PARIS — Louis Vuitton’s shift to higher-priced leather bags is “not a three-week process,” meaning the powerhouse brand may continue to be outpaced by its luxury peers.
That was one of the main takeaways from a conference call Wednesday to discuss third-quarter results at LVMH Moët Hennessy Louis Vuitton, where revenues rose 1.7 percent to 7.02 billion euros, or $9.3 billion, missing consensus expectations and indicating slowing growth from earlier in the year.
Investors frowned on the figures, sending LVMH shares down 4.2 percent on Wednesday to close at 138.70 euros, or $187.67 at current exchange rates, on the Paris Bourse.
During a question-and-answer session with analysts, chief financial officer Jean-Jacques Guiony also warned that raw materials could constrict growth as Vuitton strives to sell more high-priced leather bags in lieu of ones in monogram canvas.
“The big challenge is mostly on the supply of quality leather, which is a scarce resource,” he said.
He also specified that Vuitton “slightly” underperformed other brands in the fashion and leather goods division, which includes such names as Céline, Fendi, Givenchy and Berluti.
“Moving the [needle] in such a large company takes time,” he stressed.
Price increases in Japan that came into effect in July sent Vuitton’s sales in that region into midsingle-digit negative territory for the third quarter. By contrast, the brand was up “more than midsingle digits” in the U.S., performed similarly well in Europe due to strong Chinese tourism and was “flattish” in Asia.
“We have a major opportunity to develop this business further,” Guiony said of the Jacobs brand, believed to be approaching the billion-dollar range. “The opportunity in the contemporary market is very strong and we intend to benefit from that.”
Asked about the rationale for a possible initial public offering for Marc Jacobs International, Guiony made clear LVMH has no need to extract cash from the business. “We are not the only shareholders. Marc Jacobs and [longtime business partner] Robert Duffy are also shareholders. An IPO may enable them to get liquidity on their shares if they want to.”
Guiony highlighted strong business in the United States, and a stable situation in China.
“The U.S. market has been an area of robust growth for the group throughout this year, and particularly in Q3,” he said, pinpointing organic growth of 10 percent in the country, versus 9 percent in the first half.
He noted all business groups “are doing well” in America, with fashion and leather goods and wines and spirits accelerating in the recent quarters.
LVMH revenues in Mainland China advanced about 5 percent in local currencies in Q3, better than the previous quarter and in line with the first half.
He noted that new travel regulations in China “could have an impact on DFS [duty-free sales]” in Hong Kong and Macau, but he suggested the new rules would not affect well-heeled tourists. “We’ve seen a drop in traffic, but a big increase in spending per head,” Guiony said.
For the first nine months of the year, sales at LVMH in local currencies rose 13 percent in Asia, 10 percent in Japan, 9 percent in the U.S. and 2 percent in Europe.
Negative currency effects, tied to the weak yen and dollar, shaved off as much as 8 percentage points from gains in some divisions.
As reported, selective distribution strongly outpaced other business groups at LVMH, logging a 12.8 percent gain in the quarter.
Guiony spoke of a contrasting picture across various regions. For example, perfumes and cosmetic sales were flat in Europe, and slowing but still double-digit in China. Like-for-like results for Sephora in the nine months improved 2 percent in Europe, 10 percent in the U.S. and close to 25 percent in Asia and the Middle East, he said.
Separately on Wednesday, Christian Dior SA, parent of LVMH and Christian Dior Couture, released results broadly in line with the LVMH figures. Revenues in the three months ended Sept. 30 gained 2.3 percent to 7.38 billion euros, or $9.77 billion at average exchange rates.
Sales at the Dior fashion house increased 13.5 percent to 369 million euros, or $488.7 million, in the period, considered the first quarter as Dior’s fiscal year ends June 30, 2014. At constant exchange rates, the gain stood at 19 percent. Dior noted that all markets and product lines contributed to the strong quarter.
@margotrobbie steps out onto the red carpet wearing @miumiu. The actress is nominated for “Outstanding Performance by a Female Actor in a Leading Role” in “I, Tonya” at the #SagAwards. (📷: Stewart Cook) #wwdfashion
For @massimogiorgetti of @msgm, the Nineties are his favorite decade. “They had a huge impact on my personal growth. What I like of the Nineties is that they are not so precise in terms of style as other decades…there was actually a bit of everything,” he said. As seen on MSGM’s Spring 2018 show: tie-dye and a bit of grunge, two styles that are synonymous with the decade #wwdfashion #wwddecades (📷: @kukukuba)
Breaking News: @hedislimane joins @celine as its new artistic, creative and image director. One of fashion’s preeminent image-makers and trendsetters, Slimane is to join the LVMH brand on Feb. 1 and unveil his first fashion proposition for men and women next September during Paris Fashion Week. It marks a major homecoming for Slimane, who cemented his reputation – and influenced men’s tailoring for more than a decade – as the designer of Dior Homme between 2000 and 2007. He went on to reinvent and ignite the house of Yves Saint Laurent, which he rechristened Saint Laurent, between 2012 and 2016 – all the while maintaining a close relationship with the Arnault family, which controls LVMH and Dior. Read the full exclusive story on WWD.com. Link in bio. #wwdnews #wwdfashion
“Personally I believe the Eighties have been the richest and more vivacious period for international fashion,” Giorgio Armani said when asked what his favorite decade of fashion is. It was a moment of disruption and experimentation and only thinking back to the first years of that decade is always an emotion for me, for what they have meant to me and my work.” The influence is clear in @giorgioarmani spring 2018 collection, pictured here, which was full of bright colors and unexpected prints. Read more about which decades designers loved most on WWD.com #wwdfashion #wwddecades (📷: @aitorrosasphoto)
For Lady Gaga’s only Italian show on her “Joanne World Tour,” the singer wore a range of @versace_official outfits. The standout piece: this custom-made bodysuit inspired by the brand’s spring 2018 collection. #wwdfashion (RG: @ladygaga)
@_camillaruth_ is expanding on the wellness-craze concept with @westbourne – a new NYC restaurant that’s both a healthy-minded café as well as a business that gives back to the community. Marcus works with the Robin Hood foundation to give back to The Door, a non-profit providing youth development services, and also hires employees through The Door. Read our full interview with Marcus on giving back through food on WWD.com. #wwdeye (📷: @lexieblacklock)