NEW YORK — Count Isaac Mizrahi among those who have declared 2009 as a time for change. After six successful years hitting the affordable fashion mark at Target, Mizrahi is on to Liz Claiborne, a company anxious for a design bull’s-eye.
It’s been nearly a year since Claiborne revealed plans to install Mizrahi as creative director. Thanks to his vaultlike contract with Target, which expired at the end of last year, the designer was barred from talking about his new gig until now. Certainly Mizrahi has his work cut out for him, coming aboard what many in the industry have characterized as a seriously troubled ship. It’s no secret that Claiborne’s once indefatigable better business has been suffering on the sales floor over the last decade, losing orders with its bread-and-butter department stores such as Macy’s and Bon-Ton.
So why leave Target’s plush pastures to tackle Liz’s considerable challenge? Anyone expecting full, juicy disclosure will be disappointed in Mizrahi’s murky-at-best response: “I just feel like spiritually it was time to, like, move,” he says. “I just thought I had this really great opportunity. No other reason than that.”
Of course, the assumption is that more than spirituality played a part, particularly after Mizrahi adds: “I would still be at Target if I could because I feel like I created this big thing….”
Timing aside — the Liz deal popped up just as Mizrahi was renegotiating his Target contract — one can only guess at the details. Regardless, Mizrahi considers his time at Target well spent. “The Target thing was not dumb at all. That was the smartest thing,” he says. “I remember when I did my first show where I had, like, $3 things mixed with $3,000 things. I was going to call it ‘bipolar shopping disorder’ and the people at Target were like, ‘Oh. Could you call it something else?’”
Whether or not Mizrahi coined the term “high-low,” he certainly blazed the trail for the modern designer-mass collaboration, and elevated Target to a fashion destination for the budget set. Liz Claiborne is undoubtedly expecting similar results — but in a more return-to-glory fashion.
“We had to find a way for both the consumer and the retail trade to stop and reconsider the brand,” says Liz Claiborne Inc. chief executive officer William L. McComb of the decision to hire Mizrahi, which was spearheaded by Dave McTague, the group’s executive vice president of partnered brands. “We knew it would take somebody who was not just an extraordinary designer, but somebody who could create an amazing amount of intrigue and buzz and give people this reason to say, ‘Oh my God, I need to take another look.’”
The firm, whose sales for the nine months through Oct. 4 fell 6 percent to $3.07 billion compared with sales of $3.27 billion in the same period a year ago, did not disclose first-year projections for the Mizrahi-designed Claiborne collection. McComb prefers to focus on sell-through rates anyway. “We got to a point where our sell-throughs were not sustainable and we were ashamed of them,” he says, noting that, for now, the collection will stay in department stores and Liz’s 92 outlet stores. “I want our wholesale partners to say that their retail sell-throughs are impressive, because that’s the consumer voting.”
Thus the measure of success will be if Mizrahi recaptures lost customers and draws in a new clientele, many of whom probably don’t remember the label and its late founder’s heyday. It’s a tall order, not only because Liz has been mired in bad product for awhile, but also due to the fact that the company was built as a bona fide designer label for Middle America, something that’s hard to find in fashion’s current polarized world — one that Mizrahi helped create.
To wit, that’s exactly where Mizrahi sees potential. “I’m trying to shift the paradigm once again,” he says. “The Target thing, that’s thinking very high and very low. But now there’s this whole other cultural thing that’s taking place before our eyes, and it’s only accelerated because of the terrible economic thing we’re going through. It’s like, I believe firmly in the middle now.”
Which is not to say Mizrahi is no longer about a dichotomy. His own ready-to-wear collection is still very much a priority. He’s planning to show during New York Fashion Week, possibly at the tents in Bryant Park, though the location has yet to be determined. Meanwhile, the fall Claiborne line, which Mizrahi says is also rooted in color, will be shown in an intimate cocktail presentation. A full-blown show feels “a bit pretentious” at this juncture, he says.
@margotrobbie steps out onto the red carpet wearing @miumiu. The actress is nominated for “Outstanding Performance by a Female Actor in a Leading Role” in “I, Tonya” at the #SagAwards. (📷: Stewart Cook) #wwdfashion
For @massimogiorgetti of @msgm, the Nineties are his favorite decade. “They had a huge impact on my personal growth. What I like of the Nineties is that they are not so precise in terms of style as other decades…there was actually a bit of everything,” he said. As seen on MSGM’s Spring 2018 show: tie-dye and a bit of grunge, two styles that are synonymous with the decade #wwdfashion #wwddecades (📷: @kukukuba)
Breaking News: @hedislimane joins @celine as its new artistic, creative and image director. One of fashion’s preeminent image-makers and trendsetters, Slimane is to join the LVMH brand on Feb. 1 and unveil his first fashion proposition for men and women next September during Paris Fashion Week. It marks a major homecoming for Slimane, who cemented his reputation – and influenced men’s tailoring for more than a decade – as the designer of Dior Homme between 2000 and 2007. He went on to reinvent and ignite the house of Yves Saint Laurent, which he rechristened Saint Laurent, between 2012 and 2016 – all the while maintaining a close relationship with the Arnault family, which controls LVMH and Dior. Read the full exclusive story on WWD.com. Link in bio. #wwdnews #wwdfashion
“Personally I believe the Eighties have been the richest and more vivacious period for international fashion,” Giorgio Armani said when asked what his favorite decade of fashion is. It was a moment of disruption and experimentation and only thinking back to the first years of that decade is always an emotion for me, for what they have meant to me and my work.” The influence is clear in @giorgioarmani spring 2018 collection, pictured here, which was full of bright colors and unexpected prints. Read more about which decades designers loved most on WWD.com #wwdfashion #wwddecades (📷: @aitorrosasphoto)
For Lady Gaga’s only Italian show on her “Joanne World Tour,” the singer wore a range of @versace_official outfits. The standout piece: this custom-made bodysuit inspired by the brand’s spring 2018 collection. #wwdfashion (RG: @ladygaga)
@_camillaruth_ is expanding on the wellness-craze concept with @westbourne – a new NYC restaurant that’s both a healthy-minded café as well as a business that gives back to the community. Marcus works with the Robin Hood foundation to give back to The Door, a non-profit providing youth development services, and also hires employees through The Door. Read our full interview with Marcus on giving back through food on WWD.com. #wwdeye (📷: @lexieblacklock)