Paris: C’est Fini: the Great Seducer, Forever Yves
The Great Seducer: If seduction's your game, then Valentino is your couturier. He presented the most feminine, sexy collection Paris has seen all week. He sent it out to a soundtrack with a lot of music by k.d. lang; if ever there was...
The Great Seducer: If seduction's your game, then Valentino is your couturier. He presented the most feminine, sexy collection Paris has seen all week. He sent it out to a soundtrack with a lot of music by k.d. lang; if ever there was an ironic choice of tunes, this was it. Val's women are sensuous pussycats, and have no time - or taste - for drab, androgynous drag. Delicate is another word that comes to mind when describing Valentino's collection. His colors are soft and muted; his fabrics smooth and flowing; his prints and appliques tasteful in the extreme.
"I'm a little worried because it's so simple," Valentino said before the show. And, indeed, there were hardly any accessories, except for big Phillip Treacy garden hats and dainty earrings. Val's suits - with short bouncy skirts - were topped with jackets so soft they looked like tunics, flaring easily from high Empire waists. They were often cut from double layers of chiffon and worn with matching, strategically slit skirts. There were virtually no pants, only loads and loads of fluid printed dresses - maybe a few too many.
But it was at night that Val really took off. He loves lace and lingerie looks, which he's done before, but never with such restraint. Sure, there was a bosom visible here, a bosom visible there, but by and large the dresses were perfectly street legal. The best evening segment was a group of long, simple columns in shades of champagne, tan and beige. Some were topped by sheer embroidered tulle jackets, a few of which were covered in birds and bees. How apt.
Forever Yves: Roots. That's what Yves Saint Laurent said his collection was all about. And that's exactly what it was. His presentation Wednesday morning was vintage Saint Laurent: impeccable pantsuits, luscious blouses, beautiful crepe dresses, superb mixes of colors and the kind of evening dresses that make people ooh and ah. There wasn't a lot for the copiers this season, but there was plenty for the customers. This was one of the shortest Saint Laurent collections on record, only 61 numbers. But despite his recent bout with double pneumonia, which landed him in the American Hospital for a week, Yves made his customary walk down the runway with Lucie de la Falaise, and was mobbed as usual backstage.This season, Yves likes his skirts short, but not too short: just an inch above the knee, or "normal," as Loulou Klossowski calls it. But the strongest statement of all was for pants, which has been couture's loudest cry this season. Saint Laurent's most spectacular came in gray Donegal tweed with a black bow tie and fabulous printed crepe blouse - the only way a chic woman should wear a man's suit. Though white was his favorite theme, Saint Laurent's color genius showed up in a group of crepe dresses, exquisitely wrapped around the body in fuchsia and a blue shade he calls myosotis (Greek for forget-me-nots). Loulou's accessories were pure Saint Laurent: lots of gold, touches of silver and sometimes a mixture of both, flashing from big bracelets, earrings and brooches, often with opulent colored stones.
The evening segment was the least inspired part of the collection. There were three or four beautiful long white columns in raw silk, a black satin wrap dress and a transparent leopard print number that would make any man growl. But they were overshadowed by a finale of Marie-Antoinette damask corset gowns that were strictly over the top.
Yves had the customary heavy-hitting front row, including Catherine Deneuve, who was mobbed as usual by dozens of hungry paparazzi, while the other ladies looked on in icy dismay. "What do you think they do with all those pictures of her?" wondered Princess Firyal of Jordan.
In his new book “Hollywood Royale,” Andy Warhol’s Protégé Matthew Rolston celebrates the Eighties revival of Hollywood glamour. Featuring more than 100 portraits taken by Rolston from 1977 to 1993, the book contains photos of icons like Michael Jackson, Cyndi Lauper, and @drewbarrymore, pictured here in 1991. “Hollywood Royale,” out today, will be accompanied by an exhibition opening at Los Angeles’ Fahey/Klein Gallery on March 1. #wwdeye
"Nowadays when life is not so happy with everything going on in the world, I think people come to me for a little bit of whimsy and color and fun." - Designer Rebecca De Ravenel on her cult-favorite jewelry line. (📸 : @vsteves) #wwd40
“Everyone is talking about how the retail industry is struggling, but I think it’s an incredible time because brands who are doing something different and innovative are setting themselves up for the future,” said @adamgoldston, who founded the luxury athletic brand @apl with his brother @ryangoldsten. The Goldston’s are part of WWD’s 40 under 40: a group of industry notables. See the rest of the list on WWD.com. (📷: @vsteves) #wwd40
@eyeswoon blogger Athena Calderone debuted her first-ever cookbook, “Cook Beautiful,” which is heavily centered on the presentation and visual expression of food. Pictured here are her miso glazed carrots from the book. Get the recipe on WWD.com. (📷: @johnny_miller_) #wwdeye
“It’s passion that helps get anybody to a certain point and it’s what’s propelled me,” said Kith founder @ronniefieg, one of WWD’s 40 under 40: a group of industry notables who are changing the face of retail, fashion and beauty. Fieg, who opened a Manhattan flagship on October 7, began his career at age 13 as a stock boy and salesman for footwear chain David Z. “I think staying true to [my] beliefs, hard work and passion have gotten me to where [Kith] is today.” See the rest of the 40 at WWD.com. (📷: @vsteves) #wwd40
25-year-old @samweaving is about to break out this fall, starring in Netflix’s horror film “The Babysitter,” fittingly out today on Friday the 13th. That’s not the only place you’ll be seeing her, though — Weaving’s got a role Showtime’s “SMILF” and another alongside Frances McDormand and Woody Harrelson in “Three Billboards Outside Ebbing, Missouri.” Though she’s got a full plate at the moment, there’s one role she’s got her eye on: Marilyn Monroe. “I’m a little too young at the moment, but it’s on my bucket list,” the actress told WWD (📷: @dandoperalski) #wwdeye
BFF's Poppy Jamie and Suki Waterhouse celebrated the launch of their bag line Pop x Suki at Nordstrom last night. "The line is really about our friendship, and how we are so different but complement each other," said Waterhouse. 👯 (📷: Katie Jones) #wwdeye
After designing the new @louisvuitton and @bulgariofficial flagships and a @chanelofficial boutique opening in Japan, @petermarinoarchitect has another project on his plate: The Lobster Club. Located in the Seagram Building, it’s the famed architect’s first restaurant project in New York, serving up modern Japanese brasserie-style cuisine. Bronze hues, bespoke material detailing, blush and chartreuse tones and a heavy emphasis on Picasso can be seen throughout. Mark your calendars for Nov. 1 for the much-anticipated opening. (📷: @clint_spaulding) #wwdeye
Did you know: @carlychaikin of "Mr. Robot" has been painting for about a decade? The actress, who plays Darlene on the show, is a self-taught artist who lists Salvador Dalí and Chuck Close as some of her idols. Chaikin told WWD that painting is a form of meditation for her — A much-needed one given the intensity of "Mr. Robot." See a piece Chaikin is working on at WWD.com (📷: @jilliansollazzo) #wwdeye