Milan on Friday threw the gauntlet down by saying it definitely will hold next fall’s fashion shows Sept. 19 to 25 — which will overlap with both New York and London fashion weeks. The decision immediately elicited protests from the other two cities, although it remains unclear what action they can take. Paris will continue to hold its shows Sept. 25 to Oct. 3.
“Let the best one win,” Mario Boselli, head of Italy’s Camera Nazionale della Moda, told WWD. “Italian designers unanimously agreed on the schedule, from the smallest brand to the biggest. They showed great solidarity and Italian pride.”
Italian designers are displeased with the plan of New York officials to start that city’s fashion week on Sept. 13 next year in order to avoid conflict with the Labor Day holiday in the U.S. New York’s shows would end on Sept. 20, with London running Sept. 21 to 25. The shift would put the shows essentially a week later than in recent years. The Italians contend the move is being forced on them by the Council of Fashion Designers of America and that if Milan moves its dates later as a result, Italian designers won’t have enough time to satisfy production needs.
The current calendar for next September is bound to become a major headache for editors and retailers, who will be forced to choose between Milan and the last two days of New York, as well as the entire London season.
During the meeting in Milan on Friday, the Camera examined paperwork dated September 2008. “We proved that there was no agreement with the Council of Fashion Designers of America and the British Fashion Council regarding the three years 2012-2013-2014, and that, in any case, the postponement of a week for the dates of September 2012 was not on the table,” said Boselli. As per the document, which the Camera attached to a press release sent Friday, the only subject matter referred to at the time was extending London’s Fashion Week from four to five days.
In an open letter to the fashion community obtained by WWD on Sunday that was to be sent out this morning, CFDA president Diane von Furstenberg acknowledged that, while the growing number of fashion weeks — including those in the Middle East, Russia and Brazil — often makes coordination challenging, the ultimate goal is to allow designers to show their collections and vision for the following season. “Editors, retailers and designers like the consistency of every designer always showing on the same day of the week season after season,” said von Furstenberg. “It makes it so much easier for everyone to plan and attend shows. Clearly, year after year, the calendar changes for there are seven days in the week and every new year the calendar advances one day. Some years it will be better for some cities, some years not.”
Calling the current situation “a misunderstanding,” von Furstenberg said she was “convinced it will be resolved” and that she and the CFDA share the same goals as their colleagues in Milan, Paris and London. “It is most important that we show unity, fairness and that we work together to ensure everyone is given equal benefit from our work,” she added.
The letter was preceded on Friday by a statement released by the CFDA reasserting its commitment to the rule it said was agreed upon at a meeting in September 2008 to allow for an extra day of shows in London.
“Given the nature of the calendar, sometimes the second Thursday will directly follow Labor Day, which is not ideal for New York,” the CFDA said. “This has been the case since September 2009 when the agreement went in to effect. In 2012, the calendar is more in the favor of the American designers just as in some years it is not. The calendar dictates that the dates of some seasons’ shows are better than others for different cities, and New York has accepted this fact, working around Sept. 11 and Jewish holidays. We are disappointed to hear Milan’s decision not to honor the September 2008 agreement. We remain certain that all parties understand that adopting one rule and not changing it is best for all designers of all countries. The ‘Second Thursday’ rule, we believe, was always a permanent one. Not to change from this rule has received tremendous support from editors, press and retailers and we look forward to showing them the spring 2013 collections on Sept. 13 to 20.”
Reached on Friday, von Furstenberg elaborated the American position. “We made an agreement,” she said. “The idea was we would start on Friday, but we had to make an adjustment for London, and agreed to start on the second Thursday.
“The calendar changes every year,” she added. “The second Thursday is sometimes an advantage to us, and sometimes a disadvantage. All of a sudden, on the second Thursday next September, we finally have the good side, and now they want to make us pay. I think this is ridiculous. We are a community of designers. I would like to believe that what we have created with the CFDA — the sense of family and community — is something we can do worldwide. We are all designers, we are all in the same industry. We compete with one another but we love and support each other. That is what it should be.”
Caroline Rush, chief executive of the BFC, echoed these sentiments. “It is with great disappointment that we read Camera Nazionale della Moda’s statement released earlier today that they will continue to break the dates agreement and schedule shows over New York and London Fashion Weeks. No one would agree that this is in any way an ideal situation, but we have — and continue to receive — incredible support from both international and domestic media and retailers to retain the existing agreement.”
Both the CFDA and BFC are adamant the “Second Thursday” rule was a long-term arrangement, while Boselli and Dider Grumbach, president of the Chambre Syndicale de la Haute Couture, contend the deal was only intended to last three years.
“We always said that it is impossible to plan anything beyond three years as you never know what kind of events might come up,” Grumbach said, adding that he never received any letter or had any discussion with the CFDA regarding their proposed show dates for the spring 2013 season. “There seems to have been a misunderstanding somewhere.
“We already decided our dates several months ago and to want to change the system seems unrealistic,” he continued. “The idea was always that we would meet up again once the three-year time period was up.”
On Friday, Boselli noted that, “since no different arrangement had emerged,” the Camera communicated on March 17, 2010 with all national and international fashion bodies, “including the offices of Vogue-Condé Nast,” that, in 2012, Milan Fashion Week was going to run from Wednesday Sept. 19 to Tuesday, Sept. 25, ”without anyone objecting to this, and in line with the preceding three years.”
For this reason, the Camera “rejects the accusations” made by von Furstenberg and BFC president Harold Tillman, that it was not honoring its commitments. “This accusation not only represents an aggressive and arrogant stance towards the CNMI, but it has also employed unfair arguments in order to unilaterally impose decisions that were not agreed upon,” said the statement.
EXCLUSIVE: @tomford is opening its first-ever beauty store. The boutique, which opens November 20 in London’s Covent Gardens, was designed with the over-the-top glam Ford is known for. Read the full story on WWD.com, link in bio. #wwdbeauty #wwdnews (📷: Simon Wagner) #TomFordBeauty
New York-based DJ @harleyvnewton threw a party to celebrate the holiday collection of her dress and pajama line @hvn at the Ladurée Beverly Hills. It Girls @katebosworth, @rashidajones and more joined in on the fun, which included cocktails, croque monsieur sandwiches and a photo booth. #wwdfashion (📷: Owen Kolasinski/BFA.com)
For the holidays, @Burberry partnered with 20-year-old artist @blondeymccoy on a series of three outdoor murals in downtown Manhattan. The murals are McCoy’s interpretation of a Christmas eve party, the idea of charity and the spirit of family. His third mural, pictured here, is the most personal. The image depicts McCoy’s grandparents and father in London’s Trafalgar Square in the Seventies. “My work often features lots of sentimental objects.” #wwdeye
For spring 2018, designers applied bold colors and cartoonish motifs on everything from sneakers and belts to key chains. See all the top men’s accessories trends on WWD.com. #wwdtrends (📷: George Chinsee; Prop Styling by @rnasti; Market Editor: @luiscampuzano)
The @dior-sponsored @guggenheim international gala pre-party has a history of drawing cool-girl musical acts to serenade the crowd –– and last night was no exception. @haimtheband performed songs both new and old, and lured a star-studded audience with the likes of Rebecca Hall, Kate Mara, Mamoudou Athie and more. #wwdeye (📷: @lexieblacklock)
In a partnership between the @metopera and the @englishnationalopera, “Marnie” was born. The opera, with costumes sponsored by @mrporterlive, is an adaptation of the 1961 thriller by Winston Graham. Arianne Phillips, who created the costumes, is no rookie: She’s styled Madonna for her tours and created costumes for a myriad of films in the past. Read WWD’s interview with Phillips, where she talks about her inspiration for the opera’s costumes on WWD.com #wwdfashion
@barneysnyc took a different approach to their holiday windows this year. Instead of Christmas decor, Barneys tapped @thehaasbrothers to tell a story of positivity, gratitude and inclusivity via heartwarming silliness and humor. “It’s about kids and it’s about coming together and being family and loving each other,” said Simon Haas. #wwdfashion (📷: @joshuascottphoto)
Beauty influencer @kandeejohnson makes her foray into hair care with a collaboration with @ogx_beauty — making it the first time that OGX has teamed up for a product creation. The collab includes shampoos and conditioners in three scents. At 39 and a mom, Johnson is a different profile than the emerging social media stars, but is considered one of the pioneers of the digital beauty influencer world. Read WWD’s interview with her on wwd.com, including the strangest beauty product she’s ever tried #wwdbeauty