Talk about drama. Given Dior’s yearlong hunt to fill the role of creative director, the scandal that had opened the position in the first place and Raf Simons’ blockbuster finale for Jil Sander punctuating what was, in effect, his unceremonious, bizarre firing, the designer’s Dior show on Friday afternoon would prove the most eagerly awaited ready-to-wear debut at a major house in years.
Well worth every drop of anticipation and every second of the wait, Simons blew past expectations. In 14 dazzling minutes (albeit with lots of intense work prior), he thrust Dior into a place it hasn’t been in some time, a place where clothes count as more than glossy foils around which to explode cash-cow accessories and beauty businesses. This collection pulsed with that Holy-Grail fusion of currency and cool.
A Stella McCartney sketch of a custom dress made from protein-based silk in partnership with biotech lab Bolt Threads. The dress will be displayed at The Museum of Modern Art's upcoming design exhibition, "Items: Is Fashion Modern?"