One of the signature and incendiary creations of the late Lee Alexander McQueen, the low-slung pants figure in the revamped McQ collection, which is now under the full control of the McQueen company following the expiration of its licensing pact with Italy’s SINV SpA.
A 160-stockkeeping unit women’s pre-fall collection — to be unveiled to the trade today in showrooms in New York, Milan, London and Tokyo — is the first volley in an expansion drive for the five-year-old contemporary brand. Plans include a push into accessories and planting a bigger footprint in key markets like America.
“We always felt there was scope to create a brand that was more accessible —and a little more edgy,” said Jonathan Akeroyd, president and chief executive officer at Alexander McQueen, part of Gucci Group. “We’ve got a strong ambition for it.”
Expressed as wholesale volume rather than royalty income, McQ already represents about 20 percent of the firm’s business, and should grow to 35 percent by 2012 given robust demand today for price-driven designer propositions, Akeroyd said in an exclusive interview. He declined to provide revenue figures.
“There still aren’t that many luxury houses that have contemporary lines,” he noted. “We’ve created quite a strong name and brand image.”
The executive said prices for McQ — to be produced mainly in Asia, Turkey and Italy — have been shaved by about 25 percent, with jeans retailing at 175 euros, or $235 at current exchange, dresses for 200 euros ($270), jackets from 300 euros ($405) and printed T-shirts at 70 euros ($95).
McQ is currently sold in about 350 doors, primarily in the U.K., Italy, Russia and Asia. There are five shop-in-shops — including at Harvey Nichols in London and I.T in Hong Kong — plus three freestanding franchise boutiques in Kuala Lumpur, Malaysia, and Shanghai and Hangzhou, China. Key wholesale clients include Selfridges, Harrods, Saks Fifth Avenue and Lane Crawford.
Although the business is currently tilted toward dresses and knits, with women’s categories representing 75 percent of volume, Akeroyd said the range would be broader, and more casual, with the McQueen company fully in charge of product development.
The McQ pre-fall collection riffs on McQueen design signatures, such as men’s tailoring and strict, structured silhouettes, spiked with some playful influences.
Pieces include a gray wool cropped schoolboy’s blazer edged with a black grosgrain trim, and a high-necked cotton trenchcoat with kilt-like pleated skirts. There are also punkier items, such as a black A-line minidress in coated black cotton, with antique brass zippers stitched into its skirts, which can be unzipped to make the silhouette more voluminous. And one black graffiti print on a green silk minidress is taken from the scrawl that’s etched into wooden school desks.
The collection revolves around natural materials, such as cotton, wool, silk and leather.And while it’s a diffusion line, the pieces show plenty of attention to detail — jackets are lined in natural cotton, while a relaxed fleece sweat top is stitched with a subtle pattern that follows corset construction. Even the metal buttons and rivets on some jeans are embossed with an intricate McQ graffiti print.
Complete fall-winter 2011 ranges for men and women, including jewelry, bags and shoes, are to be unveiled to retailers next February for July delivery.
Akeroyd said the late founder set a strong template for McQ, and was instrumental in the decision to bring the brand in-house. Sarah Burton, who was named creative director of McQueen following the founder’s suicide last February, will oversee a new group of designers headed by Pina Ferlisi, whose experience in the U.S. contemporary market is seen as vital. Ferlisi’s resume includes stints at Generra, Coach, Marc by Marc Jacobs and Gap.
Akeroyd also described plans to pump up the marketing profile of the brand, with its m-c-q.com Web site the main vehicle. A film, in lieu of a look book, is to make its debut on the site this week depicting four young girls in real-life situations wearing the pre-fall styles and talking about their lives. The McQ site will be the platform to launch e-commerce next year, and is to be linked with Tumblr.com, a creative and blogging hub.
Akeroyd stressed a “democratic” approach to marketing. To wit: Events planned for fashion weeks in London and New York next spring will involve consumers, as well as the trade.
In yet another fashion show shuffle, @elleryland is moving its show in sync with the Paris couture calendar — though the brand is still keeping one foot on the city’s ready-to-wear schedule. Their runway show in January will coincide with the launch of a new strategy: designing two main collections each year instead of four, which will then be released in four drops. “As we all know, the system needs to change. We need to show sooner to give time back to artisans and designers to do what they do best — create,” said founder Kym Ellery. #wwdnews #wwdfashion (📷: @kukukuba)
@maxmara’s classic 101801 coat was the cornerstone of its pre-fall 2018 collection. The design team expanded the traditional double-breasted, kimono-sleeved style into a trapeze coat, lean belted styles and a peacoat and presented them in monochromatic looks – like the camel one pictured here. #wwdfashion #prefall18 (📷: George Chinsee)
The @cfda has shifted the dates of #NYFW, with Men’s showing on February 5 through February 7, and Women’s will directly follow, running from February 8 through 14. The preliminary schedule will be released on the CFDA’s web site in the next few days, but Mark Beckham, VP of marketing for the CFDA, revealed that @rafsimons will be back to close the men’s-specific part of the week with a show on February 7 #wwdfashion (📷: Kelly Taub)
@ferragamo is introducing a new space dedicated to the development of women’s and men’s leather good samples. The laboratory, which is created eco-friendly materials and designed to reduce the environmental impact of the manufacturing processes, will allow the company to expand its accessories offering through traditional artisanal approaches. #wwdfashion (📷: @aitorrosasphoto)
How does a “regular, degular, schmegular” girl from the Bronx, N.Y., become a Grammy-nominated artist with a certified platinum record in less than a year? Call it the @iamcardib come up. The 25-year-old has become a musical sensation, and the fashion world is taking note. “If I could describe her style I would say drama. She’s really into the dramatics,” says Cardi B’s stylist @kollincarter. See how Carter styles her bold and out there looks with the link in bio. #wwdfashion
“There is no formula. There is no guideline. I can watch Ted Talks all day, but there is no one who can advise me on exactly what it is I should be doing,” said @ronniefieg, CEO of @kith, in an interview with WWD’s @ariahughes at the brand’s new SoHo office in Manhattan. Head to WWD.com to see how Fieg went from hanging out in shoe stockrooms at 13 to building his own business. #wwdfashion (📷: @weston.wells)
@fearofgod and @maxfieldla have teamed up on a pop-up installation. The store, located in the gallery space across from Maxfield’s Melrose Ave location, is the site of the brand’s House of God pop-up in which Fear of God founder @jerrylorenzo has created a church-inspired installation. A dozen vintage church pews sit in front of an LED screen playing 90s gospel singers in an effort to re-create an environment akin to a Southern Baptist Church, Lorenzo explained. Read more about the pop-up on WWD.com #wwdfashion (📷: Jennifer Johnson)
Known for his sleek, sophisticated American glamour, Norman Norell is the subject of an upcoming exhibition at @fitnyc. “Norell: Dean of American Fashion,” which runs from February 9 through April 14, will feature approximately 100 ensembles and accessories. His best work is exemplified by the designer’s glittering “mermaid” gowns frosted with thousands of hand-sewn sequins – like the one pictured. (📷: William Helburn) #wwdfashion
For pre-fall 2018, @balmain didn’t let go of the glitz. A crystal embroidered baseball jacket priced at around $40,000 hangs in the “couture” section of the brand’s first men’s pre-collection. Sporting the words “Balmain Army” across the back, the item took around two months to make. “When it was completed, it was like Christmas, it was like, ‘It’s done, it’s exactly what I wanted,’” said Balmain’s creative director @olivier_rousteing during a tour of the collection in a Paris showroom on Monday. #wwdfashion