There was a time, in the pre-Google image search, pre-brand ambassador era, when the editor’s letter could easily be the only time readers saw an editor in chief’s face. These days, the editor’s letter is a little like a yearbook in a Facebook world — or like a monthly magazine’s celebrity cover in a paparazzi world — but the space still offers an editor the chance to present her- or himself as she or he would like to be seen. (The interventions of good lighting and major photographers with all their modern tools aren’t always used, but cannot be discounted.) September issues landed with a new crop of editors’ photos, back-to-school-style, so WWD took a look at the befores and afters.
JAY FIELDEN Editor in chief, Men’s Vogue Photographer before: Arthur Elgort Photographer after: Ben Hoffmann Before: boyish, approachable. After: somber, elbow-patched. On-brand bonus: grooming credit from Kérastase, makeup credit from La Mer. From the editor: A spokeswoman for the magazine said Fielden’s last photo was about four years old, and that he had finally found time to schedule a shoot. As for the makeup credit, the spokeswoman said it referred to skin care products, not eyeliner or mascara. The metrosexual lives.
CINDI LEIVE Editor in chief, Glamour Photographer before: Norman Jean Roy Photographer after: Matthias Vriens Girl-next-door yearbook photo gives way to a more sophisticated look and an Orlando Pita haircut. Both photos credit hair and makeup, but the new photo amps it up with a Prada fashion shout-out. What, no fragrance credit? From the editor: “Since it’d been 872 years since my last haircut, I figured it was worth a new photo.” CHARLA LAWHON Managing editor, In Style Photographer before: Wolfgang Ludes Photographer after: Stewart Shining An open smile and wind-blown hair has given way to a side lean and a cropped cut. The new photo also has a more measured smile, darker colors and a slightly confrontational arm-fold. The photo came with the recently unveiled redesign of In Style — will readers respond? From the editor: “Long hair? What was I thinking?” DAVID WILLEY Editor in chief, Runners’ World Photographer before: Robert Lewis Photographer after: Grant Delin He hasn’t lost the wholesome outdoors background, but the newest photo shows a less boyish and more chiseled face. Blame it on the American Society of Magazine Editors presidency. From the editor: “I don’t think the new one is all that different, although I guess I look a little older and a little more tired. A couple more marathons and late-night closes under my belt.…The idea is to reinforce that I, and we, are like them — we’re part of the community. And I think it does that. Also fun, in a corny, we-live-outside-the-media-bubble way: My kids like to grab the issue off newsstands, open to my ed letter, and hold it up and say, ‘Daddy!’”
JIM NELSON Editor in chief, GQ Photographer before: Terry Richardson Photographer after: Nathaniel Goldberg Nelson traded Richardson’s stark aesthetic and a casual, no-tie look for a tighter close-up, more flattering light and more formal attire. From hipster to squinty glamour shot. From the editor: “For a while I changed my photo often, because I didn’t want to be one of those fossilized editors whose photos you look at and think ‘He hasn’t looked like that since 1982.’ Then I got tired of changing it all the time. And I liked the Terry Richardson photo I had.…I always think September is the beginning of the magazine New Year, so it’s a good time to change.” As for grooming and makeup, “Whenever I wear makeup, I look like Wink Martindale.”
There'll be no rest for those headed to Europe for men's, as Paris just closed the gap with Milan. According to a provisional calendar released by the Chambre Syndicale, Paris Men's Week will now open a day earlier on January 16. See new highlights on the official lineup on WWD.com. #wwdnews #wwdfashion (📷: @kukukuba)
BREAKING: Jonathan Saunders is leaving @DVF. The designer has resigned from his position as chief creative officer of Diane von Furstenberg, the company said in a statement on Friday. At the time of his hire, von Furstenberg said Saunders’ arrival symbolized and facilitated her stepping back from the day-to-day duties that occupy the work of a full-time creative director. The British designer joined DVF in May 2016 and was in charge of all product categories. #wwdnews
For @versace_official’s spring ad campaign, the brand emphasized the archival prints from the spring tribute collection dedicated to the late Gianni Versace. Closing out the show were five of Gianni’s favorite models: Cindy, Naomi, Carla, Helena, and Claudia. Bowing on December 18, the new campaign is yet another tribute to supermodel-dom as the images by Steven Meisel are fronted by @iamnaomicampbell, @cturlington, @gisele and more. #wwdfashion
Four-time Oscar-nominated actress Annette Bening has been waiting 20 years to play Gloria Graham in "Film Stars Don't Die in Liverpool," which will be released on December 29. The movie about Graham – a Hollywood star known for her controversial relationship with a younger Englishman named Peter Turner – is based off a memoir Turned wrote. "She felt vulnerable to him, because she loved him, she really did love him. And anyone that we really truly are in love with, we re vulnerable to in a very deep way," said Bening. Read our full interview with the modern icon of an actress on WWD.com. #wwdeye (📷: @ninebagatelles; Styled by @cristinaehrlich)
The crisp white button down: a staple that can be dressed up or down and accessorized throughout the decades. Here, on a Art Basel-goer in 2017 on the left and on the iconic Audrey Hepburn in “Roman Holiday” in 1953 on the right. #tbt #wwdfashion (📷: Andrew Morales)
Known for her work with @victoriassecret, 25-year-old model @georgiafowler is raising her profile in Hollywood. Fowler stars in @vincecamuto’s holiday campaign, which launched in partnership with “Pitch Perfect 3.” “Almost every shoot with Vince Camuto, I’ve had to face a fear…It was definitely a challenge. I’m so grateful for it, though. I’ve always wanted to be a pop star, so that was the perfect chance,” Fowler said. Head to WWD.com to read about Fowler’s experience modeling, including at the #VSFashionShow, and her relationship with Nick Jonas. #wwdeye (📷: @jilliansollazzo)
EXCLUSIVE: Huda Kattan just became the first beauty influencer to land a major beauty deal. Kattan's business, @hudabeauty, has received a minority investment from private equity firm TSG Consumer Partners. The brand, which industry sources say is on track to do $200 million in retail sales for 2017, will receive support on product, retail and geographic expansion through the deal. Get all the details on the deal and read @_a_collins' interview with Kattan on WWD.com. Link in bio. (📷: @jgreenery) #wwdbeauty #wwdnews
Peruvian model @juanaburga_official – who is known for walking the runways of @rodarte, @viviennewestwood and @torybuch – is making the move to the big screen with drama “Los Últimos.” The film premiered in Argentina in November and arrives in the U.S. and Europe in 2018. On making the switch from modeling to acting, Burga told WWD: “It’s a completely different thing – a lot of people think it’s similar or try to connect things, especially like getting used to the camera or being looked at all the time or playing these different characrers, but film is a completely different story.” #wwdeye (📷: @jgreenery)
London’s newly opened @designmuseum will look back on the life and work of Azzedine Alaïa in a show that the designer helped to curate before he died of heart failure last month. The retrospective, which Alaïa had worked on with Mark Wilson, chief curator of the @groningermuseum, will look at the impact of his work worldwide. The show, “Azzedine Alaïa: The Couturier,” will run from May 10 to October 7. Read more about the exhibit on WWD.com #wwdnews #wwdfashion (📷: @zefashioninsider)