Riding strong sales momentum, J. Crew Group Inc. said Wednesday that net income rose 54 percent to $33.2 million in the third quarter ended Oct. 29, compared to $21.6 million in the same period last year.
The company also disclosed that it signed a lease for its first overseas store, at an historic site on London’s Regent Street. “We’ve waited a long time for this,” Millard “Mickey” Drexler, J. Crew’s chairman and chief executive officer, told WWD. “It’s the next chapter in our growth and our future. It’s an important flagship location on arguably one of the most important streets in one of the most important locations in the world.”
In the third quarter, J. Crew’s adjusted earnings before interest, taxes, depreciation and amortization rose 18 percent to $98.9 million from $83.8 million in the year-ago quarter. The company believes adjusted EBITDA, taking into account expenses from the March 2011 acquisition of the company by TPG Capital and Leonard Green & Partners, is a better barometer of growth. The net income figure includes transaction-related expenses and inventory valuations.
Revenues increased 16 percent to $555.8 million, from $480 million, with comparable sales rising 10 percent. Store sales rose 17 percent to $391.7 million, while direct sales jumped 13 percent. Gross margin increased to 47.3 percent from 42.1 percent in the third quarter last year. J. Crew posted $1.8 billion in sales last year.
The company was pleased the performance was pretty balanced between the stores and the direct business. Accessories and men’s were standout categories.
In an interview on the London store, Drexler said the site at 165 Regent Street, on the corner of New Burlington Street in Mayfair, is a landmarked building, formerly occupied by Burberry. It is being restored to its original character. He expects the store to open toward the end of 2013.
Asked why he chose London for J. Crew’s first overseas store, Drexler said, “We felt comfortable being there. We share the same language. We are not pioneers here. A lot of other [U.S. retailers] have been here and have been successful here. It’s an incredibly important fashion city. London was an easy decision — it’s a place where people understand and respect the integrity of great style and great design. But the first consideration was our customers. We’ve had a lot of visitors coming from London wishing they had a J. Crew in London. This was not a difficult decision.”
Drexler added that London is among the top three global markets online for J. Crew. “Our clothes speak and sell internationally,” he said. “We have always felt that fashion is an international language, that it has no barriers.”
In a sense, London could be considered a test to pass before future international stores are opened. “If we can’t do business on Regent Street, it would influence us down the road. We look at Regent Street the same way we look at stores on Fifth or Madison Avenue, or North Michigan Avenue in Chicago. I would imagine, if you can’t make it there, you can’t make it anywhere. We are looking at other [London] locations now, but we are in no hurry, other than to find the right location.”
J. Crew is also eyeing Hong Kong for a 2014 opening, though Drexler said he’s not close yet to locking in a location. “We have been offered a few spots,” he said. “The location along with the economics need to work for us before we go ahead.”
The 17,000-square-foot, two-level London site will be unusual because it will have separate men’s and women’s stores, with separate entrances, and a Crewcuts shop inside the women’s store. Typically J. Crew puts women’s on the first level and men’s on the second. The change reflects the importance of men’s apparel and accessories. “Especially in London in our first store, we want a guy to feel that he’s in a men’s store,” Drexler said. The men’s shop will offer the full range of the brand’s signature Ludlow collection of suits, shirts, shoes and accessories, and items from J. Crew’s In Good Company collection of brand partnerships
The women’s store will feature an edited selection of merchandise, including J. Crew Collection in special fabrics and prints, Italian cashmere and a dedicated shoe and handbag salon.
Last year, J. Crew crossed borders for the first time by launching international shipping, partnering with Net-a-porter and opening a store in the Yorkdale Shopping Centre in Toronto, marking the first store outside the U.S. There are currently five stores and two outlets in Canada. Last March, J. Crew expanded its international shipping to 107 countries, and more recently revealed a plan to distribute to Lane Crawford in Asia. A selection of J. Crew merchandise is available internationally through jcrew.com, and partnerships with Net-a-porter.com and Lane Crawford.
Underscoring the strength in men’s, J. Crew last week opened its ninth men’s store in the U.S., at The Grove in Los Angeles, where J. Crew also just opened a Madewell unit. When J. Crew gives men’s wear its own shop, “We’ve seen such huge success, and it’s not just financial, but also in terms of customer perception and loyalty to the brand,” said J. Crew president and creative director Jenna Lyons. “For some men, walking through a store with sparkly baubles and high heels isn’t the most desirable experience.”
The Grove store is inspired by Swiss chalets and features raw white oak bays, slate flooring, blackened steel tables and a dark metal storefront reminiscent of turn-of-the century mom-and-pop stores in New York. The store does have local touches, including found objects and vintage furniture picked up in Los Angeles and, behind the cash wrap, artwork by California artists Ed Ruscha and Robert Bechtle.
The men’s store is divided into four areas. In front, there’s the Wallace & Barnes line, J. Crew’s take on vintage and military pieces, and J. Crew men’s sweaters and shirts. Another area features cashmere and denim, while a third area has outerwear, accessories and shoes. At the rear, there’s The Ludlow Shop with suits, neckwear and shirts. Scattered throughout are items from third-party brands such as New Balance, Nike, Timex, Ray-Ban, Barbour, Chippewa, Lee and Levi’s.
“The Ludlow suit has been doing so well, and it took us kind of by surprise,” said Frank Muytjens, head of men’s design at J. Crew. “We started with the Ludlow suit as an exclusive for the Liquor Store in TriBeCa, and it has grown from there. We have come a long way in terms of that suit and, now, you can get it in 20-something fabrications.”
Breaking News: @louisvuitton's men's artistic director @mrkimjones is leaving the French fashion house after nearly 7 years. Jones joined Louis Vuitton in 2011, following a three year tenure as creative director of British luxury goods brand Alfred Dunhill. Jones is to exit Louis Vuitton after showing his fall 2018 collection for the brand in Paris on Thursday. Read the full exclusive story on WWD.com. Link in bio. #wwdnews #wwdfashion
For men’s fall 2018, @giuseppezanotti drew on elements from streetwear, sport, biker, combat and rock ‘n’ roll. Pictured here are a pair of shoes from the collection, featuring zippers, rhinestones, and silver hardware. Head to WWD.com to see a roundup of the accessories from Milan’s men’s fall 2018 shows. #wwdfashion (📷: Andrea Delb)
To celebrate the 25th anniversary of @ralphlauren’s snowboarding collection, the brand is mining its archives. The iconic brand is reintroducing vintage styles and dropping new designs for a color capsule that will be available in Ralph Lauren stores and @openingceremony on January 25. The capsule will consist of 10 pieces, including the Snow Beach Pullover, pictured here, which is a collector’s item that rapper Raekwon wore in Wu-Tang Clan’s “Can It Be All So Simple” video. #wwdfashion (📷: Tom Gould)
For @rochasofficial’s pre-fall 2018 collection, creative director Alessandro Dell’Acqua channeled the sophisticated and intriguing Catherine Denevue in the film “Belle de Jour.” Polished collarless coats, midi skirts, suits and ’60s graphic motifs were all featured in the collection, adding a sense of discreet luxury. See the rest of the photos on WWD.com #wwdfashion
“We tried to produce clothing of that couture quality, but the most daunting part was that we only had a matter of days [to do it],” said costume designer Lou Eyrich, who recreated Gianni Versace’s iconic looks for @americancrimestoryfx. Eyrich searched online retailers and vintage shops for original pieces from the design house and for @penelopecruzoficial, who plays Donatella Versace. Head to WWD.com to read how she created the Versace world. #wwdfashion
Only three months after her stellar debut catwalk season, @kaiagerber has inked her first big design collaboration –– with @karllagerfeld. The collection blends Lagerfeld’s Parisian chic aesthetic and the model’s signature West Coast casual style via RTW, accessories, footwear and more. The #KarlLagerfeldxKaia collection will launch in September with a series of events. Get all the details on WWD.com. #wwdnews #wwdfashion
Harrods plans to remove the famous statue of Princess Diana and Dodi Al Fayed from the bottom of the Egyptian escalators and hand it back to Mohamed Al-Fayed. “We are very proud to have played our role in celebrating the lives of Diana, Princess of Wales and Dodi Al Fayed at Harrods and to have welcomed people from around the world to visit the memorial for the past 20 years,” said Michael Ward, Harrods managing director. “With the announcement of the new official memorial statue to Diana, Princess of Wales at Kensington Palace, we feel that the time is right to return this memorial to Mr. Al Fayed and for the public to be invited to pay their respects at the palace.” More on the news, with reporting by @loreleimarfil, at WWD.com. #wwdnews