Marc Jacobs: Fashion is global. An overused cliché, perhaps, but not entirely true, as we still take very different expectations to the various fashion centers. And Paris still reigns as the capital of fashion thrills. Which is why that semiannual trek to the Lexington Avenue Armory is so packed with anticipation. We go expecting more than a pretty dress, and almost always, Marc Jacobs delivers, often rejuicing favorite motifs with a new punch. Even so, well into his mature designer phase, the flowering of the past few years has been something to see, growth that found breathtaking expression in the collection he showed on Monday night. It exemplified very clearly the influence of 10 years in Paris on Jacobs' American roots, his natural audacity and wit refined and bolstered by the French sophistication and obsession with creativity.
The collection gave a lyrical aura to some pretty outlandish themes, "lighthearted and a bit corny," according to Jacobs. "Too conventional feels old-fashioned." He showed against a stunning Stefan Beckman set, sweeping wallpaper hills behind a bright green runway raised over a rippling stream made of candy. Jacobs kept the palette and the mood light as air — the music was a variation on Pachelbel's "Canon in D" — despite the abundance of stuff worn in various displays of eccentricity, the overall girliness twisted by a faux-butch counterpoint. There were mesmerizing metallics, cellophanes, laces, ruffles, avian appliqués, jersey collages, glitter and khakis, not to mention ample evidence that Jacobs has developed a headgear fetish. "The more loaded up, the better," he said. "People like fashion at the moment." It's hard to imagine fashion girls not liking the gorgeous coats and jackets, winsome dresses, delicate blouses and eccentric Ts. And, of course, the gleefully ostentatious handbags, in pairings of exotic skins with big, flashy jewels. As for the pants, they were a middle-school English teacher's dream, a lesson in comparatives — tricky, trickier and trickiest, à la early As Four. Still, Jacobs insists they're not a joke.
But no matter. The real message here was about knocking grand fashion off its pedestal so that it speaks to the (rich) girl on the street.
@margotrobbie steps out onto the red carpet wearing @miumiu. The actress is nominated for “Outstanding Performance by a Female Actor in a Leading Role” in “I, Tonya” at the #SagAwards. (📷: Stewart Cook) #wwdfashion
For @massimogiorgetti of @msgm, the Nineties are his favorite decade. “They had a huge impact on my personal growth. What I like of the Nineties is that they are not so precise in terms of style as other decades…there was actually a bit of everything,” he said. As seen on MSGM’s Spring 2018 show: tie-dye and a bit of grunge, two styles that are synonymous with the decade #wwdfashion #wwddecades (📷: @kukukuba)
Breaking News: @hedislimane joins @celine as its new artistic, creative and image director. One of fashion’s preeminent image-makers and trendsetters, Slimane is to join the LVMH brand on Feb. 1 and unveil his first fashion proposition for men and women next September during Paris Fashion Week. It marks a major homecoming for Slimane, who cemented his reputation – and influenced men’s tailoring for more than a decade – as the designer of Dior Homme between 2000 and 2007. He went on to reinvent and ignite the house of Yves Saint Laurent, which he rechristened Saint Laurent, between 2012 and 2016 – all the while maintaining a close relationship with the Arnault family, which controls LVMH and Dior. Read the full exclusive story on WWD.com. Link in bio. #wwdnews #wwdfashion
“Personally I believe the Eighties have been the richest and more vivacious period for international fashion,” Giorgio Armani said when asked what his favorite decade of fashion is. It was a moment of disruption and experimentation and only thinking back to the first years of that decade is always an emotion for me, for what they have meant to me and my work.” The influence is clear in @giorgioarmani spring 2018 collection, pictured here, which was full of bright colors and unexpected prints. Read more about which decades designers loved most on WWD.com #wwdfashion #wwddecades (📷: @aitorrosasphoto)
For Lady Gaga’s only Italian show on her “Joanne World Tour,” the singer wore a range of @versace_official outfits. The standout piece: this custom-made bodysuit inspired by the brand’s spring 2018 collection. #wwdfashion (RG: @ladygaga)
@_camillaruth_ is expanding on the wellness-craze concept with @westbourne – a new NYC restaurant that’s both a healthy-minded café as well as a business that gives back to the community. Marcus works with the Robin Hood foundation to give back to The Door, a non-profit providing youth development services, and also hires employees through The Door. Read our full interview with Marcus on giving back through food on WWD.com. #wwdeye (📷: @lexieblacklock)