After launching eveningwear in 2005, designer Gustavo Cadile plans to introduce a bridal collection this spring.
It’s a natural move for Cadile, who specializes in red-carpet-ready dresses donned by the likes of Eva Longoria Parker and Catherine Zeta-Jones, given that he got his big break when a Neiman Marcus fashion director saw pictures of a wedding gown Cadile designed for a friend.
After buyers visited Cadile, who had crafted a collection of 10 dresses at the time, they decided to order his gowns, which retail from $2,000 to $5,000 at Neiman Marcus and Saks Fifth Avenue.
It’s been an eventful year for Cadile, who was nominated for the Fashion Group International Rising Star award in January and flew to Chicago last month to accept his top designer prize at the 54th annual Gold Coast Award Fashion Show, where some 1,000-plus attendees voted on their favorite collection from a handful of designers who participated in the show.
“This is incredible for me,” Cadile said. “I worked very hard, and with perseverance, one day you can see all the results.”
Cadile, a native of Argentina, arrived in Miami in 1992 with $50 in his pocket, taking a restaurant job before seeking work at Neiman Marcus in Bal Harbour, Fla. Although he had studied graphic design and worked with Argentine designer Manuel Lamarca, Cadile took a position in Neiman’s receiving department because he spoke little English.
After spending his lunch hours examining beading and finishes of high-end gowns in the store’s couture salon, Cadile got noticed by the department manager, who hired him as an assistant. Cadile, who was taught to sew at age five by his grandmother, went on to receive a degree in fashion design from Miami International University of Art & Design. From there, he worked in Italy before spending three years in the design department at Perry Ellis beginning in 2000, and then freelancing for Oleg Cassini’s bridal division.
In April, Cadile plans to unveil his own bridal collection, consisting of 25 dresses made of silk, chiffon, lace and tulle retailing for $2,500 to $6,000. The gowns will possess a similar aesthetic to his eveningwear, Cadile said.
“With this economy, I don’t think women want a big dress,” he said, noting he envisions gowns with more Empire or mermaid styling. “These will be more simple and elegant. She can bring the dress back to me [to make modifications] and have an evening gown to wear later.”
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast