Rutger, working with René Furterer at Reem Acra, pumped up the volume with a pompadour ponytail with a twist. He began by prepping hair with René Furterer’s Vegetal Mousse, then teased hair for volume, sweeping it back, he used Sculpting Gel to slick hair back into a ponytail in the back middle of the head. He left small sections free at the front of the head, rolling and pinning them along the sides of the head. He slicked back sides with Sculpting Gel to tame flyaways and used Styling Wax on the ponytail to keep it controlled, finishing with Vegetal Finishing Spray for shine.
Pat McGrath, working with Cover Girl at the show, used plenty of black mascara, taupe and caramel eye shadows on the eyelids and brow bone, and created an opaque cherry-red lip by mixing a red lip pencil and two lipsticks. She finished with a light application of pale pink gloss on the bow of the lip to catch runway lights.
“I was touched by the fact that she lost her father, really before his time, and it was a real shock. She had two young children, she was married and she was expecting that she would have her own life for a good 25 years,” said Claire Foy about playing a young Queen Elizabeth in Netflix’s The Crown. Styled by @mayteallende 📸@jgreenery #emmys2017 #wwdeyeu
“Truth and lies have become a real interesting theme, more than ever, lately,” Emmy nominee Laura Dern told WWD. "It’s a very interesting time to use our voice." Styled by @cristinaehrlich, 📸 @shayanhathaway #wwdeye #emmys2017
“It transcends the genre that is you think of a sci-fi show — you don’t expect it to be so profound or emotionally riveting,” Evan Rachel Wood told WWD of her Emmy nominated role in Westworld. styled by @samanthamcmillen_stylist 📸 @emmanmontalvan #emmys2017 #wwdeye