Calvin Klein — two of the coolest words to ever come out of American fashion. His is a multifaceted legacy in which timing, marketing savvy and a core fearlessness fused to create one of the greatest, hippest fashion houses of all time. Throughout his designing career Klein captured, even anticipated, the proverbial zeitgeist with a flamboyant audacity that in a way seems counterintuitive to the spareness of his clothes.
Oh yes, the clothes. Over the course of his 38-year career, Klein proved himself much more than a clever seer engaged in shameless titillation of the public, putting a particular teenaged pretty baby in jeans, a waifish unknown model in absolutely nothing and an impressive male package bulging boldly on a billboard high over Times Square. Klein was also a terrific designer who early on sensed the demand of an emerging class of bright, independent women for fashion that looked like they felt: sporty, sophisticated, unencumbered. Reviewing Klein’s evolution from the early to late Seventies, one sees in the clothes a rapid transition from snappy cuteness to seductive chic. And unlike Halston, that other great fashion star who spent days designing and debauching at Studio 54, Klein remained a powerful force for decades.
Issa Rae stopped by WWD's NYC headquarters to talk about season two of "Insecure," which premieres this Sunday on HBO. Click link in bio for all the details. #wwdeye (📷: @jgreenery; Styled by @mayteallende)
A Stella McCartney sketch of a custom dress made from protein-based silk in partnership with biotech lab Bolt Threads. The dress will be displayed at The Museum of Modern Art's upcoming design exhibition, "Items: Is Fashion Modern?"