NEW YORK -- Prescriptives has always taken pride in the shades of its lipsticks. Now it also wants to be known for what they do.
"We are planning to move from a quiet player in the lipstick category to a real force," said James Bunn, vice president and general manager of Prescriptives. "We have always touted our authority in color but never before in lip color formula."
To achieve this aim, the company is launching a new lipstick, called Extraordinary, with treatment properties. It contains sunscreens, free radical protection and moisturizers. In addition, the company claims that the brand's staying power clocks in at around nine hours, which is longer than usual.
Extraordinary, now rolling out now through June, will be available in 34 shades at $14.50 per tube.
Industry sources estimated that the introduction of Extraordinary and a new tester for all three of its lipstick brands would boost Prescriptives' business in the category by as much as 50 percent to a wholesale volume of around $15 million.
Extraordinary will join Prescriptives' two existing lipstick brands -- Classic and Matte. Prescriptives has reformulated the bulk of its lipstick shades, placing the emphasis on the Extraordinary line. Matte has been cut back from 14 shades to 12, while Classic has been reduced from 26 to 15. Some of the eliminated shades have been reformulated in the Extraordinary line.
"Consumers love the shades and the feel of Classic, but felt it didn't stay on long enough," said Sylvie Chantecaille, senior executive of creative marketing. "Matte lasted forever and had great shades but a lot of people found it to be drying."
"We know that Matte and Classic will always have their consumer," Bunn said. "But we are planning on Extraordinary being Prescriptives' basic lipstick. We think it will account for around two-thirds of our total lipstick sales."
If industry estimates are correct, that would come to some $10 million.
To differentiate it from the company's existing brands, Extraordinary will be packaged in a new case of brushed aluminum with an improved swivel mechanism for greater ease of application.
Matte and Classic are in pewterized gray tubes.The new vertical tester will organize all 61 lipstick shades, according to Prescriptives' four color families. Within each family, the shades will be arranged from lightest to darkest in three groupings: neutrals, brights and deeps. A key at the bottom will help consumers select the appropriate formula. There is also a drawer to house the company's 17 lip pencils and five of its eight lip glosses.
Previously, there was not one major lipstick presence on the counter. Instead there were two horizontal displays that held 14 Matte lipsticks each. The Classic shades were grouped together in a separate tester with eye and cheek colors.
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast