PARIS — Louis Vuitton will accentuate quality, not quantity, to solidify its position in the marketplace, and to ensure future growth.
That’s the word from luxury titan Bernard Arnault, who elaborated on “adjustments” in Vuitton’s “elitist” strategy as he disclosed a 12 percent bump in 2012 net profits at LVMH Moët Hennessy Louis Vuitton — and voiced confidence about the group’s prospects for 2013.
“In some cases, Louis Vuitton has no competitors capable of producing the same quality of leather goods,” Arnault asserted during a results presentation at LVMH headquarters on Thursday. Sounding relaxed and confident, he stressed that it was “vital to heighten the quality lead.”
In a wide-ranging address, Arnault said Vuitton would rein in store openings in 2013 as it did last year, instead focusing efforts on refurbishing and upgrading existing units and providing “superior” customer service.
He said LVMH would continue to resist two quick, but potentially treacherous avenues to accelerate growth: marketing less-expensive, logo-driven products and rolling out stores in secondary cities in China, whose economy is expected to grow at 8 percent this year.
Asked by an analyst to quantify the split between Vuitton’s popular monogram canvas and its leather handbags, Arnault declined to give a breakdown, but said, “Leather is growing significantly faster than the rest, and that’s deliberate.”
Characterizing strong results at LVMH as the natural consequence of quality products and satisfied customers, he alluded to unnamed competitors who continue to roll out stores at a rapid pace. “That’s at their own risk: Short-term it works; longer term it’s questionable.”
LVMH said Vuitton continued its double-digit pace in 2012, and Arnault ensured continuity under the management helm of Michael Burke, who succeeded Jordi Constans at the end of last year after Constans resigned suddenly due to a health condition.
“I’m extremely confident…. I’m absolutely convinced that Michael will be able to drive Vuitton forward into the future,” Arnault said.
“We’re not going to change a strategy that’s successful,” he continued. “We keep the teams that are there and that are successful. They’re motivated and they are passionate about working for this iconic brand.”
Notwithstanding volatile currency fluctuations that will create headwinds for exporters like LVMH, and require price increases in Japan starting Feb. 15, Arnault said his outlook for 2013 is positive, citing a recent “bounce back” in the U.S. and Asia.
He allowed that Europe remains a trouble spot, but “we are selling a lot to visitors so we’re less affected by the economic stagnation than other segments.”
“I believe we can be confident for the overall business climate because the world is growing,” Arnault continued, trumpeting the group’s “exceptional performance” in 2012, headlined by a slight acceleration in sales growth in the fourth quarter, despite a challenging economic context.
LVMH’s net profit rose to 3.4 billion euros, or $4.4 billion, in 2012 as a whole, compared with 3.1 billion euros, or $4.26 billion, in 2011.
In the fourth quarter, sales advanced 12 percent to 8.2 billion euros, or $10.68 billion, versus 7.4 billion euros, or $9.92 billion, in the prior-year period. Dollar figures are converted from euros at average exchange rates for the periods to which they refer.
In organic terms, revenue growth stood at 8 percent, compared with a 6 percent increase in the third quarter. By region, revenues in the fourth quarter gained 12 percent in the United States, excluding Hawaii; 10 percent in Asia; 7 percent in Europe, and 6 percent in Japan.
While LVMH stopped short of giving any sales or earnings guidance for the year ahead, Arnault singled out Fendi, Céline and Berluti among future growth stars.
The latter brand, an elite cobbler being transformed into a luxury men’s lifestyle label by Arnault’s son, Antoine, is expected to generate “several hundred millions of euros” in a few years and, “I believe in three years it will be profitable,” the elder Arnault said.
Investments in Fendi’s expansion, Berluti’s relaunch and Vuitton communications were cited among factors explaining the modest bump in operating profits for fashion and leather goods: 6 percent versus double-digits for all other business divisions.
Pointing to screens overhead showing a scene from Vuitton’s current television, print and cinema campaign in which model Arizona Muse rides in a striped air balloon, Arnault remarked, “It’s less expensive than Brad Pitt.” The allusion to Chanel’s controversial ad for No.5 starring the “Fight Club” and “Moneyball” actor elicited a round of chuckles.
In the year ending Dec. 31, revenues for LVMH, the parent of brands including Bulgari, Guerlain, Givenchy, Sephora and Dom Perignon, rose 19 percent to 28.1 billion euros, or $36.13 billion, from 23.7 billion euros, or $32.94 billion, in 2011.
By business division and in organic terms, sales advanced 6 percent for watches and jewelry; 7 percent for fashion and leather goods; 8 percent for perfumes and cosmetics; 11 percent for wines and spirits, and 14 percent for selective retailing, which includes the DFS and Sephora banners.
Arnault noted that Dior’s J’Adore fragrance ranked number one in France for the third year running, with Guerlain’s La Petite Robe Noir in second place.
LVMH’s figures come on the heels of other company results suggesting the Asian locomotive is running out of steam and that the luxury sector won’t be able to keep up its blistering pace. Last week, Compagnie Financière Richemont reported a slowdown in sales growth in its fiscal third quarter, saying sales in the Asia-Pacific region were flat year-over-year on a constant-currency basis.
Burberry Group plc, meanwhile, said revenues in the three months to Dec. 31 climbed 11.3 percent, although sales on the shop floor remain soft as the macroeconomic situation weighs on customer sentiment, particularly for “aspirational” shoppers.
During Thursday’s presentation, Arnault waved off a question about his controversial quest to seek Belgian citizenship, preferring to tout the luxury goods sector as a principle driver of the French economy, and pointing out that LVMH hired 2,000 workers in France last year as it opened more workshops.
He also trumpeted the group’s entrepreneurial spirit, likening his “command teams” at various brands to “drones, not 747s loaded wall-to-wall with accounts.”
Exclusive: Nicola Formichetti is parting ways with @diesel after nearly four years. Formichetti, who served as Lady Gaga’s stylist in 2009, joined Diesel in 2013 as creative and artistic director. His first show debuted in Venice with a show held at the Venetian Arsenal. #wwdfashion #wwdnews
The polo shirt - an icon of preppy style - is roaring back into fashion in many creative guises, like this A-line polyester top from @carven, worn with @31philliplim cotton and elastane pants. Designers stretched a fashion classic into all kinds of new permutations this season. See how @mayteallende styled the preppy trend on WWD.com #wwdfashion (📸 : Kinya)
(Market Editors: @andrew_shang and @elmercer, Makeup: @amandawilsonmakeup using @fentybeauty, Hair: @gonn24, Model: @bara_holotova at @women360mgmt)
“I do like period [projects] a lot because I like creating those worlds, a world that is different from today," costume designer Mark Bridges said about the '50s British couture featured in @phantomthread. Bridges created the overall aesthetic and individual fashion looks for the film, which stars Daniel Day-Lewis, Lesley Manville and Vicky Krieps. Pictured here is a gown he designed for Krieps who plays Alma – the love interest of Day-Lewis' character, Reynolds Woodcock. #wwdfashion
@prada is embracing the holiday season with a series of short movies about the art of gift-giving. "The Postman's Gifts", which was directed by American filmmaker Autumn de Wilde, focuses on the brand's signature Prada Galleria bag and features Elijah Wood as the postman. In the first two episodes, Wood's delivers the iconic bag to @emmaroberts, who plays herself as a movie star, and Sasha Frolova. #wwdfashion
“I think I never met the person while we were working,” Vicky Krieps said of Daniel Day-Lewis, who she plays the love interest of in “Phantom Thread.” Day-Lewis remained perennially in character, so much so that she feels she’s just meeting him now. “It’s interesting to see how different he is in real life to the character,” Krieps said. WWD sat down with the 34-year-old actress to talk about her new role in the period film, which brings the fifties’ gender dynamics into the mix. Read more on WWD.com. #wwdeye (📷: @lexieblacklock)
@gucci has expanded its “Places” project to include six new cities. The initiative, which was first unveiled in July, aims to invite people to explore inspirational locations for the brand. On the list is the Biblioteca Angelica library in Rome pictured here. See the other five new venues on WWD.com. #wwdfashion (📷: @massimo_listri_official)
#ad From tools to lashes, WWD rounded up wellness and beauty products guaranteed to take your skin care and makeup routines to the next level in 2018. Follow along as @laceandleatherbyelyse, @ashnfashn and @elleisalwayshere experiment with these products on their Instagram profiles and blogs. #NewYearBetterYou
Blogger @camilacoelho is one of the fastest growing beauty influencers around the world. The bilingual blogger has worked with brands like @revolve Beauty, @dior, @louisvuitton and more and has an Earned Media Value of $34,338,441, according to @tribedynamics. But Coelho isn’t the only influencer making a major impact — head to WWD.com to see the other fastest-growing influencers in six key global markets. #beautyfridays (📷: @zefashioninsider)