PARIS — Black is definitely a positive color for Rei Kawakubo.
Black Comme des Garçons — the Japanese designer’s new temporary “guerrilla” brand conceived as an antidote to the recession — has landed the iconoclastic designer’s fashions on the ground floor of two Tokyo department stores, a first for the company.
Monolithic, square black fixtures — where iconic styles such as sarouel pants and cutaway jackets hang — have been front and center at Mitsukoshi in Ginza and Parco in Shibuya since last week.
A total of 11 points of sale are rolling out this month and next, including freestanding stores in New York and Paris opening June 22, plus two-week pop-up corners at Barneys New York and Colette in Paris.
“The department stores have gone crazy with this idea,” Adrian Joffe, chief executive officer of Comme des Garçons International, told WWD, noting that initial sales in Japan are already 50 percent ahead of plan. He credited accessible prices (roughly half the company’s other collections) and a “speed merchandising” strategy that will see new styles arriving roughly every six weeks. Comme des Garçons is mulling adding men’s styles due to demand from stores, which include Boon the Shop in Seoul, I.T. in Hong Kong and Iwataya in Fukuoka, Japan.
Joffe characterized Black as a way to boost sales during the downturn, which has sent Comme’s revenues in Japan down about 4 percent this year. “Rei said she wanted [Black] to last as long as the recession lasts,” he said. “It’s turning morosity into positivity. We can’t just sit there and cry.”
A pioneer with temporary guerrilla stores, Comme des Garçons has opened and closed 31 such stores since 2004, with the latest, in Glasgow, Scotland, slated to go dark in September.
Joffe noted the Black project required more expensive, while still short-term, leases, plus bigger investments in marketing and shop decoration.
For example, Comme des Garçons plans to spend about 60,000 euros, or $84,000 at current exchange, to outfit the 500-square-foot Paris store on Rue du Perche in the Marais with air-conditioning and fixtures. Subway posters in Japan — an extreme close-up of a kohl-blackened eye or dark lips — publicized the launch there, while a giant billboard at Broadway and Houston Street will trumpet the 500-square-foot Manhattan unit at 10th Avenue and 17th Street.
Comme des Garçon’s 15 brands generated 2008 revenues of $180 million, and Black represents its most volume-driven venture to date. Joffe noted that quantities are in hundreds instead of dozens.
The collection revisits best-selling silhouettes in popular fabrics and finishes, and perennial prints such polkadots, gingham and checkerboard. Prices range from about 60 euros, or $84, to 105 euros, or $147, for T-shirts up to about 250 euros, or $350, to 445 euros, or $623, for jackets.
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast