For his headlining act at Pitti Uomo in Florence, Thom Browne conceived an extremely regimented and hyper-condensed day in the life of an office drone, circa 1955. Forty models, moving in unison, typed at identical desks, ate identical lunches and—oh yes—wore the exact same outfit, comprised of Browne’s greatest hits: a shrunken gray suit, a cardigan with arm stripes, heavy wing tips and a shrunken camel overcoat. “In the beginning it was the gray suit, and that’s how every collection starts. So I wanted people to see an army of that,” said Browne. The designer risked disappointing anyone wishing to see new designs. For that, they had to seek out his booth at the trade fair. But the show succeeded in epitomizing his fetishized businesslike aesthetic.
“I was touched by the fact that she lost her father, really before his time, and it was a real shock. She had two young children, she was married and she was expecting that she would have her own life for a good 25 years,” said Claire Foy about playing a young Queen Elizabeth in Netflix’s The Crown. Styled by @mayteallende 📸@jgreenery #emmys2017 #wwdeyeu
“Truth and lies have become a real interesting theme, more than ever, lately,” Emmy nominee Laura Dern told WWD. "It’s a very interesting time to use our voice." Styled by @cristinaehrlich, 📸 @shayanhathaway #wwdeye #emmys2017
“It transcends the genre that is you think of a sci-fi show — you don’t expect it to be so profound or emotionally riveting,” Evan Rachel Wood told WWD of her Emmy nominated role in Westworld. styled by @samanthamcmillen_stylist 📸 @emmanmontalvan #emmys2017 #wwdeye