Perhaps red, black and camel check shouldn't come as any surprise in relation to Burberry, but it did when it appeared this season on the Prorsum runway for the first time in Christopher Bailey’s eight-year tenure. The surprise testifies to the creative director’s success in establishing a more chic and diverse visual language at Burberry that renders its iconic checked scarves and trenchcoats more desirable than before.
“I sometimes describe Burberry as a beautiful diamond that was trodden into the ground a bit,” says Bailey. “It was dirty and foggy. My role wasn’t to find a new diamond but to clean the facets of this diamond until it sparkled again.”
Indeed, the check that was so overexposed, counterfeited and devalued when Bailey arrived is primed for a comeback. This time, it doesn’t symbolize just a storied British brand, but also Bailey’s distinctive imprint on fashion. Over his eight years, but especially with the latest two collections, Bailey has set forth an influential aesthetic he calls disheveled elegance.
“That perfectly describes the mood I wanted,” he said after the spring show in June. “Disheveled elegance for me is the philosophy of Burberry. I wanted all-natural fabrics and a lot of texture; this rumpled, crumpled look.” The spring collection was all breezy layers, elongated proportions and mellow, woodsy colors. A lot of looks were topped with lightweight trenchcoats removed of any belts or military details.
“I wanted the clothes to feel like they had a life— not precious or untouchable. I wanted them to feel friendly and approachable, like something you’d owned before and felt comfortable in. I wanted color, but no color— very natural. And I wanted that feeling that you could throw it in your bag and you didn’t have to place it carefully.”
The collection was so well-received that Bailey wrestled with how much to transform it for fall.
“You don’t stomp on a seed; you let it grow,” he reasons. He decided to maintain the sense of romance and nostalgia, as well as the focus on outerwear, which suits a brand founded on coats, especially in the fall-winter season.
“The philosophy of the company and everything I’ve tried to build upon is based on the Burberry trenchcoat,” he says. “It is completely democratic, and was founded that way. Aristocracy wore that trenchcoat. Military men and farmers wore that trenchcoat. City dwellers and financial people wore it. Men, women, young, old. And it’s the same today. I think that inclusiveness makes Burberry unique within the marketplace. I think fashion, clothes, brands— whatever you call this thing— should be inclusive. I can’t bear that awful thing of, ‘You’re not good enough or cool enough, or you don’t live the right life.’”
Throughout the industry, Bailey is extremely well-liked for his generous manners, cheerfulness and humility in light of his accomplishments and his age. (He was 30 when Burberry named him creative director. Before that, he spent five years as senior designer of women’s wear at Gucci under Tom Ford.)
“I don’t take anything for granted,” he says, crediting his rural upbringing and his parents’ values for his outlook.
He enjoys representing the brand, whether at glittery events or in interviews.
“I feel very comfortable in a professional situation, but it’s not really my natural state,” he says. “My personality is reserved. But I’m not shy; I come out of my shell. It’s part of my responsibility. And I understand the interest in me, because I want to know the people behind brands like Apple and what makes them tick, too.”
Some famous personas swirl in the soup of Bailey’s inspirations, including young British actors and musicians. But he finds the notion of muses terribly limiting as well as inappropriate for Burberry, with its tiered brand structure descending from Prorsum and its various consumers in different channels. Through its subbrands, Burberry has to address a globe-trotting fashionista as well as a mom in the suburbs, a lawyer in the city or a gentleman in the country. In 153 years, the brand has been many different things to different people. But somehow, Bailey keeps it all in focus.
@kith is moving into children’s. The men’s and women’s streetwear brand has launched Kidset, a Kith kids line located in New York at 64 Bleecker Street. The line includes mini versions of staple Kith pieces like the Astor bomber jacket and the Kith box logo sweatshirts, along with a wall that can display up to 120 pairs of shoes from @adidas, @newbalance, @timberland and more. #wwdfashion
“I just wanted to create this fully rounded character, but I do think what excited me most was just the opportunity to give a group of people representation that I feel needs it. I like to do characters in projects that stand for something and Karolina definitely does, so that was really exciting to me,” @ginnygardner says of her new role in @hulu’s “The Runaways.” Gardner plays Karolina Dean, a queer superhero, which is a rarity for @marvel. Read more about Gardner’s character on WWD.com #wwdeye (📷: @dandoperalski)
@heriethpaul and @gracebol have a moment on the @victoriassecret fashion show 2017. See every look from the runway on WWD.com. Link in bio. (📷: @giovanni_giannoni_photo) #wwdfashion #victoriassecret #VSFashionShow
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia