker Nancy Gonzalez has opened a shop here, its first stand-alone store in Asia.
Located at IFC shopping mall in Central, the small store opened last month during the holiday shopping season.
“Things came together in a very organic way,” said Santiago Barberi Gonzalez, president and creative director of Nancy Gonzalez. “It’s very difficult to find a space in this mall and we got lucky because there was a space that could be available and it was the right space.”
Gonzalez said he chose Hong Kong for the stand-alone shop because of the city’s international and diverse background.
“I was more comfortable opening [a boutique] in a place that’s more worldly. Maybe people traveling here on holiday are not so incredibly familiar with the brand, but the Hong Kong high-end consumer would definitely be familiar because these are people who are traveling to New York City and London and Dubai, which are places where I have a very strong presence,” he said.
Nancy Gonzalez has 300 points of distribution worldwide, with less than a third in Asia. The luxury handbag maker has been selling in Asia through boutiques such as Lane Crawford, Isetan, Galleria, On Pedder and Sunpool. Gonzalez plans to open more monobrand boutiques soon.
“I think the only way to do business in Asia is through the model of a monobrand store. There is no choice. The customer in Asia likes to shop from the brand’s shop. In Asia, I don’t think you can do any substantial business if you don’t have your own store. Our focus is to open monobrand stores all over Asia,” he said.
To promote the brand, Nancy Gonzalez is relaunching its Web site in English and Chinese. The site will include extensive social media links including Facebook, Pinterest and others.
“The Web site was literally done for this store because in America and other countries our presence is so well known we didn’t need a Web site so huge to make the customer so aware of the brand. A store like this requires it,” he explained.
Gonzalez pointed out some of the design features of the small shop, which he said incorporates elements from both his native Colombia and Asia. With the help of his local partner Bluebell Group and architecture firm Rawlins Design, he decided to use palmwood on learning that the trees are indigenous to both Colombia and southeast Asia. He also designed a gold-leafed room to draw on the use of gold in both traditional Chinese design and pre-Colombian culture. The display shelves evoke Chinese screens but with a modern touch. Gonzalez also put a piece of artwork from his family collection in the shop. He plans to rotate the artwork on occasion.
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
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Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast