By  on June 28, 2005

NEW YORK — Jean-Georges Vongerichten's new eatery Perry St. resembles a chic Sixties airport lounge replete with white leather banquettes, modernist gray sofas and a black resin bar.

The era's feel also goes beyond the furnishings. To reflect the glamour associated with travel at the time, the restaurant approached the Calvin Klein company to create uniforms. The collaboration came about three months ago, when Calvin Klein started to plan an underwear campaign party there.

"I knew exactly what I'd wanted to do," said Lois Freedman, director of operations at Jean-Georges' restaurants, when asked how she had envisioned the uniforms. "I went in there with the idea of a restaurant looking like a 1960s TWA first-class lounge ... and the way that first-class flight attendants looked at the time."

Freedman sent Kevin Carrigan, creative director for ck Calvin Klein and the better-priced Calvin Klein sportswear, elements of the restaurant such as samples of the wood, fabrics, tables, chairs and carpeting. For research, Carrigan studied black-and-white photos of TWA in the early Sixties as well as images of Jackie and John F. Kennedy. He even watched the movie, "Catch Me if You Can," which starred Leonardo di Caprio and dozens of actresses dressed as chic Sixties flight attendants.

"You know how trolley dollys are thought of these days," Carrigan said. "It's not considered a chic job anymore. In the Fifties and Sixties, it was really quite exclusive and upmarket, and that's what I wanted to convey."

The looks come from the better-priced Calvin Klein sportswear, which is marked by its white label. For the male staff, Carrigan designed slim-cut black pants, a white shirt with a pointed collar and seams reminiscent of a men's tuxedo shirt and a slim black tie, worn with a silver Tiffany & Co. tie clip. The female staff, meanwhile, wears a similar shirt and black pants, but accessorizes the look with a black neckerchief. The hostess wears a tailored black shift dress. "At the end of the day, I just thought it was very Calvin to do black and white," Carrigan said.

Carrigan took special care when choosing fabrics, fully aware that they are subject to challenging conditions. "They are waiting and they're moving, picking up knives and forks that fall over or spilling water over themselves all the time," he noted.

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