NEW YORK — Ted has taken up residence on Fifth Avenue.
Quirky British brand Ted Baker London on Thursday will open a three-story, 7,000-square-foot flagship at 595 Fifth Avenue at 48th Street in Midtown Manhattan. The store, which is the brand’s largest unit in the U.S., has been designed to replicate a traditional London townhouse of the Twenties. It features Art Deco design details including an elaborate metal staircase with messages written on the steps and bespoke printed wallpaper, along with exposed brick walls, a three-story glass chandelier and an elaborate digital window installation that includes a huge clock with pendulums and moving cogs and a screen that will display movies, photos and animation.
“This is quite a big thing for us,” said Ray Kelvin, founder and chief executive officer. “I started this business in my kitchen 25 years ago and to now have a store on Fifth Avenue is unbelievable. [It] puts us in the heart of one of the world’s premier shopping districts. The location will give those new to the brand a healthy dose of the retail theater and rich detailing that we have become known for, and our regulars the sense of place that they have become accustomed to with Ted.”
The Fifth Avenue flagship marks the 18th store for the brand in America and its third in Manhattan, following the Meatpacking District and SoHo. Each store is unique and designed to fit into the neighborhood in which it is located.
This store brings to life the company’s interpretation of “Ted’s Grand House.” Shoppers enter the grand hall where men’s and women’s apparel and accessories share the space. Vintage-looking portraits with a twist hang from the walls and include images of women with moustaches or tea cakes on their heads and a young child with a Mohawk.
“It’s not just a shop fit,” Kelvin said. “It’s a home. We want people to come in and feel comfortable.”
Men’s wear has its own home on the lower level in a space designed to mimic a scullery, complete with dozens of butler’s bells on the walls, pots and pans at the bottom of display racks, upside down jelly molds hanging from the ceiling and a silver service at the cash wrap. The store is opening with the company’s fall collection of tailored clothing and sportswear in heritage fabrics that recall the great English outdoors.
The women’s department is upstairs and is reminiscent of a lady’s boudoir with fans on the walls and a cash wrap that looks like a vanity table. Fitting rooms feature floor to ceiling velvet curtains. The fall women’s collection features a “town meets country” theme and includes everything from the Working Title tailored pieces to eveningwear.
Although Ted Baker has a strong men’s business, Kelvin expects women’s merchandise to account for about 60 percent of sales at the store. “But both will perform admirably,” he said. “There are more women walking by, but the men’s wear is breathtaking.”
The store also features some exclusive products, such as lace bodice ballgowns for $790 to $1,840; high-collar wool heritage jackets for $405, and an oversize crocodile-print handbag for $600. Exclusive men’s products include a heritage wool jacket with patch pockets and a Flying Scotsman train lining for $550; tweed and herringbone jackets with built-in pocket squares for $460 to $550; jersey cardigans with built-in pocket squares for $199; a suit with built-in silk pocket squares for $920, and cotton jackets with British boxing linings and assorted vintage sport club badges for $460.
Kelvin declined to provide a volume projection for the store, but said it is expected to be profitable. “It was a big investment,” he said. “But we have a plan that is achievable.” He said the company is “not big enough” to support a showcase store that doesn’t carry its weight. “If it doesn’t deliver, it will have a material effect on the company,” he said.
Faith Hope Consolo, chairman of the Retail Group of Prudential Douglas Elliman, estimated the rent for that location would be between $4 million and $5 million a year, and “to make a profit, the benchmark is 10 times the rent.”
For the year ended Jan. 28, profits at Ted Baker plc rose 11.7 percent to 27.1 million pounds, or $42.3 million at current exchange, on a 14.9 percent rise in sales to 215.6 million pounds, or $336.5 million.
Kelvin said opening on Fifth Avenue “sets a global scene” for the brand and positions it “on a world stage. We never advertise, and our p.r. is very controlled, but the footfall here is incredible. It’s not just America, it’s the world.”
For the opening weekend, 30 maids and butlers will walk the streets of Midtown handing out keys to Ted’s home and helping passersby by shining their shoes, hailing cabs and using feather dusters on their packages.
Ted Baker has more than 300 locations on five continents and recently opened stores in Singapore and Hong Kong. Additional units will be added in Toronto, Beijing, Shanghai and Kuwait by the end of the year.
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
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Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast