PARIS — Don’t have an Hermès accessory named after you yet?
To be sure, it’s a rarified honor anointing the glamorous, including Grace Kelly, the late actress and princess, and Jane Birkin, the cult singer and actress.
But lesser-known souls have also been enshrined in some of the most coveted and expensive leather goods in the world: Constance, a squarish bag with an H buckle named after the Figaro Madame journalist who designed it, and the Lakis, a version of the Kelly named after the man — yes, a man — who placed a special order a few years back that called for handy external zippers and pockets.
Indeed, the history of Hermès accessories is one of teamwork, as scores of design talents from within and outside the company have contributed to its enduring success — and notorious waiting lists.
The latest to offer his imprint is couturier Jean Paul Gaultier. While officially in charge of women’s ready-to-wear, he couldn’t resist tinkering with the house’s star classics: shrinking the Kelly to a chic clutch and warping the Birkin into panoramic proportions — squatter, but longer, and toted by none other than supermodel Linda Evangelista on the catwalk.
Even the reclusive, mysterious Martin Margiela, whom Gaultier succeeded, left a legacy of new Hermès classics, including the much-copied double-length watch strap, a twice-around-the-waist belt and a handbag dubbed the MM, still available for custom order.
Of course, members of the founding family have always acted as the ultimate tastemakers, unifying the look of a brand founded in 1837 as a harness maker. Chairman Jean-Louis Dumas does the honors now, unifying 14 categories of products spanning items from fragrance to tableware. Insiders say his door is always open to ideas.
“It’s more a community of creative people that can propose different things to Jean-Louis,” said Stephane Wargnier, Hermès’ corporate communications director. “The divisions are not so clear.”
An obsession with quality — it takes as long as 25 hours to make a Birkin, for example — and a reputation for simplicity also unites the company’s stable of products. “Functionality has always been important,” Wargnier said.To wit: It was Birkin who suggested to Dumas 20 years ago that his large travel bag with a belt-strap closure would make a great, chic and useful style for women if it was downsized.
Simplicity is another virtue chez Hermès. The architect Le Corbusier, famous for his battle against unnecessary ornamentation, praised the rather stark and humble bags Hermès turned out in the Twenties and Thirties. They, like many Hermès accessories, sprang from the world of saddles, with the prominent hand stitching that is now a signature.
Bags and luggage remain the backbone of the business, accounting for 38 percent of its $1.5 billion (1.23 billion euros) in sales last year. Scarves, pulling in 11 percent of revenues last year, are arguably the runner-up as house emblem.
Who could miss them, wrapped babushka-style around the head of Jacqueline Onassis, or cradling the broken arm of Grace Kelly? Since launching the silk twill squares in 1937, Hermès has turned out almost 1,000 designs, perhaps the most enduring being the Brides de gala, depicting one of the most elaborate harnesses imaginable.
Often, the squares portray, in colorful fashion, the annual theme of Hermès — the Year of the Mediterranean in 2003, the quirky Year of the Hand in 2002. But they also express the lighthearted and playful nature of Dumas himself. For Christmas, one shows the Paris flagship on chic Faubourg Saint-Honoré trapped in a souvenir snow globe.
The Eva scarf, introduced in 1976 and relaunched in 2002, has a design that resembles human hair — blonde or blue — encircled with a crown of flowers. It’s waterproof, of course. Function reins at Hermès.
The horses have also stampeded into the jewelry department. The buckles found on harnesses inspired the Hermès bauble, a bracelet in leather and silver created in 1927.
Even the nails used to drive in horseshoes have been inspirational fodder to jewelry designer Pierre Hardy who, in true Hermès all-hands-on-deck style, moonlights in the shoe department.
@fearofgod and @maxfieldla have teamed up on a pop-up installation. The store, located in the gallery space across from Maxfield’s Melrose Ave location, is the site of the brand’s House of God pop-up in which Fear of God founder @jerrylorenzo has created a church-inspired installation. A dozen vintage church pews sit in front of an LED screen playing 90s gospel singers in an effort to re-create an environment akin to a Southern Baptist Church, Lorenzo explained. Read more about the pop-up on WWD.com #wwdfashion (📷: Jennifer Johnson)
Known for his sleek, sophisticated American glamour, Norman Norell is the subject of an upcoming exhibition at @fitnyc. “Norell: Dean of American Fashion,” which runs from February 9 through April 14, will feature approximately 100 ensembles and accessories. His best work is exemplified by the designer’s glittering “mermaid” gowns frosted with thousands of hand-sewn sequins – like the one pictured. (📷: William Helburn) #wwdfashion
For pre-fall 2018, @balmain didn’t let go of the glitz. A crystal embroidered baseball jacket priced at around $40,000 hangs in the “couture” section of the brand’s first men’s pre-collection. Sporting the words “Balmain Army” across the back, the item took around two months to make. “When it was completed, it was like Christmas, it was like, ‘It’s done, it’s exactly what I wanted,’” said Balmain’s creative director @olivier_rousteing during a tour of the collection in a Paris showroom on Monday. #wwdfashion
Eighty degree temperatures and outdoor installations at the annual Art Basel Miami Beach called for bright, elevated beachwear. See more street style pictures on WWD.com. #theyarewearing #ABMB (📷: @lifeinreverie)
Following September’s emotional tribute to her brother Gianni, Donatella Versace wanted to bring the spring show’s deep sense of intimacy to her @versace_official pre-fall collection. Donatella found inspiration in Versace Palazzo in Milan and from Gianni’s opulent apartment. Archival patterns and new motifs were splashed on silk shirtdresses and fitted jersey frocks. See the rest of the photos on WWD.com. #wwdfashion
Demna Gvasalia continues to shake up the Paris fashion calendar — and experiment with new runway timetables for his @vetements_official brand. WWD has learned that Vetements plans to stage its next coed show for the fall 2018 season on January 19 during Men’s Fashion Week in the French capital. Details about the timing and venue have not been confirmed — stay tuned on WWD.com to catch the latest. #wwdnews (📷: @giovanni_giannoni_photo)
@zacposen's go-to holiday gift? Cookies! "I'll usually bake cookies and send them as a gift," said the designer, who recently released his cookbook "Cooking With Zac: Recipes from Rustic to Refined." Get the recipe for his Brown Butter-Chocolate Chip Cookies via link in bio 🍪🍪🍪 #wwdeye #cookingwithzac
For @monsemaison’s pre-fall 2018 collection, Fernando Garcia and Laura Kim honed in on the brand’s many signatures — men’s wear, which was tweaked and feminized through deconstruction, proportion play and lots of bare shoulders. See the rest of the photos on WWD.com #wwdfashion (📷: George Chinese)
On Friday night, @yohjiyamamotoofficial received the Design for Asia Lifetime Achievement Award in Hong Kong. The 75-year-old designer has been celebrated for many years and is best known for his dark and avant-garde tailoring. “In my long career, in design, architecture, [I’ve been to] so many parties, this is the very first time that I have such a warm feeling, I really appreciate this,” Yamamoto said. #wwdfashion (📷: @dominiquemaitre)