True to form, Michael Sontag’s collection remained all about construction, or the lack of it, with looks that seemed deceptively simple or incomprehensibly complicated. The sleeves on an A-line gray wool jacket created a rounded cape effect in the back, and the fabric on a peach silk midcalf dress folded over and pulled into soft folds below the bust, showing some skin at the waistline. These starburst folds also shaped gray and black wool dresses and tops, while more random folds and tucks were the guiding factor for a number of dresses, tops and skirts. Sontag demonstrated a new sense of fashionable deshabille this season, the satin gowns looking like their wearers had just rolled out of bed.
“I was touched by the fact that she lost her father, really before his time, and it was a real shock. She had two young children, she was married and she was expecting that she would have her own life for a good 25 years,” said Claire Foy about playing a young Queen Elizabeth in Netflix’s The Crown. Styled by @mayteallende 📸@jgreenery #emmys2017 #wwdeyeu
“Truth and lies have become a real interesting theme, more than ever, lately,” Emmy nominee Laura Dern told WWD. "It’s a very interesting time to use our voice." Styled by @cristinaehrlich, 📸 @shayanhathaway #wwdeye #emmys2017
“It transcends the genre that is you think of a sci-fi show — you don’t expect it to be so profound or emotionally riveting,” Evan Rachel Wood told WWD of her Emmy nominated role in Westworld. styled by @samanthamcmillen_stylist 📸 @emmanmontalvan #emmys2017 #wwdeye