When a hip eyewear line meets a brand synonymous with Southern California streetwear, the result is Mosley Tribes x Stussy, a limited-edition sunglasses collection that combines the companies’ shared influences of street, surf and music. The three-piece range (antique gold and tortoise; pewter and matte black; silver and bone), hitting 70 Stussy stores and Colette on Dec. 1, pays homage to Steve McQueen’s motorcycle chic.
“It’s very old-school California coast in a Sixties-Seventies ‘Easy Rider’ sort of way,” says Larry Leight, founder and creative director of Mosley Tribes and Oliver Peoples.
The smaller metal aviators have an acetate brow bar and modernized cable temples, a hallmark of Fifties utilitarian eyewear that kept glasses snug on the face. The tribal print — an update of surfboard maker and artist Shawn Stussy’s iconic Tom Tom design from the Eighties, redrawn by artist Kate Gibbs — is featured on the temple of the silver and bone colorway and on the cleaning cloth and case. All styles retail for $275.
“Eyewear has always been a part of our heritage because we started by the beach,” says David Sinatra, whose father Frank (no relation to the singer) cofounded the apparel brand with Shawn Stussy. “There’s a mutual understanding of each other’s California roots.”
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast