Li & Fung Ltd. grew to be a powerhouse by squeezing cost out of the supply chain — and although analysts fear the company is now feeling the squeeze itself, Bruce Rockowitz begs to differ.
Rockowitz, who is president and chief executive officer of Li & Fung, brushed aside outside concerns that the company’s role as a “middleman” is not sustainable, that it’s too reliant on momentum-losing private label brands and that it is facing rising labor costs, particularly in China.
Instead, the ceo was optimistic about the future, noting that the troubled LF USA unit swung back to profitability in fiscal 2013 and that sales in the U.S. are picking up.
“Things have been written about private brands diminishing,” Rockowitz told WWD in an interview earlier this year before the company entered a blackout period ahead of releasing its full-year 2013 numbers on Thursday. “We don’t see that trend. We don’t see what people are actually talking about.”
The ceo said some market observers have taken a few isolated examples of department stores scaling back their private label business and made sweeping generalizations.
“Our percentage of private brands to the department store level is only a small part of our business and we don’t see that trend anyway,” he said.
As the firm prepares to present its new three-year plan this month, analysts are looking for scaled-down expectations, fewer acquisitions and a stronger focus on organic growth. That reticence stems not only from Li & Fung’s recent track record, but also stiff headwinds from a changing industry. In August, the company reported profits in the first half of the year dropped 69 percent to $96 million, while sales came in flat at $9.13 billion amid a “challenging” retail environment in the U.S. The firm counts Kohl’s Corp. and Wal-Mart Stores Inc. as its two biggest clients, but also works with American Eagle Outfitters Inc., Aéropostale Inc., PVH’s Corp.’s Tommy Hilfiger and Kate Spade.
“They’ve been more cautious in the last six months on guidance,” said Mariana Kou, analyst at CLSA in Hong Kong, of Li & Fung. “They have a bad track record in missing a couple of [previous targets] already.”
Rockowitz did not disclose any financial forecasts but he did allow that the company’s turnaround of its U.S. unit is “totally on track” and the division will swing from a loss in fiscal 2012 to a profit in fiscal 2013.
“We’re now past the difficult part,” Rockowitz said.
Speaking more broadly, he characterized 2013 as a “very volatile year” for the U.S. and noted sales there turned out “pretty well” over the final five or six weeks of last year, although there was a lot of discounting. Elsewhere, Europe “looks better than the numbers,” with the U.K. doing better than expected, he said.
“[In] 2008 the world fell apart, it really takes six to seven years to recover [from] that size of calamity and we’re coming out of it now,” he said. “I’m looking forward to the next three years.”
Li & Fung shares rose 0.8 percent Tuesday to 10.14 Hong Kong dollars, or $1.31, but the stock dropped 25 percent last year, reflecting the company’s challenging outlook. In December, Moody’s downgraded the company’s credit rating to “Baa1” from “A3,” citing risk from its distribution business and uncertainty in the global macroeconomic environment.
For years, Li & Fung has built its reputation as a low-cost sourcing specialist. The firm’s trading unit boasts a network of 15,000 suppliers in China, Bangladesh, Cambodia and elsewhere. Analysts contend the difficulty with this model is that costs in China, where the company does much of its sourcing, are rising at a time when the U.S. economy and U.S. consumer spending remain sluggish. Wages are also rising in Cambodia, where labor protests have turned deadly. And the apparel industry in Bangladesh is still dealing with the aftermath of the tragedies at Rana Plaza and Tazreen Fashions that killed more than 1,200 people and resulted in the formation of two international groups of retailers and brands aimed at toughening safety standards in factories there and improving working conditions.
“We suggest investors focus on the sustainability of Li & Fung’s ‘middleman’ model in an increasingly transparent and connected world,” said Spencer Leung, analyst at UBS. Leung has a “sell’ rating on the company’s shares and noted some retailers, buyers and suppliers feel Li & Fung’s biggest competitive advantage in the past — its flexible network of factories — has turned into its biggest weakness.
Factories generally make about 1 to 3 percent net margin while wages in China are rising at about 10 percent a year and labor usually makes up 20 percent of the cost of goods. For the past two decades, middlemen such as Li & Fung have been squeezing suppliers, which make close to no profit. But as margins shrink to nothing, suppliers are increasingly walking away. Fast-fashion retailers such as Zara, H&M and Uniqlo are also emphasizing speed over margins and dealing directly with factories.
Rockowitz was quick to debunk the theory that Li & Fung’s business model has come under strain.
While the executive acknowledged that costs are rising in China, he said it’s also important to note that Chinese factories’ expertise and efficiency outpace that of other countries, particularly in areas such as leather goods, shoes and toys. Currently Li & Fung does about half of its overall manufacturing in China and half in other countries like Bangladesh and Cambodia, Rockowitz said. But he specified that it’s a different story for apparel, where Li & Fung does only 25 percent of its sourcing in China.
“[The Chinese are] more efficient than all the other countries and so the cost of labor is higher but they need fewer people and the accuracy is higher, the quality is better, the compliance is better,” he said.
Rockowitz similarly dismissed the suggestion that the “middleman” model is not sustainable.
“Honestly that story comes out every five years or so…what happens is one or two people open their own [sourcing] office and it creates a trend in people’s minds,” he said. “There’s no overall trend in the market per se. We have not lost any customers…any large customers, any sizable customers to that trend in the last few years.”
If anything, Rockowitz argued, the market is moving in the other direction with retailers and brands realizing the importance of having a partner when it comes to manufacturing in volatile developing countries. Worker safety issues have taken center stage in the fashion industry since the Rana Plaza disaster last April.
“I think the [Bangladesh] tragedy really showed a lot of brands and retailers that they do need a partner like Li & Fung to oversee not just the quality of production and not just the pricing, but also to oversee the integrity of the factories and that the treatment of workers is in line with what it should be,” he said.
In January Li & Fung said it created a new business unit to zero in on factory and worker safety. Dubbed Vendor Support Services, the unit will be led by group chairman Dr. William K. Fung.
“As the leading sourcing company in the world, we feel our responsibility is to play an even bigger role in bringing about and speeding up systematic positive change in the industry,” Fung said.
Li & Fung’s outlook has also been impacted by its relationship with Wal-Mart, the world’s largest retailer. In a move that some saw as highlighting the challenges in Li & Fung’s trading business, the company revised its deal with Wal-Mart in 2012 and signed a new five-year agreement with the retailer.
“It’s well known that the Wal-Mart deal hasn’t performed as well as originally expected,” said CLSA’s Kou, noting that Li & Fung is now mostly dealing with Sam’s Club, rather than all of Wal-Mart. The partnership seems to be fairly steady but with “not as much growth as before,” she said. CLSA estimates Li & Fung’s revenue will grow 9 percent in 2014.
Rockowitz downplayed the significance of the altered agreement with Wal-Mart, characterizing the changes as “minor.” Under the previous deal, Li & Fung channeled its Wal-Mart sourcing exclusively through one of its subsidiaries, Direct Sourcing Group, but now it can leverage other parts of its business to serve Wal-Mart, the ceo said.
The market is also eyeing Li & Fung’s acquisition strategy going forward. The company has snapped up a number of assets over the past several years, including New York-based handbag importer Van Zeeland Inc. and Beyoncé and Tina Knowles’ fashion business Beyond Productions.
Rockowitz said Li & Fung will still make acquisitions as opportunities present themselves but that the firm is emphasizing organic growth over the next few years.
“The focus will be to utilize what we have, grow what we have, do more with existing customers and do a better job with existing customers and, of course, get new customers,” he said.
Nicholas Studholm-Wilson, an analyst at Sun Hung Kai Financial, has a slightly more optimistic take on the company than some of his peers. Though he acknowledged that the sluggish consumer outlook in the U.S. is difficult, he said Li & Fung could improve its growth profile by targeting emerging markets as a distributor of brands. Li & Fung is also diversifying, the analyst said, and now has about 35 percent of its business in non-apparel hard goods.
The company is likely to focus on strengthening its distribution and trading businesses, said Studholm-Wilson, who has a “buy” rating on Li & Fung. “The problem is if consumption doesn’t get better, then they have to rethink their strategy,” he said.
Breaking News: @louisvuitton's men's artistic director @mrkimjones is leaving the French fashion house after nearly 7 years. Jones joined Louis Vuitton in 2011, following a three year tenure as creative director of British luxury goods brand Alfred Dunhill. Jones is to exit Louis Vuitton after showing his fall 2018 collection for the brand in Paris on Thursday. Read the full exclusive story on WWD.com. Link in bio. #wwdnews #wwdfashion
For men’s fall 2018, @giuseppezanotti drew on elements from streetwear, sport, biker, combat and rock ‘n’ roll. Pictured here are a pair of shoes from the collection, featuring zippers, rhinestones, and silver hardware. Head to WWD.com to see a roundup of the accessories from Milan’s men’s fall 2018 shows. #wwdfashion (📷: Andrea Delb)
To celebrate the 25th anniversary of @ralphlauren’s snowboarding collection, the brand is mining its archives. The iconic brand is reintroducing vintage styles and dropping new designs for a color capsule that will be available in Ralph Lauren stores and @openingceremony on January 25. The capsule will consist of 10 pieces, including the Snow Beach Pullover, pictured here, which is a collector’s item that rapper Raekwon wore in Wu-Tang Clan’s “Can It Be All So Simple” video. #wwdfashion (📷: Tom Gould)
For @rochasofficial’s pre-fall 2018 collection, creative director Alessandro Dell’Acqua channeled the sophisticated and intriguing Catherine Denevue in the film “Belle de Jour.” Polished collarless coats, midi skirts, suits and ’60s graphic motifs were all featured in the collection, adding a sense of discreet luxury. See the rest of the photos on WWD.com #wwdfashion
“We tried to produce clothing of that couture quality, but the most daunting part was that we only had a matter of days [to do it],” said costume designer Lou Eyrich, who recreated Gianni Versace’s iconic looks for @americancrimestoryfx. Eyrich searched online retailers and vintage shops for original pieces from the design house and for @penelopecruzoficial, who plays Donatella Versace. Head to WWD.com to read how she created the Versace world. #wwdfashion
Only three months after her stellar debut catwalk season, @kaiagerber has inked her first big design collaboration –– with @karllagerfeld. The collection blends Lagerfeld’s Parisian chic aesthetic and the model’s signature West Coast casual style via RTW, accessories, footwear and more. The #KarlLagerfeldxKaia collection will launch in September with a series of events. Get all the details on WWD.com. #wwdnews #wwdfashion
Harrods plans to remove the famous statue of Princess Diana and Dodi Al Fayed from the bottom of the Egyptian escalators and hand it back to Mohamed Al-Fayed. “We are very proud to have played our role in celebrating the lives of Diana, Princess of Wales and Dodi Al Fayed at Harrods and to have welcomed people from around the world to visit the memorial for the past 20 years,” said Michael Ward, Harrods managing director. “With the announcement of the new official memorial statue to Diana, Princess of Wales at Kensington Palace, we feel that the time is right to return this memorial to Mr. Al Fayed and for the public to be invited to pay their respects at the palace.” More on the news, with reporting by @loreleimarfil, at WWD.com. #wwdnews