MILAN — Moncler’s first day of trading on the Milan Stock Exchange on Monday wasn’t just another routine day at the market.
Fifty models wearing all-black winter looks posed with chairman and chief executive officer Remo Ruffini on the steps of the Milan Bourse shortly after dawn; suspense built as trading was slightly delayed because prices were rising too much and too quickly; countdown to trading evoked that of a moon mission launch through sound and images, and Ruffini was greeted by the audience with a standing ovation as shares shot up almost 44 percent to 14.67 euros, or $20.15 at current exchange, after a few minutes of trading, at 9:13 a.m. “Emotions are the new currency. Together we must help [the brand] travel on the wings of emotion. And it is with the strength of millions of feathers that I thank you,” said Ruffini as a shower of tiny shreds of white paper — similar to feathers — dusted more than 450 guests, including Matteo Marzotto, Lapo Elkann and Franca Sozzani.
Fashion theatrics aside, Moncler shares continued their upward trajectory, closing at 14.97 euros, or $20.56, a 46.76 percent gain from their initial offering price of 10.20 euros, or $14.01.
And yet Ruffini insisted in the morning that his plan was to ignore these figures. “I will continue to do my job. The listing will allow for transparency, to secure human resources and to be an asset for talented people,” said the executive, who was instrumental in the relaunch of the French brand, founded in 1952, and who remains Moncler’s main shareholder after the IPO with a 32 percent stake. “I’ve always only worked on quality rather than numbers, keeping our solid roots, never betraying the brand, nor the final consumer. The difference now is that I will talk with hundreds of people, and not only three shareholders.” Moncler’s selling partners are ECIP M., controlled by Eurazeo SA; CEP III, controlled by The Carlyle Group, and Brand Partners 2, controlled by Progressio Investimenti.
The public listing is sending a positive signal as Italy strives to emerge from an economic maelstrom, according to Ruffini. “This can be done also in a moment of economic sadness, it’s a sign of hope,” he said.
Ruffini was pleased with the “mix of investors” drawn by the listing as he noted that they were equally divided in the U.S., Asia and Europe.
There are also “great fashion names,” he said, without elaborating.
A source with knowledge of the situation cited investors from Salvatore Ferragamo, Ermenegildo Zegna and Loro Piana, in addition to Bernard Arnault and Renzo Rosso and “all the main sovereign funds, from Qatar to Singapore and Abu Dhabi.”
Raffaele Jerusalmi, ceo of the Italian Bourse, said Moncler was unique as it counted more than 750 different investors. “There is no public company that counts such a high number of different investors, and this is not because it’s part of a special sector or niche, but because of Ruffini’s skills in developing a company that grows at an incredible pace,” he said. “He is an example of Italian entrepreneurial talent. The Bourse is a starting point, not an arrival one, and it’s not by chance that Ruffini has remained a shareholder.”
Jerusalmi said institutional investors had oversubscribed 31 times the number of shares offered. The company is floating 26.7 percent of its share capital, or 30.7 percent with the Greenshoe option.
Stefano Corneliani, director of luxury and consumer goods at Intermonte Corporate Finance, was not surprised by Moncler’s performance. “I was banking shares would be valued at least 13 euros, it’s a fair and reasonable value and it was to be expected. Moncler’s IPO is so successful because of its whole package: It’s a successful brand with a retail business model with fantastic margins; Ruffini is an exceptional entrepreneur with a spectacular track record that has tapped a group of absolute quality executives, and the company does not have leverage debt,” said Corneliani, noting that Moncler has an earnings before interest, taxes, depreciation and amortization margin above 30 percent. Also, he said Moncler is arguably the only company that “had the luxury” to choose its investors. “There has been an extreme selection of investors and when you have a quality investor base it’s a great start. This is an exceptional company that could eventually become an acquisition target from big luxury groups.”
Asked if the fact that Moncler mainly relies on a single product, the down jacket, could be an issue, Corneliani said that “any company stems from one single product, and rarely does it become strong in all categories. In any case, there is potential to expand.”
Moncler shelved an IPO in 2011, and Marco De Benedetti, head of The Carlyle Group, said the brand since then “has consolidated its presence” and has stronger prospects on the market. “In June 2011 I convinced Remo to postpone the IPO and I know it was an enormous disappointment, but we adhered to our motto: Run, but not too quickly. We were not ready yet, Remo was stimulated to restart with his team and more determined, and today he reaps the rewards,” said De Benedetti.
“Starting tomorrow, you should not look at the price of the shares, once a month is enough, and never think of analysts or the market when making a decision” was his advice to Ruffini. Also, De Benedetti denied that Moncler’s success was tied to the moment. “There have been other companies that have had to cancel their IPO recently,” he said, citing Italian logistics firm Savino Del Bene as an example.
Vincenzo Longo, market strategist at IG Group, said that Moncler’s market capitalization “at this price would total around 3.6 billion euros [$5 billion], similar to the value associated with Tod’s and not far from that of Ferragamo (4.7 billion euros).”
While “a clearer scenario on the shares’ prospects” will take shape in a few weeks, as “there may have also been some pure speculative trading” affecting Monday’s performance, Longo said growth potential is significant, especially if the company would succeed in expanding in areas such as Asia and North America and differentiate its product.
Moncler’s global net profit last year reached 82.4 million euros, or $105.4 million, compared with 55.9 million euros, or $73.8 million, in 2010. The company has grown 32 percent in the past three years, reaching sales of 489 million euros, or $626 million. At the end of 2012, net debt was 229 million euros, or $293.1 million, from 270 million, or $375.3 million, in 2011. Dollar amounts were converted from the euro at average exchange for the periods to which they refer.
@margotrobbie steps out onto the red carpet wearing @miumiu. The actress is nominated for “Outstanding Performance by a Female Actor in a Leading Role” in “I, Tonya” at the #SagAwards. (📷: Stewart Cook) #wwdfashion
For @massimogiorgetti of @msgm, the Nineties are his favorite decade. “They had a huge impact on my personal growth. What I like of the Nineties is that they are not so precise in terms of style as other decades…there was actually a bit of everything,” he said. As seen on MSGM’s Spring 2018 show: tie-dye and a bit of grunge, two styles that are synonymous with the decade #wwdfashion #wwddecades (📷: @kukukuba)
Breaking News: @hedislimane joins @celine as its new artistic, creative and image director. One of fashion’s preeminent image-makers and trendsetters, Slimane is to join the LVMH brand on Feb. 1 and unveil his first fashion proposition for men and women next September during Paris Fashion Week. It marks a major homecoming for Slimane, who cemented his reputation – and influenced men’s tailoring for more than a decade – as the designer of Dior Homme between 2000 and 2007. He went on to reinvent and ignite the house of Yves Saint Laurent, which he rechristened Saint Laurent, between 2012 and 2016 – all the while maintaining a close relationship with the Arnault family, which controls LVMH and Dior. Read the full exclusive story on WWD.com. Link in bio. #wwdnews #wwdfashion
“Personally I believe the Eighties have been the richest and more vivacious period for international fashion,” Giorgio Armani said when asked what his favorite decade of fashion is. It was a moment of disruption and experimentation and only thinking back to the first years of that decade is always an emotion for me, for what they have meant to me and my work.” The influence is clear in @giorgioarmani spring 2018 collection, pictured here, which was full of bright colors and unexpected prints. Read more about which decades designers loved most on WWD.com #wwdfashion #wwddecades (📷: @aitorrosasphoto)
For Lady Gaga’s only Italian show on her “Joanne World Tour,” the singer wore a range of @versace_official outfits. The standout piece: this custom-made bodysuit inspired by the brand’s spring 2018 collection. #wwdfashion (RG: @ladygaga)
@_camillaruth_ is expanding on the wellness-craze concept with @westbourne – a new NYC restaurant that’s both a healthy-minded café as well as a business that gives back to the community. Marcus works with the Robin Hood foundation to give back to The Door, a non-profit providing youth development services, and also hires employees through The Door. Read our full interview with Marcus on giving back through food on WWD.com. #wwdeye (📷: @lexieblacklock)