Fort Lauderdale, Fla.-based chemist and beauty executive David Pollock believes water-free is the way to be.
The scientist, who has worked with a number of large beauty firms over the last two decades, is introducing a water-free skin-care range called Pur Attitude to retailers this spring. In Pollock’s view, water as an ingredient is relied upon too heavily in skin-care formulations, and ultimately reduces product efficacy.
“Each of my products is 100 percent active and has the highest levels of actives available to boost collagen and reduce wrinkles,” said Pollock. Rather than water, each product is infused with a proprietary hydrating complex called Hyaluronix, which he said is naturally found in almost every cell of the human body. “We know that skin can absorb up to 60 percent of what is put on it and water just dilutes the actives,” said Pollock. “Hyaluronix draws moisture from the air and binds up to 1,000 times its weight in moisture.”
According to Pollock — who specializes in the delivery systems of antiaging skin care and has created products for brands including Bliss, Smashbox, The Art of Shaving, SkinCeuticals and Lancôme — the proper delivery system is also key. “The biggest challenge is how to deliver ingredients because most ingredients don’t go below the surface of the skin,” he said. “Our delivery system is designed to mimic ingredients in the skin to cross the lipid barrier offering time-released nourishment.”
Pollock’s debut Pur Attitude offering, the three-piece Skincare Essentials kit (comprised of a face wash, moisturizer and eye cream), rolled out to purattitude.com in October. Since then, he has introduced the firming gel InstaResults and Wild Durian Fruit Peel, designed to detoxify impurities. His newest product, a serum called Fountain of Youth, will launch online later this month, and an Energizing Oxygen Serum will be added in June.
Pollock plans to take the entire Pur Attitude range — which is housed in glass flacons and color-coded origami-inspired outer packaging — to retail distribution in the spring, initially launching to about 300 specialty retail doors.
Although the brand would not break out figures, industry sources estimate the collection — which ranges from $18 for a cleanser to $90 for a serum — could generate between $5 million and $8 million between January 2013 and 2014.
Pollock’s also been on a mission to educate consumers about the ins and outs of the beauty industry: In July 2010, he wrote a book called “Stop the Lies,” and launched a Web site called justaskdavid, where he doles out beauty advice. Starting Tuesday, Pollock will begin hosting his own syndicated radio show, which will air on 152 broadcast stations, Internet radio and SiriusXM. “The biggest question I get asked is, ‘Does skin care work,’” said Pollock. “The answer is, the right product does.”
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast