The spring collection of Dutch premium denim label Blue Blood signals the brand’s return to its roots — and Steve te Pas ought to know.
He founded the Amsterdam-based label in 2003 and Blue Blood quickly established itself in the European market. The success attracted the attention of Italian casualwear company Jam Session Group, owner of the popular European brand Guru. In 2005, Jam Session purchased a 53 percent stake in Blue Blood for an undisclosed price. The deal included a provision that allowed Jam Session to increase its stake to 85 percent by 2008.
At the time, Blue Blood was generating annual sales of about 7 million euros, or $11.1 million at current exchange. Jam Session’s management wanted to double revenues within a year by expanding Blue Blood’s distribution in southern Europe, including Spain and Italy, and by opening as many as six Blue Blood-branded stores.
“We want to take what is now an underground label and make it something more visible, while at the same time keeping the integrity and identity of the brand,” Jason Denham, then creative director of Blue Blood, told WWD.
But the relationship between Jam Sessions and Blue Blood soured. Te Pas felt the brand was being taken in the wrong direction and in 2007, after a year and a half of effort, he bought back control of the company.
“At the end of 2007, I got the brand back and cleared my mind,” te Pas said. “I looked at everything analytically and made some drastic changes.”
A major overhaul took place, which included changing the entire design team. And te Pas put himself back in the role of creative director. Mark Wiesmayr, the ex-chief executive officer of Ksubi, former denim director at Sass & Bide and senior designer at Levi Strauss & Co., was hired as the brand’s denim designer in February. To enhance the line’s fashion offerings and its Avelon designer label, te Pas brought in former Viktor & Rolf head designer Erik Frenken.
“The brand turned out to be too English,” te Pas said. “Jeans, for example, had more pockets and zips. There were a lot of reasons not to buy the product. It was just too flat English bloke-ie looking and that’s not what I stand for.”
Instead of “streetwear English,” te Pas wanted Blue Blood to represent “royal and aristocrat.” He believes he has repositioned Blue Blood to target a market niche he calls “new luxury” that includes brands like G-Star and Diesel on one end and luxury labels such as Louis Vuitton on the other.
The new design team has been expanding Blue Blood’s offerings beyond its traditional jeans and T-shirts. The spring collection will see the introduction of more tailored pieces, knitwear, accessories, wallets and bags. Women’s denim offerings have been pared down and cleaned up with a focus on four- and five-pocket styles. The line offers skinny, boot-cut, flare and boyfriend-cut styles, all named after actresses and made from Japanese and Italian fabrics. Retail prices range from 120 euros to 450 euros, or $189 to $711.
Expanding distribution and opening company-owned signature stores is another priority for spring. At its height, Blue Blood was sold in 800 doors, which te Pas has cut to around 600. He believes that with a retooled collection he’ll be able to expand to 1,000.
Amsterdam is already home to two Blue Blood-branded stores and will soon be joined by a store entirely devoted to premium denim. Love for Denim is set to open during Amsterdam International Fashion Week on Saturday and will feature the brand’s premium denim along with limited edition series of selvedge jeans from other labels.
Te Pas said the focus initially will be on opening stores in Europe, followed by locations in New York, Los Angeles and Miami. He’s had meetings about opening stores in Spain and also is considering a move into Russia.
“Especially in difficult times, you have to show what you can do,” he said. “In Europe, if you’re doing 50 percent less than last year, you’re doing pretty well. But we’re doing 30 percent more than last year, so that’s a good sign. We’re a new brand, so the only way for us is up.”�
Taking the final spot on the mens’ portion of New York Fashion Week calendar next month will be none other than @tomford. Though he’s shown his men’s wear in New York in the past, this will mark the first time the designer has shown his men’s collection alone during New York Fashion Week: Men’s. His runway show will debut on February 6 at the Park Avenue Armory. #wwdfashion
London-based couture house @ralphandrusso has certainly been in the spotlight, having its dresses worn by @beyonce, Angelina Jolie, Meghan Markle in her engagement photos and more. For couture, Tamara Ralph focused on ornamentation — think: feathers with chain mail, jet embroidery and clusters of pearls and crystals. See the rest of the collection on WWD.com #wwdfashion #couture (📷: @giovanni_giannoni_photo)
Minnie Mouse celebrated her 90th birthday by getting her own star on the Hollywood Walk of Fame. For her celebratory luncheon, @coach’s creative director @stuartvevers dressed her in a custom made prairie dress, complete with Vever’s take on the polka dot – black sequined versions – under a cropped motorcycle jacket. The designer also put his own mark on Minnie’s classic red shoes, infusing the color with sparkles and adding some Coach crystals. “We chose colors that were very Minnie and also represented quintessential Coach elements,” said Vevers. #wwdfashion #nationalpolkadotday (📷: George Chinsee)
@nickjonas is unveiling his first-ever apparel collection through a partnership with John Varvatos. The limited-edition capsule, which makes its debut in spring, also marks the first time the designer has collaborated with anyone on a line. “The process in working with Nick is amazing. It’s inspiring to be around someone who is not only connected with the trade that they do, but also with what’s happening in the environment around him, and how that connects to what we do with style,” said Varvatos. (RG: @johnvarvatos) #wwdfashion
@margotrobbie steps out onto the red carpet wearing @miumiu. The actress is nominated for “Outstanding Performance by a Female Actor in a Leading Role” in “I, Tonya” at the #SagAwards. (📷: Stewart Cook) #wwdfashion
For @massimogiorgetti of @msgm, the Nineties are his favorite decade. “They had a huge impact on my personal growth. What I like of the Nineties is that they are not so precise in terms of style as other decades…there was actually a bit of everything,” he said. As seen on MSGM’s Spring 2018 show: tie-dye and a bit of grunge, two styles that are synonymous with the decade #wwdfashion #wwddecades (📷: @kukukuba)