Whether a launch or a comeback, here’s a crop oflines ready to swing into action next week.
Alessandro Dell’Acqua is restarting where he left off.
As he gets ready to unveil his new line, N. 21, with a runway show on Feb. 25, the Neapolitan designer will channel the same vision of beguiling stand-alone pieces that characterized his former signature line, to which he lost the rights in June.
The name of the self-financed project stems from Dell’Acqua’s birthday, Dec. 21. It’s also his lucky number.
An avid collector of Italian movies (he boasts a collection of more than 1,000 titles spanning from neorealism to late-Seventies B films), his fall lineup of 80 pieces was inspired by the warm sensuality of Monica Vitti in Michelangelo Antonioni’s “L’avventura.”
“It’s all very Italian and sensual,” said Dell’Acqua. “I liked the idea of contrasting elements, especially mixtures of sporty touches with more formal pieces.” He cited a silk-lined sweatshirt with lace insets as an example.
Also on the sportif chic side are Neoprene-lined jackets or closures borrowed from wet suits. Fluid skirts temper pristine Oxford men’s shirts, while knitwear, a Dell’Acqua specialty, comes either fitted or loose. Lace and silk georgette, two typically girly materials, are rendered more wearable, thanks to heavier weights.
Besides his trademark black and powder pink, Dell’Acqua’s palette is upbeat, with bright tones like emerald green and fuchsia, often mixed together.
Retail prices cover a wide range. Jackets span from $815 to $2,718, coats run from $1,332 to $2,854 and the $611 entry price for dresses nearly triples for more elaborate styles. Vaprio Stile manufactures the ready-to-wear while the Venice footwear factory Peron will make the shoes. — Alessandra Ilari
Landing the creative director post at Malo was a homecoming of sorts for Saverio Palatella, who worked at the 38-year-old knitwear specialist in the Nineties.
After many ups and downs and an incongruous design vision of past designers who poured on the glitz, Palatella’s challenge is returning Malo to its glory days of clean, modern sweaters.
“We really wanted to bring Malo back to its core business, making it once again the queen of cashmere to reconquer lost market share,” said Massimo Suppancig, managing director of Malo and Ittierre. He forecast 2010 sales exceeding $41 million. The collection will be presented on Feb. 28 in the Malo showroom at 26 Via Archimede.
Palatella, who joined in October, focused on gender-bending pieces knit from fine-gage cashmeres as well as chunky yarns in either slim or cocoon shapes. The color wheel rotates around camel, gray and black with shots of dusty rose, dawn orange and washed fuchsia, at times in dégradé effects or in mélange patterns.
On the beefy side are Fair Isle, cable and ribbed textures, alongside flat and fine gages fashioned closer to the body.
Sleeveless dresses or fitted jackets have a biker edge with oblique zips or chain mail trimmings. “I liked the idea of applying to knitwear the philosophy and the free spirit that characterizes a biker’s life,” said Palatella.
On a more urban note, thick-belted cardigans are tossed over matching turtlenecks and fuzzy leggings, while 8-ply cardigans are hand-knit for a wholesome effect. Sheared weasel is either laser bonded to cashmere or inserted into jackets, while short camel ponchos exude a cool Seventies edge.
The looks are topped by cozy accessories, like cashmere and silk footless stockings, fur-trimmed gloves and hats, suede totes with velvet trim. Basic cashmere T-shirts wholesale for about $200, the zipped biker jacket is around $680 and hand-knit pieces ring in at $950.
Malo is part of IT Holding, which has been in government-backed bankruptcy protection since February 2009. A decision about its future is expected soon. (For more on IT Holding, see page 24.) — A.I.
Five years after becoming creative director of Giuliano Fujiwara, Masataka Matsumura said the time was ripe to address the “feminine universe.”
That universe consists of a 22-piece capsule collection of women’s apparel and accessories, which Matsumura, 30, describes as a “modest and modern statement.”
It rounds out the line’s men’s wear and home furnishings and will be unveiled inside the brand’s Milanese flagship on Via Borgospesso on Feb. 25 with a special installation.
Steeped in Japanese tailoring tradition and the idea of conceptual shapes, each piece springs to life via precisely executed pleatings, tucks and origami folds for a tridimensional effect. “It’s certainly very understated because the only thing I want to show is the craftsmanship and the sturdy and compact fabrics,” said the Japan-born Matsumura, who was educated in Switzerland and England. He still commutes between Japan and Italy, where the collection is manufactured.
Epitomizing his vision is a precision-cut cropped jacket over a high-waisted skirt. For accessories, Matsumura uses hand-sponged leathers, matte-shiny effects, mirror coatings and painted leathers.
The collection will be available in Fujiwara’s flagships in Tokyo, Milan, Rome and Taipei, Taiwan, as well as in upscale specialty stores worldwide. On average, wholesale prices run from $340 to $1,087 and estimated sales for the fall collection are $272,000.
Following the death of founder Giuliano Fujiwara in 2005, the company was sold to Steadfast, a Japanese firm with growing interests in the fashion arena. — A.I.
Born in Colombia, this Milan-based designer founded his namesake company in November after cutting his teeth at Giorgio Armani, Missoni and Escada.
Channeling Madeleine Vionnet, Cristóbal Balenciaga and Charles James, David Garavito designs cocktail fare and evening dresses that play up his sartorial techniques of draping and movement displayed on either feminine or more masculine shapes. “When I design a collection, I never start from a particular theme or image because my first thought goes to the construction,” he said.
Garavito’s base collection comprises 10 dresses, but he also offers what he calls “prêt-à-couture” service: high-end tailored products with accessible prices.
Heidi Klum, Andie MacDowell, Angela Bassett and Jane Seymour all chose his dresses during his tenure as chief designer at Escada. Now, Garavito’s aim is to offer the general public custom-made formal dresses at noncustom prices. The line retails from 500 euros, or $678 at current exchange, for a cocktail dress to 2,500 euros, or $3,390, for a made-to-measure evening dress.
David Garavito shows at Brand 33, 33 Via Visconti di Modrone, from Feb. 24 to March 1. — Alessandra Turra
After leaving his native Sardinia at 17, Gianni Serra landed in Milan, where he took fashion design courses at Istituto Marangoni. After graduation, he moved to Rome, where he became a theatrical costume designer. There, fascinated by couture, he launched his namesake line at Alta Roma in 1998, and 11 years later, back in Milan, Serra branched out with ready-to-wear. Last July, he was among the finalists of “Who Is on Next?”
Serra’s creativity draws from the Bauhaus rationalism. “I’m all for absolute rigor. What I intend to do is take superconstructed couture pieces and deconstruct them for everyday wear,” he explained, adding jackets are a key component of each collection. “Constructing a jacket is always the starting point for me.”
Banishing frills, Serra played with vertical lines and proportions, pairing ultralong with supershort pieces. Fabrics, stolen from the men’s wardrobe, are shiny, thanks to a silicone coating, or are matted for a raw effect. Black and white are the leading colors, with a bit of gray and a flash of mandarin.
The collection wholesales from 230 euros, or $312, for pants to 870 euros, or $1,181, for a coat. It’s sold at JFT in Hong Kong and Wok Store in Milan.
The line will be shown by appointment from Feb. 21 to March 19 at 19 Via Sidoli. — A.T.
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast