COUTURE COIFFEUR Celebrity hairstylist David Mallett has replicated the decor of his home — where he’d been serving a smattering of private clients — in his new, larger Right Bank “coiffure studio.” The 1,110-square-foot space boasts an area for styling hair and another for coloring, so it’s possible for two clients to be treated at once, yet feel they’re getting individual, haute service. Already clients have been flocking in from as far as Canada, Italy and England. It’s no surprise, given Mallett’s star-studded client list: Emmanuelle Seigner, Drew Barrymore, Nicole Kidman and Elizabeth Hurley. A cut or color begins at $192 at current exchange rates, or 150 euros. Reservations are a must. David Mallett, 14 Rue Notre Dame des Victoires, 331-40-20-00-23.
VIEW FINDER Philip-Lorca diCorcia is the focus of a solo show at the National Center of Photography at 11 Rue Berryer. “A Storybook Life” consists of a series of 76 photographs, taken over the past 20 years, that document places and people who reappear and cross paths — creating a fresco of daily life. The exhibition, which runs until March 15, includes some of diCorcia’s most important works, such as a series of 11 photographs taken on a street in Havana in two hours. Meanwhile, hip boutique Colette has an exhibition of photos by Bruce Weber at its gallery.
BABY BOOM Ovale, Boulevard Saint-Germain’s newest addition at No. 200, takes care of new additions. The chic, 750-square-foot boutique specializes in gifts for newborns, from silver rattles, cups and spoons to cashmere and linen clothing and stuffed animals. The white, beige and brown clothes are designed to keep the baby blues away. “Pink and blues make products look too cutesy,” said Gilles Neveu, the proud new owner of Ovale. Neveu, who started his career as a stylist at Christian Dior, designs the entire collection. It includes reversible cashmere coats for $265 and christening robes detailed with handmade lace that start at $765. Ovale will not remain an only child. Neveu plans to open locations in Geneva and Tokyo this summer.
CHICKEN TONIGHT In yet another sign that the trusted bistro is Paris’ culinary comeback of the season, chef Guy Savoy’s new Atelier Maitre Albert on the Left Bank puts the accent on classic dishes such as roasted chicken, succulent duck and good ole steak. Of course, they’re all done with Savoy’s famous dash and served to perfection with such side dishes as pumpkin gratin or ginger cauliflower. The secret: the giant rotisseries Savoy has installed. They roast monkfish to perfection and give the chicken a delicious golden crust. The setting is casually sophisticated, with modern touches offsetting a centuries-old stone-carved chimney. Atelier Maitre Albert, 1 Rue Maître Albert, 331-56-81-30-01.BIG RED In a stunning exhibition running through Feb. 16, the Louvre has assembled 70 pieces of porphyry, the reddish purple stone that, from antiquity to the reign of Napoleon, symbolized imperial aspirations and grandeur. One of the most difficult stones to carve, porphyry was also one of the rarest. Used extensively in Ancient Rome in architecture and sculpture, it was believed to exist only in remote Egyptian mines. When those mines were forever closed in the fifth century,artists and craftsman had to reuse already quarried porphyry for their creations. All the pieces in the Louvre show, including an arresting 17th-century bust of Alexander the Great and a bathtub said to have belonged to seventh-century King Dagobert, were carved from blocks or columns produced in Ancient Rome.
HAUTE STUFF Though it will be their fifth couture outing, this season is special for Michel Dupre, 26, and Christelle Santabarbara, 24, childhood buddies known together as Dupre Santabarbara. It marks their induction into fashion’s most select club, as they participate as guest members on the official couture calendar, thanks to sponsorship by the house of Jean Paul Gaultier. Also, the duo has recently garnered a prize from the mayor’s office in recognition of their work, which transforms hosiery into high-fashion confections. “We like hosiery because it allows us to emphasize the body,” explained Dupre. “We use hosiery to build a puzzle, cutting out pieces and placing them into a mosaic with lace and embroidery.”
Meanwhile, Istanbul’s Dilek Hanif for the first time will show her frocks on the Paris runway. Known for mixing Ottoman flourishes and Western design, Hanif founded her house in 1990, garnering recognition by dressing such national celebrities as singer Hulya Avsar. She branched out into couture three years ago, and she hopes that showing in Paris will introduce her work to a broader audience.
SWEET SENSATION Chocolate maker Pierre Marcolini’s first Paris store, a 555-square-foot shop at 89 Rue de Seine, is as luxurious as his sweets, which are made the old-fashioned way. The lineup includes creamy chocolates infused with Earl Grey tea, aromatic bars, plus oodles of chocolates stacked in bag-shaped boxes. Prices run about $115 at current exchange, or 90 euros, per kilo of chocolate.PAVED IN GOLD What better display for a new jewelry collection than a boutique no larger than a jewelry box? At Karry’O, 60 Rue des Saints-Pères, designer Karine Berrebi displays her voluminous rings and earrings accompanied by necklaces with pendants in the shape of large Georgia O’Keefe-like flowers. Prices range from $229 to $330. Inspired by designs from the Forties and Seventies, Berrebi also has a collection of vintage jewelry, priced from $1,900 to $12,722.
LADIES FIRST Women industrial designers own the spotlight at an exhibition devoted to their works. Tucked underneath the arches of the recently renovated 1850s viaduct linking the Bastille to the outskirts of Paris, French design association VIA mounts a show entitled “Design d’Elles” to promote women designers in industry. More than 50 women are represented, with work spanning lighting, rugs and small design objects. VIA, 29 Avenue Daumesnil.
JEWEL BOX Victoria Casal is the kind of girl who likes wearing a $20,000 diamond necklace with Diesel jeans. And with her new boutique on the Place Vendôme, Paris’ fine jewelry nerve center, the vivacious designer hopes she’ll be able to convince more women to do the same.
Casal’s 600-square-foot shop is decorated with pink sofas, taffeta curtains and dark-wood display cases. It is the designer’s fourth, after Moscow, Cannes, France, and Eliat, Israel, and is tucked into a discreet courtyard between Boucheron and Van Cleef & Arpels.
“My message is meant to appeal to women’s frivolous side,” she said. “My work’s fun and very feminine. I think women want to wear fine jewelry like they wear a handbag. It’s an accessory that’s meant to give a shot of energy to their clothes.”
Her diamond-encrusted dog tags and key pendants in diamonds and mother-of-pearl surely do. Ditto for rings boasting gigantic precious and semiprecious stones and “girlie” references, such as flowers, stars and numbers. Prices range from about $500 to $30,000.
Casal started her business four years ago with her husband, Jean-Luc, and nowhas several projects in development, including lines of T-shirts and handbags, scheduled for spring and fall launches, respectively.Meanwhile, she’s gearing up for the launch of Hello Kitty fine jewelry, for which she holds the worldwide licensing rights. “A jewelry house has to have an animal in its repertoire,” she said. “Cartier has the panther. Hello Kitty’s much more my generation. We grew up with it. It’s just so fun.”
ALPHABET CITY Just off the Champs-Elysées, the new A Hotel takes the artsy route. Frederic Mechiche designed the hotel and contemporary artist Fabrice Hybert was in charge of the decor. The lobby and bar have a SoHo vibe, while Hybert hung one of his humorous paintings in each of the 26 rooms. The hotel is resolutely modern and minimalist, welcoming only adults and no pets. Rates range from $245 for a single room to $600 for a suite. Hôtel le A, 4 Rue d’Artois, 331-42-56-99-99.
CRYSTAL CLEAR The Cristal Room in the new Baccarat building on the tony Place des Etats-Unis is the restaurant of the moment. Philippe Starck did the decor, while chef Thierry Burlot turns out delicate dishes like langoustine cappuccino, roasted sea scallops and black truffle risotto. Meanwhile, one-named Thai chef Thiou, a magnet for the fashion and film crowds, just opened her third Paris restaurant, dubbed Le Comptoir de Thiou, on Avenue George V. Cristal Room: 11 Place des Etats-Unis,331-40-22-11-10. Le Comptoir de Thiou: 12 Avenue George V, 331-47-20-89-56.
COFFEE CLASH If drinking strong coffee in tiny cups at small tables is not your thing, Paris can be a caffeine addict’s nightmare. No more: Starbucks is slated to open its first location Friday at 26 Avenue de l’Opéra, just in time for couture week. Sipping lid, anyone?
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast