LONDON — The men’s wear offer on the last day of London Fashion Week Wednesday ranged from the sublime to the amateurish, with established names — such as Hardy Amies, J.W. Anderson and E. Tautz — showing alongside unpolished, emerging designers.

Oliver Benjamin, the new creative director of Hardy Amies, pulled together a modern collection filled with unstructured, single-breasted suits and soft pieces such as suede bomber jackets edged in cashmere. “We wanted this collection to be elegant and easy to wear. Going forward, this collection is going to get softer and less-structured,” he said.

Another Savile Row name, Patrick Grant of E. Tautz, gave showgoers a personal presentation of the house’s spring collection at Somerset House, talking the audience through each look. The gentlemanly lineup was filled with linen jackets, Mod-inspired slim pants in lightweight wool and Harrington jackets in lamb’s wool. “We’re embracing the crumpled English summertime look,” said Grant, referring to the linen pieces.

Carolyn Massey also riffed on heritage designs. Her cool separates came in shapes that recalled English schoolboys’ uniforms — there were crisp navy shorts and wind-cheaters with wooden buttons at the neck in royal blue and mustard. Massey also added some global accents to the lineup — some models wore shorts with draped, tuniclike garments. Looks were accessorized with desert boots and wide-brimmed straw hats.

J.W. Anderson turned out an artsy-craftsy bohemian collection fit for stylish festivalgoers. Designer Jonathan Anderson’s designs might not be for everyone, but it was a charming collection with a feminine edge, including sparkly details and shiny fat studs on knits; cropped, raw-edged jackets, and a short-sleeve orange sweater with an abstract argyle pattern down the front.

James Long’s collection also had a free-spirited vibe. Models stomped down the runway to Nirvana’s “Come As You Are” wearing rolled-up jeans shorts and shirts covered in Jackson Pollock-esque splatters of paint, in a palette of purple, pinks and blues. The designer, who said the collection was inspired by “different youth cultures,” also showed knit versions of the look, in which purple splashes of paint had been knitted into a gray sweater. There were also some standout leather pieces, such as a tan vest splashed with what looked like green and red ink.

Artsy knits were also front and center at Sibling, the knitwear label designed by Joe Bates, Sid Bryan and Cozette McCreery. Looks included intarsia sweaters knit with the word “punk” — designed to look like Robert Indiana’s “Love” sculpture — while another sweater came in an intarsia camouflage print in red, yellow, white and black.

Man, the Topman-sponsored group show for emerging designers, was another story altogether. They turned out playful collections that might well be a difficult sell. Martine Rose’s references included hip-hop, Morocco and black bondage leather; Felipe Rojas Llanos had a more minimal outing, with translucent T-shirts, bright blue satin pants and roomy coats, and New Power Studio sent out a lineup of sporty pieces such as jogging pants, sweatshirts and zipped bombers.

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