Basler’s runway debut was last season’s cause celebre, as the once-staid women’s wear line went all out for sequins, HotPants and miniskirts instead of its signature tailored attire. Head designer and management board member Brian Rennie later said the collection would strive to address its more conservative customer base while also pushing into younger, sexier territory. Basler’s fall show, however, again stuck to the disco beat — and what looked to be the former Escada design chef’s personal archives. The result was a “Dallas” and “Dynasty” worthy array of over-the-top ball gowns, bejeweled ski looks, body-hugging sheaths, leggings and bodysuits, a bevy of sequins, Lurex, fur and even peacock feathers, all perched on pointy ankle boots with sky-high metallic stiletto heels.
“I was touched by the fact that she lost her father, really before his time, and it was a real shock. She had two young children, she was married and she was expecting that she would have her own life for a good 25 years,” said Claire Foy about playing a young Queen Elizabeth in Netflix’s The Crown. Styled by @mayteallende 📸@jgreenery #emmys2017 #wwdeyeu
“Truth and lies have become a real interesting theme, more than ever, lately,” Emmy nominee Laura Dern told WWD. "It’s a very interesting time to use our voice." Styled by @cristinaehrlich, 📸 @shayanhathaway #wwdeye #emmys2017
“It transcends the genre that is you think of a sci-fi show — you don’t expect it to be so profound or emotionally riveting,” Evan Rachel Wood told WWD of her Emmy nominated role in Westworld. styled by @samanthamcmillen_stylist 📸 @emmanmontalvan #emmys2017 #wwdeye