Sonia Rykiel: Ah, Saint Germain. Who channels your bohemian chic spirit better than Sonia Rykiel? And the Left Bank designer hit the right tone again in a feisty collection of flirty dresses, cheeky knits and fluffy furs. Rykiel has been on a roll. Over the past few seasons, she has given the house’s time-tested classics an element of contemporary cool. For fall, that meant high-waisted knit skirts paired with little black sweaters trimmed with rhinestones, a slinky sequined dress and ruffles on everything. Bows, at the neck or the bust of a dress, also abounded, as did flowers, which were knitted onto coats, tops and skirts. Silhouettes were sexy but slouchy, with plaid pants hanging low on the hips worn with matching jackets. For evening, long, sexy gowns in blue and violet velvet were decorated with rhinestones, giving yet another jolt to Rykiel’s fun frolic.

Hussein Chalayan: Though it was presented in the near-dark on a concave mirrored runway that all but promised a stumble, a crash and a call to 911, clothes-wise Hussein Chalayan’s fall show started with much promise. His look was intense — but thrillingly wearable. Coats sculpted out of tweed buzzed with artsy sophistication. Strictly tailored dresses cut away to reveal a film of Chantilly lace underneath were seriously sexy. Jackets spliced and layered with dizzying precision demonstrated Chalayan’s hard-core, undeniable talent.

What came next, however, was an exercise in willful weirdness. After dutifully giving reality its due, Chalayan flipped the switch and went into heady experimental mode with jackets that looked like giant topiaries carved from shag carpeting — or, as one editor put it, “clothes you can vacuum.” Why these oddities, which weren’t in keeping with the mood or spirit of the rest, had to come down the runway is anyone’s guess. But whatever the reason, Chalayan should have saved them for his 10-year anniversary retrospective at the Groninger Museum in the Netherlands instead.

Ann Demeulemeester: Fashion editors are divas? Not at Ann Demeulemeester’s show at the unheated Carreau du Temple. All gamely waited for the start of the show, battling the sub-zero cold and snow seeping through ceiling cracks by sipping hot mulled wine and wrapping themselves in the rough woolen blankets left on their chairs.

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