In the new sitcom Rob, comedian Rob Schneider plays a schlubby anglo man married to a hot Latina. Critics roundly panned the show—“fusty banality” was the verdict of the New York Times. Viewers disagreed, however, with 13.5 million people tuning in to watch the premiere on January 12, a figure EW.com said “stunned” the entertainment industry.
Clinique’s Ricardo Quintero wasn’t surprised however. Noting that Rob marks the first time a Latino family has been the centerpiece of a TV show on a mainstream American network, he says succinctly: “This show is tapping into an overall larger cultural trend that is happening.”
Indeed. That cultural trend—namely, the Hispanic population explosion in the U.S. over the last decade—has major implications for society overall, and beauty in particular. For Latino women (and men), beauty is a cultural imperative, making this a group that is going to be a key driver of sales in the U.S. in the years to come—the new generation of power consumer. “Latinas take great care of their appearance and they embrace their femininity in an amazing way,” says Chanel’s Christine Dagousset. As you’ll read in “Viva Latina,” that translates into a group that buys more makeup, skin care, hair products and fragrance than Caucasian consumers— provided marketers are attuned to their needs.
No doubt that the four women in “The Crimson Guard”—Marla Malcolm Beck, Jani Friedman, Katia Beauchamp and Ada Polla— are listening to the Latin beat. Each is a graduate of Harvard University, and each is out to make her mark in the beauty industry in a different way. WWD’s beauty financial editor, Molly Prior, recently sat down to talk with each about what it takes to succeed as an entrepreneur today.
Elsewhere in this issue, you’ll find an in-depth interview with Esi Eggleston Bracey, the exuberant executive who is the vice president of global cosmetics at Procter & Gamble. One of her favorite phrases is “rock your beautiful,” and she certainly applies it to every area of her life, as you’ll read in “Master Class.”
Jennifer Weil, our European beauty editor, profiled another dynamic rising star, perfumer Olivier Polge. The son of Chanel master perfumer Jacques Polge, Olivier is quickly making a name for himself with scents such as Balenciaga Paris and Dolce & Gabbana The One. While Polge admits that he can’t remember a time when he wasn’t aware of perfumery, he’s also very much his own man, personally and professionally. As with the others in this issue, we think he represents the best and brightest of the present and the future of the beauty industry, and hope you agree.
Drop me a line and let me know what you think at Jenny_Fine@fairchildfashion.com.
"'Dynasty' is all about gowns, the diamonds and the scandal, so it's a bit like the fashion industry. When we come to Cannes it's all about the red carpet dresses too, so it all fit really well," said designer @philippplein78 on the theme of his high-glamour resort 2019 show at his mansion in Cannes. #wwdfashion #cannes (📷: @zefashioninsider)
"I think Spike is such a brilliant director because he holds up a mirror to society and reflects these issues, yet he doesn't shove it down your throat, he doesn't tell you what to think," says @lauraharrier on her latest film @Blackkklansman. Harrier was at the Cannes Film Festival – for the very first time – with @officialspikelee. #wwdeye #cannes (📷: @zefashioninsider)
“I would think to myself, Are you happy? Yes, I’m wildly happy. I go to this studio every day and, in my inside voices, I’m giggling; I’m singing. Yes, it’s a lot of work, it’s a [huge] volume of material. It wouldn’t be for everybody. But I was very happy,” said soap opera star @therealsusanlucci of checking in throughout the years with her career trajectory. Lucci spoke to WWD about her decades-long career, love for pilates, motherhood and her QVC activewear line. Read Bridget Foley’s full piece on Lucci on WWD.com #wwdfashion (📷: @celestesloman)
@balmain has taken a stand at the #cannes Film Festival, dressing 16 actresses at a press call for the project “Noire N’est Pas Mon Metier,” or “Black Is Not My Profession.” The multimedia project includes a book, photo exhibit and documentary, which aims to expose discrimination in the French and American entertainment industries. “The moment I was asked to participate, I knew it was right for me, and for this brand, to form a part of this moment,” Balmain creative director @olivier_rousteing told WWD. #wwdnews #wwdfashion
"I always feel curious and I feel like there's more to learn. But I think being relevant, feeling relevant, I personally always feel that there's just so much more to know. And maybe that's the key.” — @themarcjacobs #wwdsummits #wwdbeauty (📷: @patrickmacleodphoto )
“The most amazing thing about her is that, regardless of all the things that have happened to her, her spirit is so undaunted by all of it. She is the most cheerful person you will ever meet. She doesn’t see problems, she only sees solutions,” said @ajanaomi_king of activist Ifrah Ahmed, who she plays in a new film “A Girl from Mogadishu.” WWD caught up with King at Cannes — Head to WWD.com to read more about her new role, personal style and how she uses social media for causes like Time’s Up and Black Lives Matter #wwdeye
WWD asked a number designers to share their thoughts on what Meghan Markle’s wedding gown will look like this Saturday. Here, Valentino’s Pierpaolo Piccioli sketches his look. #wwdfashion #royalwedding #meghanmarkle