Museumgoers are familiar with the typical souvenir-shop fare: decorative prints, scarves, cuff links, a mug or two. But how about a $28,780 necklace made of pure 24-karat gold, turquoise and pearls, one inspired by Afghanistan antiquities famously hidden during Taliban takeover?
To celebrate its upcoming “Afghanistan: Hidden Treasures from the National Museum, Kabul” show, the Metropolitan Museum of Art has teamed with New York-based jeweler Gurhan Orhan on a limited edition fine jewelry line inspired by the exhibition pieces, including the renowned Golden Hoard of Bactria. The collection, with prices starting at $350, accompanies a set of costume bijoux done in-house by the museum, similarly adapted from the artifacts. Prices for the latter range from $35 to $400. Proceeds from both collections will go back to the museum and its programs aswell as the National Geographic Society and the National Museum in Kabul.
This is the first time the traveling Afghanistan exhibit, which bowed last year at the National Gallery of Art in Washington, D.C., will be getting matching merchandise of such luxe pedigree.
“We decided to do this because the exhibition has a high jewelry quotient,” said Michael Nash, manager of jewelry reproduction at the Met. “I would say at least 75 percent.”
And opting to collaborate with Orhan was a no-brainer, Nash said. The jeweler already uses the same ancient goldsmithing techniques in his own designs. He also is one of a trio of jewelry designers already selling their wares at The Met Store.
“The whole thing is very exciting,” Orhan said. “There aren’t too many examples of jewelry from that era. The designs were Roman- and Greek-inspired, but also had features from Thailand and India, a real mix of East and West. It’s really incredible.” “Afghanistan: Hidden Treasures from the National Museum, Kabul” runs from June 23 to Sept. 20 at the Met and will subsequently travel to Ottawa and London.
— Venessa Lau
Damiani’s New Gem
In some instances, getting older is appealing.
Calderoni 1840, the fine jewelry firm Damiani acquired in 2007, is expanding into the U.S.
Founded in Milan in 1840, Calderoni was once the official jeweler to the Italian royal family and aristocracy. Today, the line is Damiani’s answer to high jewelry and is being sold in its exclusive network of U.S. boutiques.
“[The jewelers who make Calderoni pieces] use special craftsmanship and special skills that are typical of the beginning of the century,” said Antonio Pavan, president of Damiani USA. “The workmanship is unique and very few, if none, of the competitors are able to reproduce this jewelry.”
The line ranges from about $10,000 to $250,000 for elaborate fancy cut diamond collars, cocktail rings and intricate earrings with precious gemstones. Within Calderoni, there are 15 collections and 50 new styles are launched each year. All pieces are made in Milan by hand and are numbered.
Damiani is looking to strategically grow its distribution into specialty stores, and so Calderoni will be shown for the first time at Couture at the end of this month.
“It has the value for the customer at this time,” Pavan said. “They are looking for something they could value: tradition, security, investment.”
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast