LONDON — The Serpentine Galleries threw a party under the dappled evening sunlight in London’s Kensington Gardens this week to celebrate the crisp, unisex fragrance it has created in collaboration with Comme des Garçons. To mark the launch, Tracey Emin designed the graphics for the bottle and its packaging, and donated two works of art to raise money for the gallery.
“The first thing I asked Greg Krum [the gallery’s head of commerce] when he approached us about working on a scent together was, ‘Do you want to make any money?’ He said, ‘Absolutely not, this is about image and prestige, not profit,’” said Comme des Garçons president and co-owner Adrian Joffe.
The brand worked with Christian Astuguevieille, creative director of Comme des Garçons Parfums, and Emilie Coppermann, perfumer at the fragrance house Symrise, to develop the scent, which aims to capture the smells of Kensington Gardens in Hyde Park, where the Serpentine Galleries are located, as well as London’s urban air.
Astuguevieille said the journey began with a visit to Kensington Gardens to smell and touch the plants. “We looked at small plants, like shrubs, and the cut grass and mixed it with scents of a modern city — like tar and pollution,” said Astuguevieille. “Then we created it to make it positive and relevant — because some of those smells aren’t always positive.”
Among the guests that gallery director Julia Peyton-Jones jokingly threatened to mist with the fragrance were Eva Herzigova and husband Gregorio Marsiaj, Joan Collins, Bianca Jagger, Theo Fennell, Stephen Webster, Richard Caring, Raimund Berthold, Nancy Dell’Olio and Jay Jopling.
The scent is composed of grass, leaves, pollen (galbanum, iris leaf), oxygen (aldehyde, ozone), asphalt (black musk, nutmeg), labdanum and smoked cedar with a little bit of pollution (benzoin, juniper wood, gaïac wood).
“It really captures that feeling of spring coming, when they cut the grass around the gallery and the air is filled with that glorious green smell,” said Peyton-Jones.
As well as creating the art for the bottle and box, Emin donated two of her works to be sold to raise funds for the gallery’s education program: A neon wall hanging saying, “The Heart Has Its Reasons,” and a monoprint of her drawing of Antonio Canova’s “Psyche Revived by Cupid’s Kiss,” a version of which she picked up in a French flea market.
“I did this for Julia and Hans Ulrich [Obrist, the gallery’s codirector] and for everything they do for art,” said Emin. “I’m quite passionate about things; I like romantic notions, I like romantic things; I don’t know if anybody giving a bottle of perfume is romantic, but I think spraying perfume on yourself and imagining someone smelling you is romantic.”
The London-based art director Daniel Baer designed the packaging for the fragrance: a simple square bottle with a depth half its height. The box also features a removable slipcover, and the pump, collar and cap are all in silver.
The bottle features Emin’s drawing of Psyche and Cupid and the wording: “The Grass, The Trees, The Lake, And You.” The bottle text is printed in luminous silver, while the artwork for the packaging slipcover is made from hot foil stamped in bright silver.
The Serpentine eau de toilette comes in a 50-ml. bottle and will retail at $95. It will be stocked exclusively at the Serpentine Galleries, Dover Street Market London and New York and Comme des Garçons Perfume Shop from April 28.
It will roll out globally from May 5 to around 50 outlets. Joffe said Comme des Garçons Parfums hopes to make 500,000 pounds, or $840,625, in retail sales during the first year, with a portion of all royalties going to support the gallery.
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
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Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast