Chloé was a late bloomer in the fragrance world, with its first scent coming out only in 1974 — more than two decades after the brand’s inaugural fashion collection in 1952.
Simply called Chloé, it was created with Karl Lagerfeld, then the label’s designer, who tried to express olfactively the brand’s romantic, floral essence.
“I knew I liked heavy perfumes, old perfumes, and I knew I hated green scents. There are so many of them around today,” he told WWD in a 1976 interview. Lagerfeld was describing the initial stages of his work on the fragrance, which was developed with Elizabeth Arden, Chloé’s fragrance licensee at the time.
Working with an International Flavors & Fragrances perfumer, he learned a lot. “I learned that the extract isn’t like the flower at all,” said Lagerfeld. “Jasmine in extract is the worst, and I love jasmine flowers.”
Lagerfeld found the process of translating his ideas and feelings into a scent both fascinating and difficult: “It’s like asking someone without hands to do a sketch. You just can’t mix up a fragrance yourself.”
The designer predicted that of the 20 or more fragrance introductions over the two prior years, only two or three would still be around a few years hence, and he hoped Chloé would be among them. That dream became reality as the signature scent for women became a strong seller and still figures in the brand’s portfolio.
Chloé’s next major perfume launch came in 1992, with Narcisse, followed by some smaller introductions, such as Chloé Innocence in 1996 and Chloé Collection from 2005.
In May 2005, Coty Inc. acquired the brand’s fragrance business as part of an $800 million deal with Unilever, which involved the consumer goods giant’s portfolio of prestige scent licenses that also included Calvin Klein, Cerruti, Vera Wang and Lagerfeld.
At the time, that Chloé activity was “really small,” according to Françoise Mariez, senior vice president of marketing for European fragrances at Coty Prestige. Yet fast-forward to today, when industry sources estimate the business rings up more than $100 million in wholesale revenues annually and has been chalking up double-digit gains each year.
Right away, Coty began reconstructing the Chloé fragrance branch practically from scratch. To accomplish that, it looked at archives and the fashion collection, for instance.
Chloé stands for “femininity,” “effortless chic,” “strength” and “freedom,” explained Mariez. “Our first step rebuilding the fragrance house was to really encapsulate in one fragrance the core values of the brand today.”
So Chloé Eau de Parfum was born in 2008. That it would be a floral was evident.
“As soon as you mention Chloé to fragrance consumers, the first thing they’d say is there are two values: romantic and floral,” said Mariez, who clarified that it’s a modern romanticism.
The signature scent was created by Robertet’s perfumers Michel Almairac and Amandine Marie and includes notes of rose, magnolia, lily of the valley and cedarwood.
Mariez maintained that the signature scent, which is the brand’s bestseller, works so well “because it’s a perfect translation of the Chloé spirit and brand values.”
Chloé Eau de Fleurs, a trio of soliflore scents, was introduced in January 2010. Yet the second major fragrance launch for Chloé under Coty was Love, Chloé, in 2010. Fronted by model Raquel Zimmermann styled as a modern-day Charlie girl, it targets a slightly more mature consumer. The juice, concocted by Givaudan perfumers Louise Turner and Nathalie Gracia-Cetto, includes notes of orange blossom, pink pepper, lilac, wisteria blossom, musks, talc and rice powder.
The Chloé business, whose two main brands were subsequently expanded, is a particular hit in Japan, where it ranks first among prestige women’s fragrance labels. In Italy, Germany and Spain, Chloé figures in the top 10. It’s in the top 15 in the U.S., where it’s “growing quite fast,” Mariez said, and in France and the U.K., Chloé lands in the top 25.
The next major Chloé project will be a women’s fragrance launching next spring. It’s possible that the brand could ultimately branch out into other beauty product categories, as well.
Taking the final spot on the mens’ portion of New York Fashion Week calendar next month will be none other than @tomford. Though he’s shown his men’s wear in New York in the past, this will mark the first time the designer has shown his men’s collection alone during New York Fashion Week: Men’s. His runway show will debut on February 6 at the Park Avenue Armory. #wwdfashion
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Minnie Mouse celebrated her 90th birthday by getting her own star on the Hollywood Walk of Fame. For her celebratory luncheon, @coach’s creative director @stuartvevers dressed her in a custom made prairie dress, complete with Vever’s take on the polka dot – black sequined versions – under a cropped motorcycle jacket. The designer also put his own mark on Minnie’s classic red shoes, infusing the color with sparkles and adding some Coach crystals. “We chose colors that were very Minnie and also represented quintessential Coach elements,” said Vevers. #wwdfashion #nationalpolkadotday (📷: George Chinsee)
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@margotrobbie steps out onto the red carpet wearing @miumiu. The actress is nominated for “Outstanding Performance by a Female Actor in a Leading Role” in “I, Tonya” at the #SagAwards. (📷: Stewart Cook) #wwdfashion
For @massimogiorgetti of @msgm, the Nineties are his favorite decade. “They had a huge impact on my personal growth. What I like of the Nineties is that they are not so precise in terms of style as other decades…there was actually a bit of everything,” he said. As seen on MSGM’s Spring 2018 show: tie-dye and a bit of grunge, two styles that are synonymous with the decade #wwdfashion #wwddecades (📷: @kukukuba)