Soft, billowing shapes have a charming lightness, which is winning in any season, but especially in one that puts simple, quiet looks front and center.Stella McCartney: The big lesson at Stella McCartney's show on Thursday morning: Quiet clothes don't have to be dull. That may not be a bulletin to anyone familiar with the clean sportswear favored by Seventies-era jet-set types, but McCartney's spring collection was a refreshing reminder nonetheless. And her timing felt just right. Opening with a simple white blazer over pale gray pants, she put the blaring soundtrack and brazen attitude on hold. Tailored pieces showed off McCartney's Savile Row signature, while her trademark rock 'n' roll flou came neatened up in a paper-thin lavender shirtdress.Calm though it was, however, McCartney's look exuded a womanly confidence and sophisticated steam. Her classic combinations included a billowing white shirt with smart tailored shorts. Her after-dark options ranged from structured cocktail dresses to flyaway chiffons, some done up with candy-colored prints culled from paintings by Jeff Koons, who was at the show. But throughout it all, McCartney demonstrated a control and maturity that can elude young designers desperate to make big statements and conceptual clothes. She knows fashion serves a purpose beyond feeding the designer's ego. She's smart enough to put her customers first.Dries Van Noten: Taking inspiration from artist James McNeill Whistler's late 19th-century portraits of women and the Japanese prints that influenced Whistler in turn, Dries Van Noten put together a stunning spring collection. And while his muses may have been dated, Van Noten's breezy clothes certainly weren't. Van Noten has an idiosyncratic vision and a gorgeous sense of color — from bisque to cherry red and from deep indigo to burnt orange. Here all those elements came into perfect harmony, as seen with a pale peach slipdress dip-dyed with a streaky band of olive around its middle. Kimono jackets washed soft and worn with long walking skirts gave off an earthy elegance. Layers of neutral linens lent the collection a subtle intrigue, and oversized prints gave it all a worldly spin. After all, Van Noten is no fair-weather bohemian hoping to liaise with the artsy set for a season, nor is he interested in trumped-up period costumes. His carefully crafted look was as believable as it was beguiling.Givenchy: Memo to Riccardo Tisci: Please get a grip. Tisci presented himself as a designer of interest in his couture debut in July, a Goth-chic reverie he made compelling despite its irritating presentation. Yet in his first ready-to-wear effort on Wednesday, he ditched the path just started in favor of a different direction entirely, retaining only his penchant for theatricality — one that pulsed with a pretension as gigantic as the sphere obstructing much of his stark white set and his final bow.Tisci replaced his dark divas of haute with an influx of zombie-dominatrix hybrids who moved mechanically around — and around and around — the set in dazed defiance of the audience's own inevitable trance. Which is too bad, because, despite their whopping homage to Azzedine Alaïa, some of the clothes — mostly variations on skintight trumpet skirts — were really good, suggesting a creator who could develop his craft into a serious business.First, however, Tisci must accept that he has a mammoth task ahead of him. After 10 years of musical designers, Givenchy has virtually no identity beyond the retro shade of Audrey Hepburn and, some would say, no real reason to exist. Tisci's first priority — before sourcing hideous shoes and silly props — must be to discern for himself what exactly his Givenchy is to be about, and then start spelling it out clearly and concisely for the rest of us.
“I design by visualization. I see things, and most of the time they’re not practical to actually make, and what I’ve found here, it’s like anything’s possible. This is the first time that I’ve made a sole unit in two months. That process usually would take six, so here’s a difference,” said @virgilabloh of the first sneaker sample he created for @louisvuitton, pictured here. Abloh spoke to WWD about his debut collection for Louis Vuitton, creating @kendalljenner’s #metgala outfit and redefining the heritage brand. Read the full story on WWD.com. #wwdfashion (📷: @alfredo_piola)
The world’s largest producer of denim @iskodenim is sharing the strategy behind its product development process. Read our full interview with ISKO’s product development manager Baris Ozden on the company’s extensive research practices, upcoming denim trends and the latest material innovations on WWD.com. #iskodenim
“I genuinely fell in love with water, I fell in love with Fiji, I fell in love with the whole life that we lived for those few months,” says @mrsamclaflin of filming for his new movie “Adrift” with @shailenewoodley. The 31-year-old actor spoke with WWD about his upcoming projects, meeting Jamie Dornan and working with co-star Woodley. #wwdeye (📷: @jamstoker)
3 years ago, fans of the late singer Aaliyah started calling for a collaboration with @maccosmetics. With the strength of social media — including mock ups of products — 25,000 people signed a Change.org petition for a limited-edition collection, and MAC couldn’t ignore the buzz. Tomorrow, MAC will unveil MAC x Aaliyah, a tribute to the singer who passed away nearly 17 years ago. Head to our stories to preview the new collection, which was worked on by Aaliyah’s family and inspired directly by her makeup bag. #wwdbeauty
Artistic director @clarewaightkeller will be dedicating @givenchyofficial’s fall 2018 couture show in Paris on July 1 to house founder Hubert de Givenchy, who passed away in March at age 91. Givenchy said the collection would be “an homage to his iconic creations, technique, and personal lexicon” and a “celebration of his timeless elegance and grace.” Head to WWD.com to read more. #wwdfashion (📷: Delphine Achard)
La Double J made a name for itself with its vintage-inspired prints, but for resort, designer JJ Martin has ventured into new territory: enter rich jewel toned solids and decadent embellishment, in the form of appliqués, crystals and sequins. #wwdfashion #resort19 #ladoublej
This Just In: J. Crew Group has named Johanna Uurasjarvi as its chief design officer.
Uurasjarvi succeeds Somsack Sikhounmuong, who left the company last September. Tap the link in bio for the full report. #wwdnews
“She came into my hotel room and she was like, ‘I have Chanel and Christian Dior.’ She was like, ‘Chanel likes you.’ And I was like, ‘I’m going to start crying,’” breakout star Maddie Hasson tells WWD of her styling sessions Molly Dickson. “I really like classic, elegant things. I love the way Anna Wintour dresses.” Read more about Hasson’s role in @impulseseries on wwd.com. (📸: @jgreenery ) #wwdeye
@virgilabloh revealed he's working with Australian stylist and
Vogue Australia fashion director @christinecentenera for his debut @louisvuitton men's collection, which will be presented in Paris on June 21. Centenera met Abloh while both working with Kanye West, where she consulted on his all his runway collections since his debut spring 2012 women's wear show. Read the full story on WWD.com. #wwdfashion #wwdnews (📷: @asussmanphoto)