MILAN — Whether fembot or uberfeminine, the collections on view during Milan Fashion Week hit the right note with buyers and had them looking forward to spring.
“The Milan collections felt more commercially relevant than in recent seasons: either hot and sexy or light, fluid and romantic,” said Jennifer Wheeler, vice president of designer apparel at Nordstrom.
“Overall, the Milan collections reflected an upbeat mood, with designers focusing on what they do best,” said Colleen Sherin, fashion market director at Saks Fifth Avenue.
While retailers were fatigued by the compact four-day schedule, which wound up Monday, they liked what they saw and left Milan confident their selections for springwould prompt jittery customers to part with their money. Buyers said they were working with similar budgets to last year and would spend on merit.
“Our customers continue to seek out beautiful, well-made clothes and we will support those designers that deliver on that,” said Barbara Atkin, vice president of fashion direction at Holt Renfrew.
“We’re focused on finding terrific items. Our customer is buying what she doesn’t have in her closet,” said Ken Downing, senior vice president and fashion director of Neiman Marcus.
Retailers outside the Eurozone cautioned that value for money was particularly important because of disadvantageous currency fluctuations. “With the strong euro, we will have to be more careful with what we buy. The products have to correspond rightly with the price,” said Cindy Ho, fashion and merchandising director of Villa Moda, Kuwait.
Some buyers skipped the runways, opting for showroom appointments instead. Those who didn’t said they had no problems making way on the front row for bloggers, as was the case at D&G and Dolce & Gabbana.
“I think the obsession with front-row seating is a symptom of an overactive ego. We should be thankful we’re here,” said Stephanie Solomon, vice president of fashion direction at Bloomingdale’s.
Key trends for the season included transparency and layering; lingerie detailing — particularly lace, straps and bodice, and prints, while miniskirts and dresses, shorts, floaty pants and tailored jackets were among must-have items. In terms of color, palettes swung between black and white and bold, pastel and earthy tones.
Standout collections included Aquilano.Rimondi, Bottega Veneta, Dolce & Gabbana, Gucci, Jil Sander, Marni, Missoni, Prada, Pucci and Versace, retailers said.
Here, a rundown of what buyers had to say:
Jennifer Wheeler, vice president of designer apparel, Nordstrom: “It was a nice balance between the short, sexy, aggressively feminine collections in bold colors as seen in Versace, Gucci, Pucci and Dolce & Gabbana, and the more fluid, romantic collections that featured softer desert and earth colors, as seen at Jil Sander, Marni and Missoni. Key items will be miniskirts, either tight or with a bubble hem; anything perforated, laser-cut or in mesh; lacing details; novelty shorts; leather and suede in pale neutrals or bright; floral prints; soft silk dressing; anything that sparkles, and desert and earth colors.”
Ken Downing, senior vice president and fashion director, Neiman Marcus: “There was plenty to love in Milan this season with the amount of color and print. There’s much more of a focus on femininity, which our customers are always happy to see. There’s a lot of lace in Milan this season, some metallic. Transparencies look particularly beautiful when they are done in layers and leave something to the imagination. There’s also this sportif idea we saw in so many collections, with interpretations of leggings and shorts, bicycle shorts and anoraks. Shorts are becoming what the legging was for fall.”
Colleen Sherin, fashion market director, Saks Fifth Avenue: “Two key fashion messages appeared throughout. One was about ethereal beauty: a casual ease and elegance, with delicate, feminine and ultralight fabrications, tiny pleats and origami folds in relaxed and fluid shapes. The other message was sexy, bold and full of high energy, with sporty elements and body-conscious dressing. Key items include the soft, draped, relaxed pant silhouette; shorts of all varieties; sporty or fluid jackets; cocktail dresses in weightless fabrications, or sexy, body-conscious minidresses. The mini length in general is important, as are bold and innovative prints. Details include a play on asymmetry and all manners of fabric manipulation — pleating, draping, twisting, and folding — along with fringe and feather trims.”
Stephanie Solomon, vice president of fashion direction, Bloomingdale’s: “Spring was a season of contrasts, between masculine and feminine, tender and tough, soft and hard, gritty and glamorous, ethereal and visceral. Dolce & Gabbana served up a collection which was fit for the boudoir and the boardroom. Roberto Cavalli layered jackets over dresses, which were glamorous and rustic. When it was done in one outfit — like at Jil Sander, for example, where Raf Simons combined shredded and tailored looks — it was compelling. Though not a new theme, it is timely for now and it’s how women dress.…I was happy with what I saw. Every collection had something to offer. Each designer focused on true craftsmanship. Our customers will respond.”
Barbara Atkin, vice president of fashion direction, Holt Renfrew: “We are leaving Milan feeling positive about our buys. We will spend the same amount as in previous seasons, editing to the best with the right balance of the soft and fluid with the tailored and geometric.…We loved Gucci, Versace, Dolce & Gabbana, Prada, Jil Sander and Marni. Clothes were either calm and beautiful, or hard-core and sexy. Our checklist includes languid pants; soft tailored jackets; short, sexy skirts and shorts; essential shirts; feminine dresses, and bodysuits as the foundation to dressing. What we didn’t see on the runways in the form of tailored silhouettes was picked up in earlier deliveries. Off the runways, we liked Pollini, Marco de Vincenzo and Gail Sorronda from Australia.”
Linda Fargo, senior vice president and fashion director, Bergdorf Goodman: “The Italian designers drew closely on the DNA of their respective brands, consistently executed with the luxury hand and fabrications Italy is known for. For the most part, designers favored more relaxed and airier directions. There was an intelligent balance of commercial consideration with editorial content. As in New York, asymmetric, more organic silhouettes prevailed and dresses remained strong, though shorts and jackets of all lengths were increasingly important. Key elements we’re taking away from Milan include soft, sculptural volumes; transparencies; ruffling; raw-edge finishing; textural fabrics; prints of all persuasions; the bustier dress; short and shorter hemlines; washed pale palettes; mid- to light-tone grays, and Lucite detailed accessories. Noteworthy collections for us: Bottega Veneta — remarkable and refined with exquisite bag offerings; Prada’s mix of exciting, sliced-off tailoring and nostalgic prints; Gucci’s outstanding techno primitive ultrasport collection; Jil Sander’s ravaged sensual tailoring, and Fendi’s delicate dreams.” Anita Barr, director of women’s wear, Selfridges: “Jil Sander was definitely my highlight of the week. It made the trip really worthwhile, even if overall Milan was a bit flat by comparison to other cities. Missoni, Prada and Pucci were also very enjoyable and beautifully executed. The season was very feminine, with pure whites and cleaner color palettes for added freshness. There was also a lot of flesh on show. Silhouettes were more sexy and less fluid and the focus was on individual pieces that make customers feel like a million dollars. We are launching our online store early next year and it was the first time buying for it. We have also recently opened a new floor concept called Third Floor Central for contemporary and denim brands. So 2010 is shaping up to be an exciting year.”
@kith is moving into children’s. The men’s and women’s streetwear brand has launched Kidset, a Kith kids line located in New York at 64 Bleecker Street. The line includes mini versions of staple Kith pieces like the Astor bomber jacket and the Kith box logo sweatshirts, along with a wall that can display up to 120 pairs of shoes from @adidas, @newbalance, @timberland and more. #wwdfashion
“I just wanted to create this fully rounded character, but I do think what excited me most was just the opportunity to give a group of people representation that I feel needs it. I like to do characters in projects that stand for something and Karolina definitely does, so that was really exciting to me,” @ginnygardner says of her new role in @hulu’s “The Runaways.” Gardner plays Karolina Dean, a queer superhero, which is a rarity for @marvel. Read more about Gardner’s character on WWD.com #wwdeye (📷: @dandoperalski)
@heriethpaul and @gracebol have a moment on the @victoriassecret fashion show 2017. See every look from the runway on WWD.com. Link in bio. (📷: @giovanni_giannoni_photo) #wwdfashion #victoriassecret #VSFashionShow
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia