PARIS — Lancôme has delved deeper into fashion, asking three Paris-based designers to each create a couture makeup bag.
For the project entitled Nouvelle Vague by Lancôme, due out in mid-June, Simon Porte Jacquemus, Alexandre Vauthier and Yiqing Yin crafted such cases for a trio of the L’Oréal-owned label’s key products — L’Absolu Rouge lipstick, Hypnôse Star mascara and Hypnôse Palette eye shadow. The one requirement was that the iconic Lancôme rose somehow figure in their design.
It was the first bag for Jacquemus. His idea was to make a hybrid carry pouch and evening bag. The designer — who has his own line and is a finalist for the LVMH Young Fashion Designer Prize — used bright-pink waterproof cotton to craft his round bag’s exterior. Its interior is blue.
“It is very, very minimalist,” said Jacquemus of the bag, which he described as having both an Eighties and a Sixties aspect.
For his part, Vauthier — who has a namesake couture and ready-to-wear label — gleaned some inspiration from black lacquered cosmetics packaging. The exterior of his rectangular bag, which can be used on a chain or as a clutch, is of black satin and has black lamb’s leather inside.
Vauthier’s creation also has some characteristics of his first bag, called the Unfolder 7.
While developing her model, Yin kept in mind modern women, who need immediate, direct access to things.
“I really wanted to make a handbag out of the makeup case,” she said, calling her creation — the designer’s first accessory — “multipurpose.” It can be carried on a chain or without, and has a mirror inside.
“It’s a hard case, so everything is quite stable,” said Yin, who alongside having her own fashion line is artistic director of Leonard. “It’s very direct; it’s very practical. I really wanted every visual element of the bag to serve a purpose and not just be a decoration.
“Designwise I really like the idea of a shape that is almost masculine, because it’s very structured and geometrical like a piece of meteorite, something mineral but at the same time covered with a very soft and luxurious precious fabric that is very fragile,” Yin continued, referring to the broad-weft silk crepe in lamé.
Fifty bags from each designer will be sold for three months starting mid-June in selective distribution worldwide. In the U.S., prices will be $1,300 for the bags designed by Vauthier and Yin and $500 for Jacquemus’ creation.
Lancôme has long had a fashion focus. In the recent past, for instance, the label joined forces with Olympia Le-Tan for a one-shot minaudière containing some of the designer’s favorite shades of lipstick and nail polish for Valentine’s Day 2013. A limited-edition eye-makeup line with Alber Elbaz came out in June 2013, while an ephemeral color-cosmetics offering with Jason Wu went on counter in September 2013.
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast