Apparel manufacturers in Haiti are rushing to get operating again in the face of significant challenges for workers and supply chains.
The apparel industry in Haiti was a mainstay of the country’s economy, accounting for two-thirds of exports and nearly 10 percent of gross domestic product. As the country struggles to recover from the devastating Jan. 12 earthquake, the garment sector will be an important tool in helping it get back on its feet.
Most factories operating in and around Port-au-Prince escaped the earthquake and its aftershocks with little damage, said Georges Sassine, president of the Association of Industries of Haiti, which represents the country’s manufacturers. He predicts apparel production will be fully back online by the end of February.
However, the industry faces some daunting hurdles, including getting safety certifications for all factory buildings, even those without visible damage, so production can begin in earnest. Starting Thursday, engineers from the U.S. and France began visiting factories with Haiti’s Minister of Public Works to start the certification process, Sassine said.
Prior to the quake, 28 apparel and textile companies operated in Haiti. They employed 28,000 workers at last count, Sassine said. In one of the largest tragedies caused by the earthquake, the Palm Apparel factory, which manufactured T-shirts for companies such as Gildan Activewear Inc., collapsed, killing an estimated 500 workers.
Four other factories, including Sassine’s, sustained damages that will take about a month to fix. At least six factories that initially shut down their production have resumed operations, and one denim factory near the border with the Dominican Republic was unaffected by the quake, Sassine said. He is worried companies who worked with contractors in Haiti will be forced to make business decisions that will pull production out of the country.
Gildan implemented a contingency plan to replace production lost in Haiti after the earthquake by moving it to facilities in the Dominican Republic and Central America, said Laurence Sellyn, executive vice president, chief financial officer and administrative officer for Gildan.
“We continue to be committed to our long-term presence in Haiti, and we are pleased our contractors are advising us they’re able to start up more quickly than we originally anticipated in the circumstances,” Sellyn said.
The devastation faced by Haitian workers is also a challenge. Sassine said increasing numbers of workers have returned to work in the factories, but it’s hard to predict the long-term effects, as many were forced to leave the capital city to find shelter or check on their families. As early as Monday, attendance at the factories able to resume production was at 30 percent, and that number climbed to 60 percent by the middle of the week, he said.
“Every day, more and more are returning,” Sassine said. “If we reach 80 percent [attendance] we will consider ourselves very lucky.”
Mobile meal trucks supplied by the Dominican Republic helped some factories feed workers two meals a day, Sassine said, but shelter remains challenging. Sassine said he was working to get 25,000 to 50,000 tents from the U.S. Agency for International Development to offer shelter to workers who returned to the factories.
U.S. companies are working to gather information and get production going, as well.
Gildan employs 40 people in Haiti to oversee social responsibility compliance and quality control at its contract factories, Sellyn said. The company is working with its employees to meet their needs and established a staging area in the Dominican Republic to provide food and water to employees of Gildan and its contractors.
A spokeswoman for Gap Inc. said the company’s two contractors in Haiti were up and running, including one inside the earthquake zone. Initially the factory had shut down due to some minimal damage, she said, but the company was able to come back online relatively quickly.
“Gap sources a limited amount of product in Haiti, and we’re committed to continuing to do business there,” the spokeswoman said. “We’re working directly with our vendors to make sure things are resumed as quickly as humanly possible.”
Hanesbrands Inc. said at least partial production had resumed at all three of its T-shirt sewing contractors. Hanes also said it set up an operation in the Dominican Republic to provide food, water and other aid for its workers. Hanes said it expected production in Haiti to return to pre-earthquake levels by mid-February.
“We are very thankful that our major contract partners have the wherewithal to resume production, providing critical jobs for employees who are seeking to recover from the aftermath of the earthquake,” said Gerald Evans, president of international business and global supply chain for Hanesbrands.
According to sources in Haiti and in the U.S., the Dominican Republic opened use of its port to companies to ship goods. The seaport in Port-au-Prince was badly damaged in the disaster, but partial operations started this week, according to some reports.
Before the disaster, Haiti, the poorest country in the Western Hemisphere with 80 percent of its population living below the poverty line, was poised to emerge as a success story for international trade proponents. Following the extension of duty free apparel benefits to the country under the Haitian Hemispheric Opportunity through Partnership Encouragement Act, or HOPE, in 2006 and its successor, HOPE II, in 2008, the country’s apparel manufacturing garment sector had grown significantly.
In the first 11 months of 2009, apparel and textile imports to the U.S. from Haiti grew 24.3 percent to $468 million. On a volume basis, imports to the U.S. advanced 6.8 percent to 217.1 million square meter equivalents.
EXCLUSIVE: @tomford is opening its first-ever beauty store. The boutique, which opens November 20 in London’s Covent Gardens, was designed with the over-the-top glam Ford is known for. Read the full story on WWD.com, link in bio. #wwdbeauty #wwdnews (📷: Simon Wagner) #TomFordBeauty
New York-based DJ @harleyvnewton threw a party to celebrate the holiday collection of her dress and pajama line @hvn at the Ladurée Beverly Hills. It Girls @katebosworth, @rashidajones and more joined in on the fun, which included cocktails, croque monsieur sandwiches and a photo booth. #wwdfashion (📷: Owen Kolasinski/BFA.com)
For the holidays, @Burberry partnered with 20-year-old artist @blondeymccoy on a series of three outdoor murals in downtown Manhattan. The murals are McCoy’s interpretation of a Christmas eve party, the idea of charity and the spirit of family. His third mural, pictured here, is the most personal. The image depicts McCoy’s grandparents and father in London’s Trafalgar Square in the Seventies. “My work often features lots of sentimental objects.” #wwdeye
For spring 2018, designers applied bold colors and cartoonish motifs on everything from sneakers and belts to key chains. See all the top men’s accessories trends on WWD.com. #wwdtrends (📷: George Chinsee; Prop Styling by @rnasti; Market Editor: @luiscampuzano)
The @dior-sponsored @guggenheim international gala pre-party has a history of drawing cool-girl musical acts to serenade the crowd –– and last night was no exception. @haimtheband performed songs both new and old, and lured a star-studded audience with the likes of Rebecca Hall, Kate Mara, Mamoudou Athie and more. #wwdeye (📷: @lexieblacklock)
In a partnership between the @metopera and the @englishnationalopera, “Marnie” was born. The opera, with costumes sponsored by @mrporterlive, is an adaptation of the 1961 thriller by Winston Graham. Arianne Phillips, who created the costumes, is no rookie: She’s styled Madonna for her tours and created costumes for a myriad of films in the past. Read WWD’s interview with Phillips, where she talks about her inspiration for the opera’s costumes on WWD.com #wwdfashion
@barneysnyc took a different approach to their holiday windows this year. Instead of Christmas decor, Barneys tapped @thehaasbrothers to tell a story of positivity, gratitude and inclusivity via heartwarming silliness and humor. “It’s about kids and it’s about coming together and being family and loving each other,” said Simon Haas. #wwdfashion (📷: @joshuascottphoto)
Beauty influencer @kandeejohnson makes her foray into hair care with a collaboration with @ogx_beauty — making it the first time that OGX has teamed up for a product creation. The collab includes shampoos and conditioners in three scents. At 39 and a mom, Johnson is a different profile than the emerging social media stars, but is considered one of the pioneers of the digital beauty influencer world. Read WWD’s interview with her on wwd.com, including the strangest beauty product she’s ever tried #wwdbeauty