Marissa Webb spent more than 10 years in the J. Crew boot camp, working as head of women’s design with Jenna Lyons and Mickey Drexler, when she left to pursue her own line in 2011.
“A lot of people ask me, ‘Will your collection look like J. Crew?’ ” she says while prepping the collection over the summer. “The honest answer is: In my mind, no. But after being at J. Crew for 11 years, a lot of my own personal aesthetic is in J. Crew, because that was my job. The same things that influenced me then influence me now.”
Her first presentation, held at Lincoln Center in September, drew on the masculine-feminine point-counterpoint that is key to J. Crew, but Webb’s version was a little tougher, a little more sophisticated and urban, with an emphasis on leathers—tunics, biker shorts and motorcycle pants—along with graphic black and white. The line is priced at upper contemporary, starting around $125 for a T-shirt up to $1,500 for dresses.
Bedrock Manufacturing Co., the Dallas-based firm that also holds Steven Alan in its stable of fashion ventures, has a minority stake in Webb’s business. Steven Alan, in turn, is handling her sales, thus is also one of Webb’s eight retailers.
CV: Studied at Fashion Institute of Technology; worked at Club Monaco, Polo and J. Crew before launching her line for spring 2013.
Retailers: Eight, including six Barneys New York doors and Barneys Japan, Steven Alan and Deborah James.
Design Philosophy: Tough versus feminine, sophisticated while urban.
Julien David is a prime example of just how global the fashion trajectory can be. A native of Paris, he honed his craft in New York. After eight years, he participated in a year-long French cultural exchange program with Japan, which inspired him to move to Tokyo and launch his own label. It started with scarves, gradually evolving into outerwear and ultimately a full women’s and men’s collection.
Today, David, 33, brings a distinctive point of view to the industry by melding Japanese culture with French expertise. Known for his accessible streetwear accents, his quirky touch sets him apart from other emerging designers. For spring—David’s third runway show—he riffed on schoolgirls gone bad with blazers and pleated skirts rendered with a Japanese wit, particularly evident in his mix of striking prints.
“There is a different approach here,” David says of his adopted hometown. “They don’t have the weight of the history of Western clothes. They perceive and mix pieces very differently. It’s much more playful.”
David, who is self-financed, won France’s prestigious Andam Fashion Award in July, giving him a 230,000 euro (about $300,000) boost along with a two-season mentorship from Pierre-Yves Roussel, chief executive officer of LVMH Moët Hennessy Louis Vuitton’s fashion division. While the recognition has made him think about spending more time in Paris, David is not quite ready to leave Japan. “Everything seems so organized, but at same time it’s so busy and so lively,” he says. “I think that’s what seduced me.”
CV: Studied at Parsons The New School for Design; worked for Narciso Rodriguez and Ralph Lauren before launching his line three years ago.
Retailers: 60 stores, including Colette, Browns and Opening Ceremony.
Design Philosophy: Cool riffs on streetwear with plays on proportion and volume, all worked in upscale fabrics. NEXT: Brood >>
“My personal philosophy to beauty is paying attention to oneself. I love to be outdoors, lots of fresh air, trying to take care of yourself as best you can. I always notice that comes through,” says Felicity Jones, the global face of @shiseido-owned @cledepeaubeauteus, which launches today. Head to WWD.com to read more about the actress’ love for beauty and how she prepared for her new role in “The Basis of Sex,” playing the young Ruth Bader Ginsburg. #wwdbeauty (📷: @dandoperalski)
For men’s fall 2018, @giuseppezanotti drew on elements from streetwear, sport, biker, combat and rock ‘n’ roll. Pictured here are a pair of shoes from the collection, featuring zippers, rhinestones, and silver hardware. Head to WWD.com to see a roundup of the accessories from Milan’s men’s fall 2018 shows. #wwdfashion (📷: Andrea Delb)
To celebrate the 25th anniversary of @ralphlauren’s snowboarding collection, the brand is mining its archives. The iconic brand is reintroducing vintage styles and dropping new designs for a color capsule that will be available in Ralph Lauren stores and @openingceremony on January 25. The capsule will consist of 10 pieces, including the Snow Beach Pullover, pictured here, which is a collector’s item that rapper Raekwon wore in Wu-Tang Clan’s “Can It Be All So Simple” video. #wwdfashion (📷: Tom Gould)
For @rochasofficial’s pre-fall 2018 collection, creative director Alessandro Dell’Acqua channeled the sophisticated and intriguing Catherine Denevue in the film “Belle de Jour.” Polished collarless coats, midi skirts, suits and ’60s graphic motifs were all featured in the collection, adding a sense of discreet luxury. See the rest of the photos on WWD.com #wwdfashion
“We tried to produce clothing of that couture quality, but the most daunting part was that we only had a matter of days [to do it],” said costume designer Lou Eyrich, who recreated Gianni Versace’s iconic looks for @americancrimestoryfx. Eyrich searched online retailers and vintage shops for original pieces from the design house and for @penelopecruzoficial, who plays Donatella Versace. Head to WWD.com to read how she created the Versace world. #wwdfashion
Only three months after her stellar debut catwalk season, @kaiagerber has inked her first big design collaboration –– with @karllagerfeld. The collection blends Lagerfeld’s Parisian chic aesthetic and the model’s signature West Coast casual style via RTW, accessories, footwear and more. The #KarlLagerfeldxKaia collection will launch in September with a series of events. Get all the details on WWD.com. #wwdnews #wwdfashion
Harrods plans to remove the famous statue of Princess Diana and Dodi Al Fayed from the bottom of the Egyptian escalators and hand it back to Mohamed Al-Fayed. “We are very proud to have played our role in celebrating the lives of Diana, Princess of Wales and Dodi Al Fayed at Harrods and to have welcomed people from around the world to visit the memorial for the past 20 years,” said Michael Ward, Harrods managing director. “With the announcement of the new official memorial statue to Diana, Princess of Wales at Kensington Palace, we feel that the time is right to return this memorial to Mr. Al Fayed and for the public to be invited to pay their respects at the palace.” More on the news, with reporting by @loreleimarfil, at WWD.com. #wwdnews