And the Band Plays On: Oscar Hits the Right Notes at Balmain, While Ungaro Does a Soft Number
Emanuel's Soft Appeal
Emanuel Ungaro likes to say how sauvage and violent he is, when in fact he's just an old softy. Tuesday morning at the Carrousel, he showed the softest collection Paris has seen this season. His fabrics...
Emanuel Ungaro likes to say how sauvage and violent he is, when in fact he's just an old softy. Tuesday morning at the Carrousel, he showed the softest collection Paris has seen this season. His fabrics fluttered, his cuts were delicate, his colors exquisite, and there was enough lace to seduce a whole convent of fashion nuns. In fact, seduction was what Emanuel's collection was all about.
"I want to return to a primitive spirit," said Ungaro before his show, "to peasants who just pick up scraps of fabric and sling them on themselves. I'm taking pieces of fabric and throwing them on the body."
Accordingly, his pants were soft and sheer, while his supple long and short cocktail dresses grazed the models' bodies. It all drifted out in the most alluring silk mousseline -- sometimes crinkled and with a tie-dye effect. His Power Suit has become the Sensitive Suit -- liquid layers of mousseline wrapped into filmy pants and jackets. After all, Ungaro is the drape-master of Paris, and though his superopulence weighed him down toward the end, essentially this was a wonderful collection -- Emanuel's second big success in a row.
Cheering him on was one of the best front-row turnouts yet this week: Alain Delon, Anouk Aimee, Lilianne Bettencourt, Lynn Wyatt, Nan Kempner, Susan Gutfreund, Marisa Berenson, Isabelle d'Ornano, Sao Schlumberger -- at her first Emanuel Ungaro couture show -- and the ever-present Robert Altman, with his faithful entourage.
Hubert de Givenchy may have parted with some of his treasured 18th-century furniture recently, but he hasn't disposed of any of his classic ideas about how to dress women. For spring, Mercedes and Bunny will be wearing Hubert's pantsuits with short jackets -- Givenchy is right on that big Paris wavelength -- crisp navy dresses trimmed in white, flower prints with a bit of ruffle and, bien sur, polkadots. For evening, he showed shimmery gazar that was just transparent enough, and the best number was the simplest: a fitted white guipure blouse over big black gazar pants.
Such fun. Such fantasy. Such froufrou. NOT! Michel Klein is a serious designer, and serious is the word to describe his debut couture collection Tuesday evening for the house of Guy Laroche. Just in terms of fashion attitude, Klein's severity makes Claude Montana look like Christian Lacroix (who sat in the Laroche front row at the first of two Ritz shows).The house of Guy Laroche wanted something to turn its image around, and this collection should definitely do that. These are clothes for women who haven't discovered couture yet -- intellectuals, gallery owners, book editors with big trust funds. These are not outfits for ladies who lunch, unless the menu is macrobiotic, and if Klein's girls head south for the sun, it's more likely to be Marrakech than Palm Beach. These clothes are all about minimal shapes, minimal fabrics and minimal colors, and many of Klein's things were quite beautiful.
But whether Mao suits, harem pants, pajamas, smocks and djellabahs, even in the most exquisite fabrics, are the natural province of couture rather than ultra-luxe ready-to-wear, is open to argument. Like other Paris designers, Klein is taken with the romance of Orientalism, though his take on it is considerably more sober than, say, Emanuel Ungaro's or Oscar de la Renta's. But it is remarkably consistent, from the flowing capes many of his models wore over dresses and suits to the escarpin-inspired shoes whose turned-up toes were on everything from slippers to high-heeled mules to the velvet caps with fez-like tassels. Too bad he broke the mood with hairdos that haven't been seen since the heyday of Harpo Marx.
The Feraud Factor
Paris couture may have gone short, but Louis Feraud did his best to keep long alive Tuesday afternoon, showing long dresses and skirts from morning to night. Feraud, who watched most of his show from the control booth, also sent out some nicely tailored pantsuits with long jackets in silk toile, and some elegant navy evening sheaths. The designer had said he would feature lots of lace to give a boost to the beleaguered lacemakers of Calais, and made good on his word with lace-trimmed jackets and skirts and some sexy lingerie numbers. But for his finale, he served up enough pearl embroidery to make an oyster weep.
Oscar de la Renta is getting comfortable with Paris, and Paris is getting comfortable with Oscar. He showed a fine collection for the house of Balmain Tuesday afternoon, and one that proved he has whipped the Balmain atelier into shape. He also struck a truly classy note when he listed his three design assistants in the program. Gone was the prissiness of the previous season and in its place was a newfound sophistication for day and evening.De la Renta showed sexy suits with vest-point jackets or fitted cardigans and crisply tailored pantsuits for day. Some of Oscar's evening dresses were as beautiful as any in Paris, especially a short draped black crepe-over-black-lace number. Karen Mulder looked like a Pepto-pink bombshell in his chiffon column; the O-Ladies will have to give up even celery to wear this one. But for those who want to have their cake and eat it, too, Oscar sent out a lot of caftans, most worn with fluid, skinny pants. There was only one egg laid in the show, at the end, when Oscar did an homage to Mother Goose with a series of Little Bo Peep dresses. But bombed-out evening dresses seem to be the only way to end shows this season for the couture fraternite.
And certainly, no one turned out a more haute front-row than Oscar. Irene Amic, Madame Pompidou, Lady Dudley, Isabelle d'Ornano, Doris Brynner, Gaby van Zuylen, Jackie de Ravenel, Deeda Blair and Susan Gutfreund all showed up for their boy. But Pammi Harriman couldn't make it -- she had to fly to Stuttgart. An ambassador's work is never done.
@chanel and @pharrell dropped what’s being dubbed as the world’s most exclusive sneakers yesterday. The Adidas Originals NMD Hu, which Williams designed in collaboration with Chanel and @adidasoriginals, has a waiting list of over 120K people who pre-registered online at chanelatcolette.fr –– and only 500 pairs are on sale. The singer predicted the resale value of the shoes could reach $40K. Read the full interview on WWD.com. Link in bio. #wwdfashion (📷: Dominique Maître)
@imanshumpert is diving deeper into his creative endeavors and relaunching his clothing line, Post 90s, and is helping to raise money for the hurricane victims in St. Maarten with a jersey he’s designed with his brother. The Cleveland Cavaliers player talked to WWD about kneeling during the national anthem, working with fashion brands and how he wants to be more than an @nba player. Read the interview on WWD.com #wwdfashion (📷: George Chinese)
Not only does #TheProfit return to CNBC tonight, but @marcuslemonis has launched @shopmarcus, a new shopping and lifestyle retail experience in Aspen and Chicago, with more locations to come. The retail stores offer in-store stylists and a variety of contemporary womenswear selections.
“It’s life, I’m going to face it,” @mingxi11 sighed. “I fell, but you know, I think the most important thing is that I get back up. I had the love, the help from my sister — the girl next to me Gizele [Oliveira] — she’s so nice. When I went backstage everybody was trying to comfort me like ‘Oh Ming, it’s OK.’ I’m really, really touched. I think it’s them who gave me the courage to go back on stage for the finale,” Xi told WWD of her fall at the @victoriassecret fashion show. (📷: David Fisher) #wwdfashion #vsfashionshow #victoriassecret
@louisvuitton tapped @therealpeterlindbergh for its latest city-centric photo book, which is part of a series called Fashion Eye. The primarily black and white book captures the spirit of Berlin in 57 images shot between 1989 and 2019. “Berlin is an inspiration for me, more than a city. I mean @millajovovich is simply Berlin!” said Lindbergh. #wwdfashion
“You know, I think audiences expect a certain performance so I have to deliver to them what they’re expecting to a certain degree. But I’m also a different actor and a different person, I have my own spin on the character,” says @noahegalvin of his takeover of the leading role in “Dear Evan Hansen” following the departure of @bensplatt, who originated the role. Read WWD’s interview with the 23-year-old actor on WWD.com #wwdeye (📷: @jilliansollazzo)
For pre-fall 2018, @etro created richly-colored wonderland, using tapestries, textiles and wallpapers from the Eastern world at large. The line featured floral and graphic prints and jacquard motifs, like this two-piece look featured here. #wwdfashion (📷: Giovanna Pavesi)
@kith is moving into children’s. The men’s and women’s streetwear brand has launched Kidset, a Kith kids line located in New York at 64 Bleecker Street. The line includes mini versions of staple Kith pieces like the Astor bomber jacket and the Kith box logo sweatshirts, along with a wall that can display up to 120 pairs of shoes from @adidas, @newbalance, @timberland and more. #wwdfashion
“I just wanted to create this fully rounded character, but I do think what excited me most was just the opportunity to give a group of people representation that I feel needs it. I like to do characters in projects that stand for something and Karolina definitely does, so that was really exciting to me,” @ginnygardner says of her new role in @hulu’s “The Runaways.” Gardner plays Karolina Dean, a queer superhero, which is a rarity for @marvel. Read more about Gardner’s character on WWD.com #wwdeye (📷: @dandoperalski)