PHILADELPHIA — The University of Pennsylvania's second annual fashion week culminated Friday night with a "Carnaval"-themed fashion show displaying the collections of 23 student designers.
Penn's fashion week 2008 appealed to hundreds of students who were eager to learn more about the fashion industry. From March 29 to Saturday, several on-campus events gave fashion-enthused coeds a chance to discover the professional opportunities within the industry. Trunk shows, beauty workshops and guest speakers all grabbed the attention of students whose appetite for the industry is not fully satisfied through their Ivy League academic pursuits.
This year Penn garnered Kenneth Cole as the keynote speaker. Cole came to the West Philadelphia campus on April 1, and delivered a speech discussing his decision to start his own company and his current philanthropic involvement.
"It was really inspiring to hear such a relevant figure in the fashion industry discuss how he has instituted broader change," said sophomore and student designer Lily Rogath.
A fashion panel on Wednesday focused on the evolution of luxury and retail, specifically speaking to the trend of exclusive couture houses transforming into "mass luxury" brands. Moderated by Erin Armendinger, managing director of the Baker Retailing Initiative, the panelists gave their insights into designer diffusion lines, the effects of high brand awareness and the role the Internet plays in the luxury market. Panelists included Carinah Martin, a Penn 1995 alum who has worked in the luxury sector for 10 years, and Alexandra Wilkis Wilson, founder and chief merchandising officer of Gilt Groupe, a private luxury and fashion sample sale Web site.
For most, however, the fashion show was the week's most anticipated event as it showcased the work of aspiring designers on campus. On Friday evening, hundreds of innovative designs made their way down the runway on student-models whose feather-embellished hair and dramatic makeup reinforced the wild spirit of the "Carnaval" theme.
"The clothes were much better quality than last year," said Wharton senior Jacqueline Raich, former editor in chief of Penn's fashion magazine The WALK. "Colors are in and the designers definitely picked up on that." Almost a quarter of the collections opened with a bright yellow piece, and ruffles made a big statement, appearing on several designers' shorts, dresses, tops and skirts.The show's front row included a buying representative from Bloomingdale's.
"The response we had from everyone on campus has been really positive," said Lea Artis, a senior and president of Dzine2Show, Penn's fashion club that organizes fashion week. Artis said that, after the evaluation meeting on Monday, the club will begin brainstorming for next year's event.
The weeklong campus event was hosted by Dzine2Show (Penn Fashion Society), the Wharton Retail Club and Delta Sigma Pi business fraternity, and was supported by the Jay H. Baker Retailing Initiative.
“Azzedine has been one of the biggest influences in my life. He has always been such a strong, loving, fatherly figure to me. I call him Papa. His designs are indescribably unique, they are pieces of art. He knew how to make the female form look its loveliest. I have so many memories of him; my favorite might be during my first show with him in Paris. He liked me and he wanted to help me get more work. He called all his friends at Kenzo and Comme des Garcons, and asked them to book me. They said, ‘But she can’t walk!’ And he said, ‘but she has such a great ass!' His friendship and support has been the great privilege of my career. I can't imagine life without him. Repose en paix mon Papa.” - @stephanieseymour tells @wwd. #wwdfashion (📷: @steveeichner) #alaia #azzedinealaia
Azzedine Alaïa, flanked by two of his closest friends, models Stephanie Seymour and Naomi Campbell.
He designed Seymour’s dress for her 1995 wedding to Peter Brant, and treated Campbell (who famously called him Papa), like a daughter. For more on the legendary designer, tap the link in bio. #wwdfashion #alaia #azzedinealaia
Azzedine Alaïa's “I-did-it-my-way” ethos stood out starkly at a time when brands are experimenting with consumer-facing fashion shows, coed formats and trans-seasonal collections – anything to perk up lackluster sales of ready-to-wear in an age of Insta-everything. “It’s not creation anymore. This becomes a purely industrial approach,” the late designer told WWD in an interview last year. “But anyway, the rhythm of collections is so stupid. It’s unsustainable. There are too many collections.” Read more about the iconic designer’s life and work on wwd.com, link in bio. #wwdfashion #azzedinealaia (📷: @WWD Archive, 1986) #alaia
Sneaker reselling app @goat’s latest exhibit, "The Greatest: New York," tells the story of New York's sneaker culture. To celebrate the exhibit, an intimate crowd gathered on Thursday night at the pop-up gallery space, located at Platform in Culver City, to hear guest speaker and illustrator @esymai talk about her own rise in streetwear and women in the business. "For me I'm just someone who is creative. I like to create things," said Chang. #wwdfashion
Azzedine Alaïa, one of the most iconic couturiers of the modern era whose body-con designs defined Eighties fashion, has died in Paris. The diminutive Tunisian-born designer, known for his structured knitted dresses with fitted waists and impeccably cut, figure-hugging second skin silhouettes was deeply admired by his peers, and counted supermodel Naomi Campbell - his adoptive daughter - among his inner circle, one of a gang of glamazons including Farida Khelfa, Carla Bruni and Stephanie Seymour who became ambassadors of his style. (📷: Alexandre Guirkinger) #wwdblast