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From gallery booths to glam parties, the focus at London’s Frieze Art fair, which wrapped up Sunday at Regent’s Park, was on serious collecting. A Louise Bourgeois sculpture, “The Couple,” went for $3.5 million; Neo Rauch’s “Harmios” sold for $1 million, and John Baldessari’s “Beethoven’s Trumpet (with Ear) Opus 133” sold for $400,000.
“We closed a lot of deals — and I’m very happy about that,” said Thaddaeus Ropac, who represents artists including Andy Warhol, Georg Baselitz and Alex Katz. “Compared with past years, collectors are being really thoughtful and measured about what they are buying. They’re not making snap decisions.”
This story first appeared in the October 20, 2009 issue of WWD. Subscribe Today.
Elke Seebauer of Victoria Miro in London, which represents Conrad Shawcross, Grayson Perry and Chantal Joffe, said the market has recovered from last year’s credit-crunch shock. “There’s a lot more confidence out there.”
The enthusiastic mood carried over to the slew of fetes marking the event. Things kicked off with a dinner hosted by Finch’s Quarterly Review that drew Nicky Haslam, Jonathan Yeo, Elettra Wiedemann and Charles and Sydney Finch to restaurateur Nick Jones’ hip new Italian restaurant, Pizza East, in Shoreditch. By Thursday night’s Cartier affair at Scott’s, Tracy Emin, Dinos Chapman, Phoebe Philo, Juergen Teller, Lady Helen Taylor, Matthew Slotover and Amanda Sharp were swapping art fair survival strategies over Champagne and fillet of wild turbot.
“I like to play the ‘What would I buy with one million pounds?’ game when I walk round,” said Emily Oppenheimer. “Grayson Perry’s tapestry is on my list.”
A few streets away, Frieze was the topic of discussion during a dinner at Claridge’s celebrating Dennis Basso’s new boutique at Harrods. Hosts Rena Sindi, Tamara Beckwith and Serena Boardman mingled with Princess Marie-Chantal and Prince Pavlos of Greece, Tamara Mellon, Becca Cason Thrash, Jamie Tisch, Margo Stilley and Lillian von Stauffenberg. Cason Thrash, for one, was happy about the fair’s seeming influx of new blood.
“There were pieces for real collectors. It wasn’t full of hedge funders running around saying, ‘I want that and I want that,’” she said.