NEW YORK — Hilfiger Denim's first U.S. store, a 3,700-square-foot space in SoHo opening today, underscores the company's commitment to retail growth.
"We will make sure we can tell the story in more places than just a few," said Gary Sheinbaum, president of Tommy Hilfiger retail. Once the store gets off the ground, "we'll look for the next round of locations. There are lots of ways to do this, even in 1,800 square feet."
Tommy Hilfiger in September opened its first women's-only store, an 825-square-foot unit on Bleecker Street here. Before that, Hilfiger had not launched a U.S. store since 2001, and in 2002 closed 37 of its 44 U.S. specialty stores.
The company was sold to Apax Partners last year and is being repositioned, including an exclusive deal with Macy's, as well as an effort to raise the quality and design of its ready-to-wear.
Hilfiger Denim launched in Europe seven years ago and has about 50 units overseas, but is unknown in the U.S. Brand director Michael Arts, alluding to the company's transition and the delay in coming to the U.S., said: "The reason we're coming here now is that we had a lot of other things to do."
Hilfiger Denim is the company's fourth full-priced store in the U.S. And there are more in the works. Men's and women's sportswear stores will open in the spring in the Georgetown section of Washington and Miami's South Beach. A garden behind the South Beach store will lead to a surf shop in a separate building.
Sheinbaum said overall, Tommy Hilfiger is looking for upscale, highly visible street locations and is aggressively pursuing A-list mall locations. "We're relaunching into the retail business," he said.
"Going forward, we will operate different store formats around the world as well as in the U.S.," said Fred Gehring, chief executive officer. "A limited number of larger stores offering the total brand will include a Hilfiger Denim department or floor. There will also be stores exclusively offering Hilfiger Denim, stores offering only sportswear and, in the future, stores offering only women's wear and children's wear."Hilfiger Denim has the egalitarian goal of appealing to a diverse customer base with more than 70 different fits and washes.
"Denim is the second biggest business after sportswear," Sheinbaum said.
In the SoHo store, a selection of vintage clothing is distinguishable by the plain metal dry cleaner's hangers to which pieces are pinned. Prices range from $60 for a men's tie to $1,200 for a leather jacket.
Prices for jeans are $98 to $175. A limited edition collection of Selvedge denim signed by Tommy Hilfiger sells for $375. Nonsigned Selvedge pieces are $250.
"The quality of fabrics and washes is much higher than we've ever had in the U.S.," Arts said. Women's denim jackets are $189.50; red cotton dresses, $89.50; white puffer jackets, $149.50, and black leather coats, $500.
The space at 500 Broadway grooves to a disco beat, a theme chosen because the denim customer is "more youthful, edgier and a little hipper," Arts said.
Disco balls dangle from the ceiling, and the floors, columns and ceiling are painted black. There are black leather rugs and the 300-square-foot cash wrap is designed to look like a bar, covered in black leather and with acrylic bar stools. All that's missing are velvet ropes outside.
Exposed trusses à la Studio 54 are hung with silver globes. The focal point of the store is an LED chandelier, which changes colors and can display projected images. Arts said it's a nod to the installation art scene of the Seventies. Framed vintage posters fill the walls — Jimi Hendrix, 7-Up, Op-Art patterns and a neon pink Motel sign — and are for sale. Reproductions of Arne Jacobsen's egg chair, Seventies Mod plastic chairs and a Florence Knoll design are scattered throughout the store. A DJ booth will be occupied on weekends and during special events, but the playlist won't be limited to disco.
In the dressing vestibule, a long wall covered with insulation and foil paper is intended for shoppers to leave their marks by scratching out their initials or writing a saying, just like the high school bathroom or the restroom of a disco.
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast