There was a time, in the pre-Google image search, pre-brand ambassador era, when the editor’s letter could easily be the only time readers saw an editor in chief’s face. These days, the editor’s letter is a little like a yearbook in a Facebook world — or like a monthly magazine’s celebrity cover in a paparazzi world — but the space still offers an editor the chance to present her- or himself as she or he would like to be seen. (The interventions of good lighting and major photographers with all their modern tools aren’t always used, but cannot be discounted.) September issues landed with a new crop of editors’ photos, back-to-school-style, so WWD took a look at the befores and afters.
JAY FIELDEN Editor in chief, Men’s Vogue Photographer before: Arthur Elgort Photographer after: Ben Hoffmann Before: boyish, approachable. After: somber, elbow-patched. On-brand bonus: grooming credit from Kérastase, makeup credit from La Mer. From the editor: A spokeswoman for the magazine said Fielden’s last photo was about four years old, and that he had finally found time to schedule a shoot. As for the makeup credit, the spokeswoman said it referred to skin care products, not eyeliner or mascara. The metrosexual lives.
CINDI LEIVE Editor in chief, Glamour Photographer before: Norman Jean Roy Photographer after: Matthias Vriens Girl-next-door yearbook photo gives way to a more sophisticated look and an Orlando Pita haircut. Both photos credit hair and makeup, but the new photo amps it up with a Prada fashion shout-out. What, no fragrance credit? From the editor: “Since it’d been 872 years since my last haircut, I figured it was worth a new photo.” CHARLA LAWHON Managing editor, In Style Photographer before: Wolfgang Ludes Photographer after: Stewart Shining An open smile and wind-blown hair has given way to a side lean and a cropped cut. The new photo also has a more measured smile, darker colors and a slightly confrontational arm-fold. The photo came with the recently unveiled redesign of In Style — will readers respond? From the editor: “Long hair? What was I thinking?” DAVID WILLEY Editor in chief, Runners’ World Photographer before: Robert Lewis Photographer after: Grant Delin He hasn’t lost the wholesome outdoors background, but the newest photo shows a less boyish and more chiseled face. Blame it on the American Society of Magazine Editors presidency. From the editor: “I don’t think the new one is all that different, although I guess I look a little older and a little more tired. A couple more marathons and late-night closes under my belt.…The idea is to reinforce that I, and we, are like them — we’re part of the community. And I think it does that. Also fun, in a corny, we-live-outside-the-media-bubble way: My kids like to grab the issue off newsstands, open to my ed letter, and hold it up and say, ‘Daddy!’”
JIM NELSON Editor in chief, GQ Photographer before: Terry Richardson Photographer after: Nathaniel Goldberg Nelson traded Richardson’s stark aesthetic and a casual, no-tie look for a tighter close-up, more flattering light and more formal attire. From hipster to squinty glamour shot. From the editor: “For a while I changed my photo often, because I didn’t want to be one of those fossilized editors whose photos you look at and think ‘He hasn’t looked like that since 1982.’ Then I got tired of changing it all the time. And I liked the Terry Richardson photo I had.…I always think September is the beginning of the magazine New Year, so it’s a good time to change.” As for grooming and makeup, “Whenever I wear makeup, I look like Wink Martindale.”
@tradesy is turning the concept of a showroom upside down with its new space in Santa Monica. Here, the company plans to hold events, art exhibits and a showcase rare fashion pieces like this Louis Vuitton boxing set. Get all the details on Tradesy’s first showroom on WWD.com. #wwdnews
Spotted last night at the @erdem x @hm launch event: Kate Bosworth, Rashida Jones, Kirsten Dunst and Selma Blair. The party, which took place in LA, also marked the opening of their pop-up shop. “I was interested in creating a collection that wasn’t in any way disposable. It was about pieces you’d create and keep forever, things that have a permanence to it,” designer Erdem Moralioglu said. #wwdeye (📷: Katie Jones)
Renee Zellweger in yellow in 2001 and again in 2017. Chosen as one of the 12 @pantone Leading Spring Colors (and dubbed “Meadowlark”), it only makes sense that the bright hue stands the test of time and is making a resurgence this season, seen already on stars like @blakelively and @gigihadid. (📷: Donato Sardello & @rexfeatures) #wwdfashion #tbt
Dior’s 70th anniversary celebration continues with a new exhibition at the Royal Ontario Museum in Toronto. “Christian Dior,” which is scheduled to run through March 18, takes a look at the founders tenure from 1947 to 1057 and feature 40 designs. Pictured here is an evening gown from the Ailée, fall 1948-49 haute couture collection. #wwdfashion (📷: Brian Boyle)
As one of the most recognizable models in the world, Christy Turlington Burns has an insider’s view of the fashion industry and the allegations of sexual harassment swirling around it. “I can say that harassment and mistreatment have always been widely known and tolerated in the industry. The industry is surrounded by predators who thrive on the constant rejection and loneliness so many of us have experiences at some point in our careers,” Turlington told WWD, along with her suggestions for how the modeling world should protect younger women and men. Read more on WWD.com. Link in bio. (📷: Tony Palmieri) #wwdnews
@asics America has tapped a new brand ambassador: famed DJ/record producer @steveaoki. This initiative is intended to set the tone for the new brand identity and philosophy and will include partnerships with influencers and in-store and off-line activations that will continue into next year. This is Asics’ most significant marketing effort in two decades, and is expected to attract younger consumers to the brand. #wwdfashion
24-year-old Jean Prounis is redefining the rules of jewelry. Formerly a studio assistant to Jemima Kirke and a design apprentice at Ghuran, she focuses on handcrafted subtleties and ancient goldsmithing techniques. “There was a really sterile feel in the environment and I wanted to have jewelry with character that shapes how you wear it everyday,” Prounis said. Each piece is hand made in New York, either by Prounis or three other jewelers in the district. #wwdfashion
“These collections continue to build on that vision, empowering differently abled adults to express themselves through fashion,” said @tommyhilfiger of his line of adaptive apparel, which launches today. The line consists of 37 men’s and 34 women’s styles based upon the pieces from the spring Tommy Hilfiger sportswear collection. #wwdnews