HONG KONG — While numerous brands and creatives are targeting China’s cash-rich consumers, Jonathan Riss, the Paris-based designer of Jay Ahr, is connecting with the country’s skilled artisans.
Riss is currently in China to start work on his resort collection. Last December, the Belgian designer opened an atelier in Beijing for his embroidery design and artwork through a partnership with the Beijing Institute of Fashion Technology. Located at the university, the 12,700-square-foot space functions as an incubator of sorts, open to students who can observe and learn from local artisans.
Riss’ atelier employs about 40 artisans, the majority of whom come from Hebei province in northern China.
“In their village you have four generations of women who learn embroidery from when they are born,” he said during a stopover in Hong Kong on his way to Beijing. “It’s amazing.”
By fusing age-old traditions with contemporary design, Riss is set on overturning peoples’ preconceptions about China. “When you think of Made in China, people think it’s cheap. But they have [a history of] so much amazing craftsmanship,” he said.
Since he established the space, the designer, who has a private salon on Madison Avenue in New York and an atelier in Paris, has been spending an increasing amount of time in the Chinese capital.
Unlike the embroidery he encountered in India, which used stone embellishments, he said he was drawn to hand embroidery practices in China. “If you have two people working on the same piece, you can see a difference,” the designer said, explaining the local custom of having one individual complete each piece in its entirety.
Known for his sleek cocktail dresses and intricate floor-length gowns, Riss began his career in embroidery and jewelry design. To breathe new life into the hand-embroidery process, Riss is experimenting with new technology at his Beijing atelier. “When you think of an atelier in China you don’t expect to see what I did,” he said. “We are developing 3-D software to make it high-tech.”
Venturing outside the boundaries of fashion, Riss is using the atelier to create a series of hand-embroidered artworks titled “Animal Armours.” Shaped like different animals, they are fabrics embedded with various stones.
The series has been providing inspiration for his designs for Jay Ahr. “The last pre-fall collection was 100 percent related to one of the pieces we did [for ‘Animal Armours’],” said Riss. “It’s really art coming to fashion.”
Resembling a jaguar skin, the artwork was composed of about 7.5 miles worth of embroidered metal chain. Taking inspiration from this piece, his pre-fall collection featured chain-embroidered jacquard items.
The atelier will also develop embroidery for Riss’ special capsule collection for Tod’s. He started designing D-Bags and Gommino loafers for the Italian company in 2009.
While the embroidery is done in Beijing, Jay Ahr’s production remains in France and Italy.
In Asia, Jay Ahr is only available at Joyce and Net-a-porter, but Riss said that the brand’s Asian following is gaining momentum.
"'Dynasty' is all about gowns, the diamonds and the scandal, so it's a bit like the fashion industry. When we come to Cannes it's all about the red carpet dresses too, so it all fit really well," said designer @philippplein78 on the theme of his high-glamour resort 2019 show at his mansion in Cannes. #wwdfashion #cannes (📷: @zefashioninsider)
"I think Spike is such a brilliant director because he holds up a mirror to society and reflects these issues, yet he doesn't shove it down your throat, he doesn't tell you what to think," says @lauraharrier on her latest film @Blackkklansman. Harrier was at the Cannes Film Festival – for the very first time – with @officialspikelee. #wwdeye #cannes (📷: @zefashioninsider)
“I would think to myself, Are you happy? Yes, I’m wildly happy. I go to this studio every day and, in my inside voices, I’m giggling; I’m singing. Yes, it’s a lot of work, it’s a [huge] volume of material. It wouldn’t be for everybody. But I was very happy,” said soap opera star @therealsusanlucci of checking in throughout the years with her career trajectory. Lucci spoke to WWD about her decades-long career, love for pilates, motherhood and her QVC activewear line. Read Bridget Foley’s full piece on Lucci on WWD.com #wwdfashion (📷: @celestesloman)
@balmain has taken a stand at the #cannes Film Festival, dressing 16 actresses at a press call for the project “Noire N’est Pas Mon Metier,” or “Black Is Not My Profession.” The multimedia project includes a book, photo exhibit and documentary, which aims to expose discrimination in the French and American entertainment industries. “The moment I was asked to participate, I knew it was right for me, and for this brand, to form a part of this moment,” Balmain creative director @olivier_rousteing told WWD. #wwdnews #wwdfashion
"I always feel curious and I feel like there's more to learn. But I think being relevant, feeling relevant, I personally always feel that there's just so much more to know. And maybe that's the key.” — @themarcjacobs #wwdsummits #wwdbeauty (📷: @patrickmacleodphoto )
“The most amazing thing about her is that, regardless of all the things that have happened to her, her spirit is so undaunted by all of it. She is the most cheerful person you will ever meet. She doesn’t see problems, she only sees solutions,” said @ajanaomi_king of activist Ifrah Ahmed, who she plays in a new film “A Girl from Mogadishu.” WWD caught up with King at Cannes — Head to WWD.com to read more about her new role, personal style and how she uses social media for causes like Time’s Up and Black Lives Matter #wwdeye
WWD asked a number designers to share their thoughts on what Meghan Markle’s wedding gown will look like this Saturday. Here, Valentino’s Pierpaolo Piccioli sketches his look. #wwdfashion #royalwedding #meghanmarkle