Bejeweled draped dresses, airy silk organdy numbers and wildly dramatic accessories were among the notions in play.
Christian Dior: Guess whose celebrity fashion moment has come? None other than the Devil himself. First the book, then the movie, and on Wednesday afternoon, John Galliano's haute couture collection for Christian Dior. Galliano found inspiration in "Les Visiteurs du Soir," a 1942 film fantasy based on a medieval legend in which, peeved by excessive goodness on Earth, Old Scratch sends along two traveling minstrels to a garden to mean things up a bit. Suffice to say the plan works like an evil-eye charm — at least on the runway. Which is not to say his models looked like Hell; only that, for all their ornate, indulgent accoutrements, they looked unpretty and woefully sad.
Perhaps after his real-clothes-for-the-American-masses resort show in New York, Galliano wanted to re-embrace the high theatricality and nerve-twisting escapades of which he is master. And just like back in the day, his program notes offered motley references — Joan of Arc, Hollywood, punk, Salvador Dali and, most puzzling, Botticelli, who seemed curiously MIA. But unlike in the designer's early days, when every extravaganza brought a gorgeous visual feast, this time the effort felt pointlessly heavy-handed and angry.
Still, the collection was magnificent in its opulence. Couture has always been about overstatement, now more so than ever, when most clothing sales are of the color-me-practical pre-season ilk. Galliano pulled out all of the haute stops and then some, embroidering, bejeweling, hand-painting and feathering to stunning perfection. These flourishes decorated draped dresses that were almost lovely but for their fierce armor appendages, as well as ruched, bustled piles of runaway fabric masquerading as ballgowns, some bigger than a Smart Car. But no matter, since nothing presented will see the light of reality.
Among those taking it all in were Drew Barrymore, Liv Tyler, Mischa Barton and Mia Maestro. Then there was Cher, whose presence channeled Bob Mackie oh so pointedly. While Galliano owes a huge debt to the famed and maligned costumer, he might yet pick up a pointer or two about fashion showmanship. Number one, for example: Sometimes, it's nice to make the wearer look attractive and the viewer smile.Giorgio Armani Privé: Giorgio Armani floated into Paris on a cloud this season — a cloud of silk organdy, that is. His fleet of airy evening dresses made for an ethereal start to the couture season, and — minus Armani's freakish dragonfly hats — these are just the kind of subtly crafted, unabashedly feminine dresses his clients, and potential fans, crave. Armani eased up on the constructed look, giving his dresses an ever-so-prettily undone feeling. While this breezy attitude felt fresh, his approach was classical. In periwinkle blue, a sculpted plissé bodice tumbled along into an ultrasoft ballgown. An organdy number in pale pink came whorled with bold rosettes. Others were sprinkled with crystals. And for the individualists among his fans, Armani sent out a swirly printed column under a filmy veil of lace.
As light as the eveningwear was, however, by day the collection was weighty and overwrought — unless the target market is a bombshell arriviste new to Russian riches. Armani's Forties-era fascination inspired a slim silhouette with curvy jackets and wrapping tulip skirts. But too often the construction felt cumbersome, with stiff pleated lapels, spliced fabrics and high-standing collars. As for those behemoth collars, they are to the designer's couture collections what wacky pants are to his ready-to-wear. Oh, for an Armani show without them.
My character, Dinah Madani, is just the coolest, [most] badass woman imaginable," says @amberroserevah. The actress stars in @marvel's newest series on @netflix, @thepunisher. To prepare for her role, Revah sat down with Homeland agents to get a real sense of with Dinah's day-to-day life is really like. Read our full interview on WWD.com. #wwdeye (📷: @jilliansollazzo)
A scene from the 91st annual @macys Thanksgiving Day Parade. The parade, which boasts 50 million TV viewers and 3.5 million on-site spectators, is considered one of the largest and most watched parades in the world. (📷: Jason Szenes/EPA-REX)
The circus came to @bloomingdales 59th Street on Tuesday night and lit up Lexington Avenue with acrobatic dancers, death-defying knife throwing, sword swallowing and aerial acts with no net. The 45 minutes of theatrics built up to unveiling the holiday windows depicting @swarovski crystal-encrusted circus pieces and scenes from “The Greatest Showman” – songs from the soundtrack included. See the rest of the photos on WWD.com #wwdfashion (📷: Joshua Scott)
The psychedelic fashion that pervaded the ’60s is back with an exhibit at the @museumofcityny. “Mode New York: Fashion Takes a Trip” chronicles the changing styles from 1960 through 1973 and features designers such as @ysl, @oscardelarenta and more. The exhibition, which is on display through April 1, is organized into four periods: First Lady Fasion, Youthquake, New Bohemia and New Nonchalance. Pictured here is model Pat Bardonella during the Garvey Day Parade in 1968. (📷: @kwamebphoto) #wwdeye #wwdfashion
“People should be a lot more honest in expressing both the dark and light of themselves. We need to give each other the space to do that because it’s the only way we can grow and evolve,” says @noelwells of her new film “Mr. Roosevelt,” which is largely based on her own struggles. Unexpectedly leaving @nbcsnl in 2014 after just one season, Wells felt set back in her self-esteem and career trajectory. She quickly refocused her energy to more personal projects, which led to the completion of “Mr. Roosevelt.” Read the rest of WWD’s interview with the “Master of None” actress on WWD.com #wwdeye (📷: @jilliansollazzo)
@barbrastreisand is giving fans a chance to see her perform up close in a new concert series, which makes its debut on @Netflix today. From behind-the-scenes takes to her concert performance in Miami last December, the two-hour streaming special captures Streisand in her element. Pictured here is the singer/actress photographed for WWD in 1963. (📷: Palmieri Tony) #wwdeye #wwdarchive
@chanel and @pharrell dropped what’s being dubbed as the world’s most exclusive sneakers yesterday. The Adidas Originals NMD Hu, which Williams designed in collaboration with Chanel and @adidasoriginals, has a waiting list of over 120K people who pre-registered online at chanelatcolette.fr –– and only 500 pairs are on sale. The singer predicted the resale value of the shoes could reach $40K. Read the full interview on WWD.com. Link in bio. #wwdfashion (📷: Dominique Maître)
@imanshumpert is diving deeper into his creative endeavors and relaunching his clothing line, Post 90s, and is helping to raise money for the hurricane victims in St. Maarten with a jersey he’s designed with his brother. The Cleveland Cavaliers player talked to WWD about kneeling during the national anthem, working with fashion brands and how he wants to be more than an @nba player. Read the interview on WWD.com #wwdfashion (📷: George Chinese)