The Estée Lauder brand aims to reclaim its fragrance heritage this fall with the introduction of Modern Muse, its most comprehensive women’s scent statement since the 2003 launch of Beyond Paradise.
The company that empowered women to buy their own fragrance in 1953 with the launch of Youth Dew now plans to build upon that legacy. Due out in September, Modern Muse is positioned to cast women as stars in their own lives, noted Jane Hertzmark Hudis, global president of the Estée Lauder brand at the Estée Lauder Cos. Inc.
“This is the most important fragrance moment we’ve had in a decade,” said Hudis, who noted that the muse concept played well with Lauder’s rich heritage in fragrance. “Modern Muse captures what it means today to be independent and confident in one’s own sense of self and style.” She added that by using the term Modern Muse “we mean the idea of confidence that inspires.”
In addition, it makes for a compelling story “not only to our existing consumer base but to new, younger consumers.”
Hudis noted that the launch also provides an opportunity to beef up the brand’s fragrance business. “We have strong makeup and skin-care businesses, and certainly a commitment to fragrance classics like Youth Dew, Beautiful and White Linen. This new piece will add newness, but we believe this concept will hold on for a very long time to come.”
“We want to reassert ourselves as a fragrance powerhouse,” added Charisse Ford, senior vice president of global marketing for the Estée Lauder brand. Hudis added, “As a global player, it’s important for Estée Lauder to play in all three categories.”
The importance of this launch is evident in the expectations that have been circulating throughout the market. As in the past, Lauder declined to break out sales projections or budgets, but industry sources estimate that the new scent is aiming for a target as high as $95 million at retail globally within its first year on counter. That’s $57 million in wholesale value. Sources in the market speculate that in order to hit that lofty target, Lauder might be investing $50 million in advertising and promotional support.
Karyn Khoury, senior vice president of corporate fragrance development worldwide for the Estée Lauder Cos., noted that the juice is “modern, and has the subtlety of contrasting forces…a modern muse is a study in contrasts. It’s about dynamic tension in a woman’s life.” Khoury added that the interplay of different forces — softness and strength — can propel women forward and serve as inspirations.
Modern Muse was designed to give a dual impression. Khoury worked with Firmenich’s Harry Fremont to create the fragrance, which is built around two key accords: sparkling jasmine and sleek woods. The first accord combines exotic mandarin, tuberose, fresh lily, honeysuckle nectar, dewy petals, jasmine sambac and jasmine sambac China absolute. “Using two different forms of jasmine gives us a textured, layered effect, which adds depth to the juice,” said Khoury. “It’s a dual-impression creative approach.”
Khoury did the same thing with the sleek woods accord, which includes two different forms of patchouli, along with Madagascar vanilla, amber wood and soft musk.
The sparkling jasmine accord is intended to impart a feminine side, while the sleek woods accord represents strength, said Khoury.
Eaux de parfum in three sizes — 1 oz., 1.7 oz. and 3.4 oz, retailing for $58, $78 and $98, respectively — will be offered, as will a will be offered as will a 1-oz. parfum, a 6.7-oz. body lotion and a 6.7-oz. shower gel, retailing for $285, $50 and $50, respectively. While the majority of the collection makes its debut in September, the body lotion and shower gel will hit counters in late October and the parfum will be sold starting in February.
The fragrance bottle features a soft pink-tinted juice and a spray-through cap with a built-in, structured navy bow. The outer packaging follows these color cues and features an artistic sketch of the bottle inside. The pink was chosen to represent the soft, feminine side of today’s woman, while navy blue signifies the trademark color of the Estée Lauder brand, noted Hudis. In addition to traditional sampling, the brand plans to install dramming units at countertop.
The global rollout will be in phases. In the U.S., the scent will make its debut in about 2,200 department and specialty stores in September. The U.K., Switzerland, South Africa, Australia, New Zealand and Latin America will get Modern Muse this fall, while Europe and the remainder of the world will get the fragrance beginning in January.
Both TV and print advertising are planned, both featuring the aptly named Arizona Muse. Stuart Dryburgh shot the TV campaign in New York City’s Solomon R. Guggenheim Museum; the print ad, shot by Craig McDean, was shot in the same museum (history buffs take note: The eight bows on Muse’s dress and the one on the bottle in the ad are intended to represent the nine original muses who inspired art and beauty in ancient Greek mythology). The print campaign will include multipage ads and gatefolds, and will begin running in September fashion, beauty and lifestyle magazines. Digital will also be a major piece of the campaign, noted Richard Ferretti, senior vice president and global creative director for Estée Lauder.
Donatella Versace will receive the International Award at the 2018 @cfda awards, which were announced tonight. Tap link in bio for a list of all the nominees and honorees. #wwdnews #wwdfashion (📷: @rahirezvanistudio )
The 2018 @cfda Awards nominees are out! @virgilabloh for @off____white for is nominated for Womenswear Designer of the Year. Tap link in bio for all the nominees. #wwdnews #wwdfashion ( 📷: @simonelezzi)
@chanelofficial is suing high-end vintage retailer @whatgoesaroundnyc for trademark infringement, a move that could cost the retailer millions. The French fashion house claims that it’s not only unintentionally sold counterfeit goods on occasion, but that it’s “gone out of its way to create an association with Chanel,” which does not exist. Read Chanel’s statement on WWD.com #wwdnews (@aitorrosasphoto)
Exclusive: Guillaume Henry has left @ninaricci, the fashion house said on Thursday. “After three years of mutually gratifying creative collaboration, Nina Ricci and Guillaume Henry have together decided that the designer will depart the house after the presentation of the fall-winter 2018-19 collection,” Ricci said in a statement. Get all the details on WWD.com #wwdfashion (📷: @aitorrosasphoto)
“When Bella enters a room all heads turn,” said @peterphilipsmakeup, creative and image director for @diormakeup. Last night, the two celebrated the product launch of Dior’s Lacquer Plump in Los Angeles with other celebs like @parisjackson, @winnieharlow and more. Head to WWD.com to see the rest of the photos from the night (📷: @chelsealaurenla) #wwdeye
“These shirts are an art form, it’s about getting the message out to as many people as you can. It breaks down the pretentiousness of the art gallery,” says Kumasi Sadiki, cofounder of @ebayontheblock, a store that sells merchandise by New York artists who are shifting their attention to clothes as a wearable medium. Pictured here is a design by artist @joegarvey_, one of the first to spearhead this movement. Head to WWD.com to read @mistywhitesidell full story on how their designs have become merch for the underground elite #wwdfashion
@netaporter is dedicating a part of its website – called the Fine Jewelry and Watch Destination – to highlight its high-end jewelry. The hub will feature products on the site, as well as incorporate styling advice and educational content about high-priced jewelry items. Get more details on WWD.com. #wwdaccessories
For “The Cher Show,” an upcoming musical based on @cher’s life and career, @bobmackie is once again collaborating with the singer in designing the costumes. For decades, Mackie has designed glitzy stage costumes and red carpet looks for the 71-year-old Grammy winner. Pictured here is a sketch of some of the pieces in the wardrobe of the musical, which is set to debut in Chicago on June 12 before making its way to Broadway #wwdeye